Fiction Index
The Future Fire publishes socio-political speculative fiction in all genres, but with a particular taste for Cyberpunk, Feminist SF, Queer SF and Eco-SF. Any story that takes a world unlike our own in one small way (be it science fiction set in the future, speculative in the past, a fantastic parallel universe, a psychedelic dream) and uses that setting to examine some aspect of our own world with a social and political conscience, is broadly within our purview… so long as we think it's great. Surprise us. Challenge the expectations of our commodified little world.
#noAI #noImageAI The owner of this website does not consent to the content on this website being used or downloaded by any third parties, including automated systems, for the purposes of developing, training or operating generative artificial intelligence or other machine learning systems.
We are also archiving fiction from 2004-2008 for Whispers of Wickedness.
For instructions on how to send us stories see the submission guidelines.
(Newest stories are highlighted in peach.)
Sort by:
title
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date
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Poems
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‘Alien Armada’, Mary Soon Lee, 2021
(21 lines)
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‘All I Ever Wanted to Be’, Goran Lowie, 2023
(28 lines)
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‘Apotheosis’, Nicole J. LeBoeuf, 2021
(45 lines)
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‘Armor’, Devin Miller, 2021
(30 lines)
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‘Athena on Motherhood’, Kari Castor, 2016
(33 lines)
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‘Between Scylla and Charybdis’, Carina Bissett, 2023
(53 lines)
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‘Bone Planet’, Petra Kuppers, 2024
(14 lines)
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‘The Cassandra Effect’, M. Frost, 2025
(22 lines)
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‘charybdis’, Marisca Pichette, 2022
(38 lines)
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‘Cleopatra Diaries’, Jennifer Crow, 2019
(52 lines)
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‘Daphne’s Grove’, Hayley Stone, 2018
(59 lines)
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‘Daughter’, Eva Papasoulioti, 2019
(28 lines)
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‘Degenerate’, Avra Margariti, 2022
(27 lines)
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‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020
(16 lines)
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‘Dissolution’, Danielle Levsky, 2025
(66 lines)
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‘Drown Me’, Hester J. Rook, 2020
(25 lines)
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‘Echidna’, Stephen Whitehead, 2018
(48 lines)
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‘Eden’, Stephen Whitehead, 2020
(38 lines)
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‘Entwined’, J.N. Powell, 2017
(36 lines)
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‘Falling Out’, Hayley Stone, 2019
(10 lines)
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‘The Flier and the Sheltered Maid’, Ana Gardner, 2021
(43 lines)
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‘The Fungal Force: A History’, Colleen Anderson, 2023
(55 lines)
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‘Germination’, A.Z. Louise, 2019
(67 lines)
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‘Going Under’, Ujjvala Bagal Rahn, 2023
(13 lines)
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‘Guidelines for Living Your Fairy Tale (in no Particular Order)’, Amanda Cook, 2024
(46 lines)
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‘he kindly danced for me’, J.D. Harlock, 2021
(14 lines)
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‘Homunculi of Creation’, Avra Margariti, 2024
(38 lines)
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‘How Far Does Night Have To Fall?’, F.J. Bergmann, 2016
(34 lines)
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‘How Magic Will Help You Take the Bastards Down’, Beth Cato, 2023
(45 lines)
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‘How to Dismantle a Defective Sex Droid’, Ashley Bao, 2021
(29 lines)
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‘How to Plant an Olive Tree on the Moon When All Is Lost’, Elena S. Kotsile, 2023
(14 lines)
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‘How to Tell Your Husband You’re a Werewolf’, Katherine Shats, 2021
(24 lines)
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‘How Will They Judge Us’, Lisa Timpf, 2017
(9 lines)
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‘In Dependence’, Oluwatomiwa Ajeigbe, 2021
(33 lines)
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‘Interstellar Wallflower’, Samuel Lowd Goldstein, 2023
(35 lines)
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‘Jonah’, Soren James, 2018
(33 lines)
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‘Keeping the Stars’, Anna Sykora, 2016
(24 lines)
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‘The Later Life of Herr Samsa’s Picture’, Elizabeth R. McClellan, 2023
(68 lines)
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‘Lights’, Kim Whysall-Hammond, 2019
(34 lines)
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‘Liquid Water Lake Revealed on Mars’, Paige Elizabeth Smith, 2019
(19 lines)
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‘Lost’, Adele Gardner, 2020
(60 lines)
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‘Lucky Fact’, Stefani Cox, 2020
(28 lines)
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‘Mageochory’, S. Brackett Robertson, 2023
(19 lines)
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‘Manipulating the Light’, Mahaila Smith, 2024
(42 lines)
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‘Mermaid's Comb’, Colleen Anderson, 2018
(36 lines)
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‘Moon’, Jeana Jorgensen, 2019
(43 lines)
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‘A Moon Witch Seeks a Shell’, Devan Barlow, 2024
(25 lines)
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‘Mycelial’, Lisa Timpf, 2023
(36 lines)
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‘Nebula Girl’, Maria DePaul, 2017
(16 lines)
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‘Neith and Her Women’, Gerri Leen, 2020
(34 lines)
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‘New Moon’, T.D. Walker, 2017
(30 lines)
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‘Not a Princess, But (Yes) There Was a Pea’, Rebecca Buchanan, 2019
(182 lines)
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‘Not Far Enough’, Paige Elizabeth Smith, 2019
(29 lines)
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‘Not for Sale, Used Asteroid, One Owner’, Mary Soon Lee, 2021
(16 lines)
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‘Oak Tree’, Fiona M. Jones, 2020
(34 lines)
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‘Of Weeds and Witches’, Shelly Jones, 2021
(38 lines)
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‘Patchwork Girl’, Colleen Anderson, 2016
(33 lines)
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‘Proven Strategies in Human Public Relations’, Davian Aw, 2017
(55 lines)
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‘Rain on St Andrew’s Night’, Ana Gardner, 2021
(60 lines)
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‘Raised’, Deborah Harford, 2025
(22 lines)
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‘Reasonable Accommodations’, Nicole J. LeBoeuf, 2022
(14 lines)
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‘Red Tide at the Finca’, Michael Díaz Feito, 2019
(20 lines)
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‘Results of Your Quiz: Which Survivor of the Trojan War Are You?’, Hayley Stone, 2018
(46 lines)
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‘Return to the Cities’, Marie Vibbert, 2022
(34 lines)
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‘Riddles of Lunacy’, Rufina Jinju Kang, 2019
(36 lines)
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‘The Risk of Embarking’, Lynne Sargent, 2021
(36 lines)
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‘Rumors of Women’, Laura Cranehill, 2021
(45 lines)
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‘The Ships That Sang’, Jess Cho, 2024
(34 lines)
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‘Shrouded’, Jennifer Bushroe, 2019
(30 lines)
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‘Smells of Brine, Witching’, Devin Miller, 2023
(24 lines)
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‘Solitary’, David Birch Ellis, 2023
(22 lines)
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‘Song of Wandering Agnes’, Christyl Rivers, 2018
(23 lines)
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‘Spare the Fire, Spoil the Brute’, Gerri Leen, 2020
(40 lines)
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‘Sunrise over Neo-Tokyo’, Lae Astra, 2024
(26 lines)
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‘Sunset on Kepler-22b’, Christina Sng, 2019
(57 lines)
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‘This Soundless Murk’, Hester J. Rook, 2020
(22 lines)
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‘Through the Dark, Persephone Speaks’, Jennifer Bushroe, 2019
(24 lines)
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‘Time Traveller's Memory’, Davian Aw, 2020
(177 lines)
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‘Two Hybrids’, Rachel Rodman, 2024
(179 lines)
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‘Unformed’, Veda Villiers, 2025
(81 lines)
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‘Until a Hundred Generations of People Have Departed’, E. Saxey, 2021
(52 lines)
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‘Walking on Knives’, Jeana Jorgensen, 2019
(85 lines)
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‘We Don't Always Have to Toss Her in the Deep End’, Jordan Hirsch, 2022
(43 lines)
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‘What Heroines Read’, Mary Soon Lee, 2024
(16 lines)
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‘Whistling Trees and Ironwood’, Hester J. Rook, 2020
(40 lines)
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‘Witch Moon’, Colleen Anderson, 2017
(29 lines)
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‘The Wolf’s Tale’, Rebecca Buchanan, 2019
(37 lines)
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‘You Are Whole’, Anshritha, 2021
(86 lines)
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‘A 구미호 Invites a Soucouyant to a Picnic’, Rufina Jinju Kang, 2018
(96 lines)
Flash fiction
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‘AITA for throwing away my wife’s haunted dolls?’, Annika Barranti Klein, 2022
(890 words)
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‘Always Look on the Bright Side’, Alison Littlewood, 2008
(1000 words)
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‘Backward Planning’, John
Young, 2005
(270 words)
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‘Before We Drown’, Vanessa Fogg, 2022
(980 words)
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‘The Bone Prophet’, Hester J. Rook, 2021
(880 words)
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‘Bottom Drawer’, Brett Alexander
Savory, 2005
(500 words)
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‘The Bright Hunters’, B.L. Draper, 2015
(250 words)
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‘The Carminokite’, Kimberly Kaufman, 2019
(900 words)
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‘Cinder-Elver’, Mary Alexandra Agner, 2016
(650 words)
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‘Collective Bargaining’, Jonathan Olfert, 2023
(1000 words)
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‘The Cryptographer’s Body’, Evelyn Deshane, 2016
(850 words)
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‘Deadline’, Tom
Lichtenberg, 2006
(1000 words)
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‘Dragon Years’, Juliet Kemp, 2020
(880 words)
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‘The End of Rain’, Zoe Kaplan, 2024
(720 words)
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‘Ganymede Riots’, Victoria Feistner, 2019
(500 words)
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‘Gendered Anatomy’, R.E. Andeen, 2021
(700 words)
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‘The Good Wife’, Rebecca Buchanan, 2018
(800 words)
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‘A History of the 20th Century, with illustrations: Atonement’, Ian Sales, 2012
(900 words)
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‘Huddle’, Monica Joyce Evans, 2023
(720 words)
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‘Hysteria’, Katrina Smith, 2019
(830 words)
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‘I Believe’, Dawn Vogel, 2019
(770 words)
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‘Lady of the Court of Black Wings’, Richard R. Blake, 2017
(920 words)
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‘The Light Princess’, Ephiny Gale, 2013
(1000 words)
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‘The Lime Monster’, Shelly Jones, 2020
(900 words)
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‘A Matter of Perspective’, T.C. Powell, 2015
(500 words)
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‘Once Again’, Allen
McGill, 2005
(900 words)
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‘Pirouettes in Weightlessness’, A. Zaykova, 2023
(400 words)
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‘Salamander Love’, Petra Kuppers, 2019
(890 words)
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‘A Sea Change’, Shelly Jones, 2022
(1000 words)
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‘Seven Choices’, Rachel Rodman, 2017
(600 words)
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‘Shore Pines and Spider Silk’, Misha Penton, 2019
(290 words)
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‘Solarpunk Letters: Seeds of Change’, Joyce Chng, 2023
(290 words)
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‘Spindle Talk’, Sean R. Robinson, 2017
(1000 words)
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‘Sun-Dappled Sheets of Methane Rain’, Marc A. Criley, 2024
(830 words)
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‘Trash Goes in the Ground’, Kelly Rose Pflug-Back, 2017
(970 words)
Short stories
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‘10%’, Edward W.
Robertson, 2009
(4800 words)
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‘The Abridged Excerpts from the Diary of a Corpse’, Naethan Pais, 2021
(3500 words)
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‘After the New Dawn’, Joseph Tomaras, 2015
(1500 words)
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‘All Along the Mall’, Chloe N. Clark, 2015
(6000 words)
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‘All That Water’, Eris Young, 2025
(3200 words)
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‘All the Way’, Graham
Storrs, 2009
(2400 words)
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‘Always Left Behind’, Jack Hollis Marr, 2014
(1500 words)
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‘American Golgotha’, Joe Pitkin, 2012
(6500 words)
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‘Apala’, Terrance
Jefferson, 2007
(4000 words)
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‘An Argument in a World Full of Wonders’, Omi Wilde, 2018
(2900 words)
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‘Art Attack!’, Mark
Harding, 2007
(2000 words)
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‘Ashen Wings and Lightless Skies’, Amelia Sirina, 2018
(6800 words)
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‘Autonomous Dispatch’, Anna Ziegelhof, 2021
(3500 words)
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‘Avatar on the Belts 1: Tartaros’, William J. Piovano, 2008
(5700 words)
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‘Avatar on the Belts 2: Eros’, William J. Piovano, 2008
(5500 words)
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‘Avatar on the Belts 3: Aither’, William J. Piovano, 2008
(3500 words)
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‘The Avlina Flower’s Magic’, Jamie Lackey, 2021
(1900 words)
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‘Before We Left the Forest’, Kelly Rose Pflug-Back, 2016
(3900 words)
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‘Between the Shadow and the Soul’, Davian Aw, 2023
(6000 words)
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‘Bilaadi’, S. Ali, 2012
(2600 words)
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‘Billie the Dragon Slayer’, Alexandra Grunberg, 2019
(4300 words)
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‘The Birdwatcher’, Jocelyn Koehler, 2014
(4200 words)
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‘Bite’, A. Poythress, 2018
(5500 words)
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‘Bluebird Magick’, Alexis A. Hunter, 2013
(2200 words)
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‘Born of the Mountain's Chill’, Louise Hughes, 2025
(2800 words)
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‘Boxes Full of Memories’, Sean R. Robinson, 2023
(2800 words)
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‘Bridge’, S. Brackett Robertson, 2022
(6000 words)
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‘Bright Bleeding Girls’, J.L. George, 2025
(5400 words)
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‘Building the Arcology’, Laura Gullveig, 2017
(1900 words)
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‘Burning the Sinners with Lamplight’, Michelle Denham, 2017
(6300 words)
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‘Cascade’, A.J. Fitzwater, 2020
(5200 words)
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‘Causeway’, A.J. Fitzwater, 2015
(3400 words)
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‘Changer's Wood’, Stephen Taylor, 2017
(5900 words)
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‘The City of Sand and Knives’, A.J. Fitzwater, 2012
(3900 words)
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‘The City, My Love’, Alexandra Seidel, 2021
(2600 words)
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‘Coffin Road’, Terry
Grimwood, 2007
(3500 words)
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‘The Contractor’, Terry
Grimwood, 2009
(3000 words)
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‘The Cost of Fire’, Kiera Duggan, 2017
(3800 words)
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‘Crescendo’, Omi Wilde, 2015
(3100 words)
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‘Crumb Cutie Exodus’, Bernie Jean Schiebeling, 2023
(4500 words)
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‘Dare’, Sophie Clarke, 2013
(3800 words)
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‘Dare Seize the Fire’, Jennifer R. Donohue, 2025
(6000 words)
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‘The Dark One's
Cry’, Barbora P., 2006
(1700 words)
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‘The Day the Books Left’, Simon Kewin, 2015
(1200 words)
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‘The Death Park’, Duncan
Barford, 2005
(2800 words)
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‘Deep Sea Baby’, Faith Allington, 2024
(2100 words)
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‘Deirdre’s Skin’, Amalie N. Ingham, 2024
(3300 words)
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‘The Derelict’, Nicasio Andres Reed, 2021
(4200 words)
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‘Desolation Corner’, William Squirrell, 2021
(6900 words)
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‘The Devil's Tooth’, E. Steven
Newby, 2008
(2500 words)
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‘Digital Ligatures’, Lauren C. Teffeau, 2014
(4600 words)
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‘Disconnected’, Vanessa Fogg, 2015
(3800 words)
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‘A Distant Glimpse’, Simon Kewin, 2016
(2900 words)
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‘Drafting Zoë’, Kelly
Jennings, 2010
(4000 words)
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‘Drown or Die’, Therese
Arkenberg, 2010
(4600 words)
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‘Earthgazing’, Lisa Cai, 2019
(2900 words)
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‘Embedded’, A.J. Fitzwater, 2016
(4800 words)
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‘Ephemeral Love’, Melanie
Rees, 2009
(1700 words)
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‘Escape Choice’, Emma Burnett, 2024
(2800 words)
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‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022
(2800 words)
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‘The Exaggerated Man’, Terry
Grimwood, 2005
(3800 words)
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‘The Facts Are These’, M. Bennardo, 2020
(1200 words)
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‘Faulty Genes’, Hannah Soyer, 2021
(2300 words)
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‘A Fear of Falling Under’, A.J. Fitzwater, 2013
(4600 words)
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‘Featured Exhibit: Drop in a Bucket’, Ziggy Schutz, 2025
(2000 words)
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‘Final Passage’, Addison Clift, 2013
(6000 words)
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‘The First Breath after Drowning’, Tannara Young, 2019
(4000 words)
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‘Five Tales of the Rose Palace’, Ephiny Gale, 2018
(6700 words)
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‘Floaters’, Joe Baumann, 2018
(1500 words)
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‘The Foraging’, Shelly Jones, 2020
(1500 words)
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‘The Fox and the Snake’, Timothy Yeo, 2022
(5000 words)
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‘Fragmentality’, Sandra M.
Odell, 2010
(4000 words)
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‘Free State’, Nora E. Derrington, 2015
(7200 words)
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‘From Out of the Ashes’, Michelle Labbé, 2018
(4000 words)
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‘Getting Down and Dirty’, Michael
Johnson, 2008
(4700 words)
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‘The Ghost Repeater’, Joshua Philip Johnson, 2017
(5000 words)
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‘Glow in the Dark’, Rachel Linn, 2016
(5600 words)
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‘Good Form’, Jo M. Thomas, 2012
(4000 words)
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‘Good Fortune’, Karen Heslop, 2017
(1900 words)
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‘The Grand Museum’, Ola Al-Fateh, 2016
(2700 words)
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‘Gurge’, Jason Baltazar, 2017
(3900 words)
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‘Half Light House’, J.W.
Bennett, 2006
(1500 words)
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‘Happy Days’, Jerome
Kemp, 2006
(2900 words)
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‘Hard Rains’, S.J. Sabri, 2016
(4700 words)
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‘The Harpy’, Laura Heron, 2012
(2900 words)
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‘Her Bones, Those of the Dead’, Tracie Welser, 2012
(3800 words)
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‘His New Body’, Simon Kewin, 2023
(3000 words)
-
‘How You Make the Straight’, RJ
Astruc, 2010
(5900 words)
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‘Hunting Unicorns’, Jo M. Thomas, 2013
(5000 words)
-
‘I m d 1 in 10’, Victor Fernando R. Ocampo, 2014
(7300 words)
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‘I Thought of You’, Juliet Kemp, 2019
(2100 words)
-
‘Immaterial’, Dan Grace, 2016
(3500 words)
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‘In the Field’, Shelly Jones, 2024
(2600 words)
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‘In the Shadow of Kakadu’, RJ
Astruc, 2007
(4000 words)
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‘Inanition’, Kate Kastelein, 2019
(4600 words)
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‘An Invisible Tide’, Jo M. Thomas, 2015
(4900 words)
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‘The Issuance of One Hundred and
Thirty-Six’, Mark Harding, 2010
(4000 words)
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‘It Kills Your Heart’, Anthony M. Abboreno, 2015
(4500 words)
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‘I’m Fine’, P.L. Salerno, 2022
(2000 words)
-
‘Je me souviens’, Su J. Sokol, 2012
(6300 words)
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‘Just as You Are’, Juliet Kemp, 2023
(5000 words)
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‘Kemistry’, Terry
Grimwood, 2008
(1600 words)
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‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020
(4300 words)
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‘Lacuna’, Anne E. Johnson, 2012
(4700 words)
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‘Last Address’, Brian Olszewski, 2018
(4200 words)
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‘Lavender Tea’, Míquito López, 2015
(4600 words)
-
‘Less Than the Sum of the Movable Parts’, Richard Thieme, 2008
(7000 words)
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‘Letting Go’, Neil
Ayres, 2005
(3100 words)
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‘Liquid Loyalty’, Redfern Barrett, 2013
(4200 words)
-
‘Little Grey Weirdos’, Anna Ziegelhof, 2018
(3200 words)
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‘Live off the Land’, Toby MacNutt, 2023
(1800 words)
-
‘Looking Glass
Vacation’, Sarah Ann
Watts, 2006
(5000 words)
-
‘Lost Chapters: A fairytale’, J.W.
Bennett, 2005
(7400 words)
-
‘Lucky .003’, Kassandra
Kelly, 2008
(4500 words)
-
‘A Luxury Like Hope’, Aimee Ogden, 2021
(5000 words)
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‘Made Light’, Melissa Moorer, 2014
(5700 words)
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‘Make of Me a Comet’, Kit Harding, 2022
(3100 words)
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‘Making History’, Lynda
Williams, 2006
(3900 words)
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‘The Man Who Watched the Stars’, Carol Holland March, 2014
(3800 words)
-
‘Maryann Saves the World’, Michael
J. DeLuca, 2009
(2000 words)
-
‘Menander’, Angela Ambroz, 2015
(4000 words)
-
‘Merlin's Dolphin’, Erika
Tracy, 2010
(4500 words)
-
‘The Message’, Vanessa Fogg, 2019
(4200 words)
-
‘Microseasons of the Dead’, Vanessa Fogg, 2023
(1500 words)
-
‘Mijara’s Freedom’, Eleanor Glewwe, 2020
(5600 words)
-
‘Millie’, Anna Caro, 2012
(2600 words)
-
‘Minotaur’, Jaime Gill, 2025
(5500 words)
-
‘Monsters’, Amelie Daigle, 2013
(2600 words)
-
‘The Mountain’s Wife’, Jennifer R. Donohue, 2021
(3200 words)
-
‘Mrs. Daedalus’, Marianne Xenos, 2022
(1400 words)
-
‘My Pet Tiger’, Jessica Dylan Miele, 2018
(3700 words)
-
‘Nasmina's Black Box’, Jennifer
Marie Brissett, 2009
(4300 words)
-
‘Neap Tide’, Don
Norum, 2009
(4400 words)
-
‘New Day Dawning’, Francesca Forrest, 2022
(6000 words)
-
‘Night Dreaming’, Steven
Pirie, 2007
(2000 words)
-
‘Nightingale’s Lament’, Laura Gregory, 2022
(2000 words)
-
‘No Chimeras’, Ranylt Richildis, 2014
(3600 words)
-
‘On Your Wings’, Omi Wilde, 2017
(6400 words)
-
‘One Day’, Frances Koziar, 2023
(1700 words)
-
‘One Drop’, David
Dumitru, 2008
(6500 words)
-
‘Only the Dogs Bark’, Dawn
Lloyd, 2009
(4900 words)
-
‘Out of Bounds’, Anna Ziegelhof, 2023
(3900 words)
-
‘The Overdue Protocols’, Alexander
Burns, 2009
(1500 words)
-
‘The Paragon of Knowledge’, Nick Wood, 2015
(5000 words)
-
‘Passcodes’, Melinda Brasher, 2014
(2800 words)
-
‘Phantom Hearts’, David Gallay, 2014
(5500 words)
-
‘Pleiades for a New Generation’, Kathryn Allan, 2020
(1600 words)
-
‘The Poisoned City’, Katrina S. Forest, 2014
(4000 words)
-
‘Porphyria: Dazzle Con Debut’, Priya Sridhar, 2016
(4100 words)
-
‘A Prayer to St Jude’, M. Bennardo, 2022
(5800 words)
-
‘Purity’, Jennifer R. Donohue, 2023
(3100 words)
-
‘The Recycled Man, part 2’, Rob
Sharp, 2009
(7000 words)
-
‘Reflection’, Jessica E.
Birch, 2010
(2300 words)
-
‘Respite Time’, Eric Del
Carlo, 2009
(4400 words)
-
‘The Rice Mother in Red’, Pear Nuallak, 2015
(4800 words)
-
‘River Crossing’, Petra Kuppers, 2017
(2100 words)
-
‘The Road under the Bay’, Petra Kuppers, 2016
(2700 words)
-
‘A Rock by Any Other Name’, Rick
Novy, 2008
(1800 words)
-
‘The Rose Sisterhood’, Susan Taitel, 2024
(2000 words)
-
‘Rustsong’, Sean R. Robinson, 2015
(2000 words)
-
‘La ruta de la sal’, Malena Salazar Maciá, 2020
(2800 words)
-
‘Safe in a Malachite Storm’, Devin Miller, 2025
(1700 words)
-
‘Safecracker, Safe’, J.C. Hsyu, 2012
(6700 words)
-
‘Salt and Smoke’, Storm Blakley, 2022
(3200 words)
-
‘The Salt in Her Kiss’, Malena Salazar Maciá, 2020
(2800 words)
-
‘Scaled Soul’, Rhianwen Phillips, 2020
(1700 words)
-
‘Seams of Iron’, Adriana C. Grigore, 2022
(6400 words)
-
‘Secrets of the Sea’, Jennifer Marie Brissett, 2012
(2300 words)
-
‘Seven Bridges’, Francesca Forrest, 2014
(3900 words)
-
‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor, 2013
(2900 words)
-
‘The Shadow Catchers’, Vanessa Fogg, 2020
(6000 words)
-
‘Shadows in the Mirror’, Todd
Thorne, 2009
(6700 words)
-
‘The Shape of Her Shadow’, Alexandra Brandt, 2024
(6000 words)
-
‘Share Your Space Today’, David
Towsey, 2008
(3200 words)
-
‘Side Effects May Vary’, Avra Margariti, 2023
(3300 words)
-
‘Silence’, Alex
Fleetwood, 2010
(4800 words)
-
‘Silent Song’, Wendy
Palmer, 2010
(5000 words)
-
‘Silver Wings’, Joyce Chng, 2019
(3200 words)
-
‘Six Kilometers Around’, Meghan Cruickshank, 2018
(6300 words)
-
‘Sometimes I Am Drowning’, Louise Hughes, 2017
(4200 words)
-
‘Song of Your Life’, Nicole Lungerhausen, 2022
(3100 words)
-
‘Songbird’, L. Chan, 2016
(3700 words)
-
‘Sonnets from the “New Heart’s Ease”’, Z. Finch, 2015
(4100 words)
-
‘Sophie and Zoe at the End of the World’, Rebecca Buchanan, 2014
(1900 words)
-
‘Soul Catcher’, Christel Bodenbender, 2013
(2000 words)
-
‘Space Gardens’, L.J. Lacey, 2024
(2000 words)
-
‘Spindle House’, Jennifer Hudak, 2022
(3000 words)
-
‘A Stereoscopic Landscape
View of Torino with Damsels and Distress’, Celia Neri, 2020
(6000 words)
-
‘Stitched’, Sarah Salcedo, 2021
(6200 words)
-
‘Strange Engines’, Jordan Taylor, 2020
(3800 words)
-
‘A Subtle Fire Beneath the Skin’, Hayley Stone, 2021
(4500 words)
-
‘Suburban Alchemist’, Rob
Sharp, 2008
(4000 words)
-
‘Survive!’, Cory McMillen, 2012
(5100 words)
-
‘Sweet Like Fate’, Sara Puls, 2013
(1600 words)
-
‘Taiya’, Vanessa Fogg, 2017
(4000 words)
-
‘Tanty Marlene’, E. Saxey, 2014
(2400 words)
-
‘Tears of the Gods’, Sarah L. Byrne, 2014
(5000 words)
-
‘Ten Degrees of Freedom’, Sean Chua, 2022
(4200 words)
-
‘Terranueva’, Katie Kopajtic, 2024
(2800 words)
-
‘Tessa’, Edward Ashton, 2015
(1600 words)
-
‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024
(3300 words)
-
‘The Heart of the Party’, Sarah Day, 2022
(5800 words)
-
‘There Are No Echoes’, Davian Aw, 2017
(6400 words)
-
‘They Built the New Jerusalem on the Ruins of the Old’, William Squirrell, 2018
(5000 words)
-
‘Thick on the Wet Cement’, Rebecca J. Schwab, 2012
(2600 words)
-
‘The Thing You Feed’, Joyce Chng, 2018
(2400 words)
-
‘The Thinnest Veil’, Peri L. Fletcher, 2017
(6300 words)
-
‘The Third Angel Poured’, Julie Reeser, 2020
(3300 words)
-
‘The Thousand Tongues of Sara’, Jonathan Olfert, 2023
(1700 words)
-
‘Tiangong Park’, Erika D. Price, 2015
(4400 words)
-
‘Tidal Waves’, Melanie Rees, 2017
(1800 words)
-
‘Titanium and Silk’, Nick
Poniatowski, 2010
(4600 words)
-
‘The Transmigration’, Nader
Elhefnawy, 2009
(1700 words)
-
‘Transmogrification’, R.M. Pérez-Padilla, 2024
(6000 words)
-
‘Treacle Blood’, Joyce Chng, 2022
(1500 words)
-
‘Treading Invisible Threads’, Juliet Kemp, 2025
(4700 words)
-
‘Trigger Point’, C.A. Hawksmoor, 2015
(7300 words)
-
‘The Tuner’, Kip Manley, 2013
(5600 words)
-
‘Turnabout’, Ana Wesley, 2025
(6100 words)
-
‘Uniform of War’, Harry Pauff, 2018
(2300 words)
-
‘Unspoilt’, Louise Hughes, 2022
(4300 words)
-
‘Vengeance Sewn with Fey Cord’, Christine Lucas, 2016
(5800 words)
-
‘The Wasteland Review’, Aurelia Gonzalez, 2020
(5600 words)
-
‘The Wave’, Vanessa Fogg, 2016
(6300 words)
-
‘We Are All Wasteland on the Inside’, Benjanun Sriduangkaew, 2016
(4800 words)
-
‘We Have Your Book!’, Patrick Doerksen, 2018
(1500 words)
-
‘We Were Ghostless Against Her’, Ioanna Papadopoulou, 2022
(4600 words)
-
‘We Will Become as Monsters’, Benjanun Sriduangkaew, 2020
(6900 words)
-
‘What Hath God Wrought?’, Neil
Carstairs, 2007
(5700 words)
-
‘What the Dead Are For’, Terry
Grimwood, 2005
(3500 words)
-
‘When Dessa Danced’, Donyae Coles, 2018
(4600 words)
-
‘Where Thorns Can Grow’, Meryl Stenhouse, 2018
(4100 words)
-
‘Whiskey Mud’, Jonathan Olfert, 2024
(2200 words)
-
‘A Whisper from the Waves’, Carrie Gessner, 2018
(2500 words)
-
‘Whose Side Are You on Anyway?’, Sarah L. Byrne, 2013
(4100 words)
-
‘Winds: NW 20 km/hr’, Stacy Sinclair, 2012
(7300 words)
-
‘Wings So Foreign’, Frank Ray
Ard, 2009
(3000 words)
-
‘Wingspan’, Aliya
Whiteley, 2009
(2000 words)
-
‘A Witch, a Wakening’, Laura Blackwell, 2024
(2200 words)
-
‘Wives at the End of the World’, Avra Margariti, 2021
(1300 words)
-
‘The Wolf Behind the Sun’, Johann
Carlisle, 2005
(2900 words)
-
‘The Woman in the Pool’, Isabelle Sanders, 2018
(5000 words)
-
‘Woman, Soldier, Girl’, Priya Chand, 2023
(5900 words)
Novelettes
-
‘A Faster Tomorrow’, Damien Krsteski, 2018
(9000 words)
-
‘The Anarchivist’, Owen Leddy, 2025
(9500 words)
-
‘And You Will Know Us by Our Monsters’, M.L. Clark, 2019
(8600 words)
-
‘Archive of the Inexplicable and Dangerous’, Alexandra Grunberg, 2021
(7800 words)
-
‘Arrow’, Barry King, 2012
(8400 words)
-
‘avenging the sorrow’, Lam Ning, 2022
(15700 words)
-
‘The Blood of Castalsara’, William
J. Piovano, 2007
(12000 words)
-
‘The Boy from the War’, Perrin Lu, 2019
(9800 words)
-
‘The Boy who Shattered Time’, Mark D. Dunn, 2012
(8500 words)
-
‘Courtship in the Country of Machine-Gods’, Benjanun Sriduangkaew, 2012
(11200 words)
-
‘Cupernicity’, B. Morris Allen, 2025
(16000 words)
-
‘Daughters of Hralln’, C.L.
Rossman, 2010
(8300 words)
-
‘The Devil Hunters of Fawn Street’, Clark Lewis, 2021
(9100 words)
-
‘A Door of My Own’, Tim Pratt, 2022
(8800 words)
-
‘Elm’, Jamie Killen, 2012
(7600 words)
-
‘Elmer Bank’, Emily Capettini, 2012
(7600 words)
-
‘The Ensanguined Shore’, Jennifer R. Donohue, 2024
(9700 words)
-
‘Fairest of All’, Ada Hoffmann, 2019
(11800 words)
-
‘The Furious Chisel’, D.H. Kelly, 2019
(7500 words)
-
‘Galatea's Stepchildren’, Sam S.
Kepfield, 2009
(11000 words)
-
‘Godwin's Law’, Curtis C. Chen, 2015
(9700 words)
-
‘Good Genes’, Rebecca Gomez Farrell, 2016
(10200 words)
-
‘The Good Hawks’, Danielle Jorgenson-Murray, 2020
(7600 words)
-
‘Goodbye, Snow Child’, Jo M. Thomas, 2019
(14400 words)
-
‘Holy Many-Minds Home’, Michael Díaz Feito, 2016
(7700 words)
-
‘The Hulks’, Subodhana Wijeyeratne, 2017
(9300 words)
-
‘k.a. (birthright)’, Lam Ning, 2021
(8200 words)
-
‘The Listener’, Sim Kern, 2021
(7700 words)
-
‘Matryoshka City’, Albert Chu, 2024
(8600 words)
-
‘My Plastic Heart, My Metal Hand’, Susan Jane Bigelow, 2019
(15300 words)
-
‘Nettles’, Arley Sorg, 2013
(7900 words)
-
‘The New Revolution’, Dylan Fox, 2014
(9400 words)
-
‘Omega, maybe’, Michael Loughrey, 2006
(10000 words)
-
‘The Orchids of Lethe’, M. Bennardo, 2016
(8700 words)
-
‘Over the New Horizon’, T.D. Walker, 2016
(8400 words)
-
‘Pianissimo’, Alan
Frackleton, 2007
(11500 words)
-
‘The Pool Noodle Alien Posse’, M.L. Clark, 2023
(8200 words)
-
‘The Recycled Man, part 1’, Rob
Sharp, 2009
(9500 words)
-
‘The Remaker’, Fabio Fernandes, 2012
(10000 words)
-
‘Requiem for Shiva’, D. Thomas Minton, 2012
(9000 words)
-
‘Shadows in the Water’, Selena Martens, 2017
(7900 words)
-
‘Siv Delfin’, Damien Krsteski, 2016
(8500 words)
-
‘Snakes, Thorns, August’, Kayla Bashe, 2015
(8900 words)
-
‘Terminal City’, Zoë Blade, 2013
(11000 words)
-
‘This is What I Look Like Now’, Sara Hosey, 2010
(8000 words)
-
‘The Transformative Three and the Clean Cooking Revolution (grant no. 437-775)’, Auke Pols, 2024
(8900 words)
-
‘Until the Pit is Dug for the Wicked’, John Kratman, 2008
(10000 words)
-
‘The Water Thief’, Jack Waddell, 2013
(8700 words)
-
‘Where Machines Run with Gold’, Benjanun Sriduangkaew, 2019
(10600 words)
-
‘Wishes Slick Like Eels’, Irene Liang, 2025
(10300 words)
Anthony M. Abboreno
Mary Alexandra Agner
Oluwatomiwa Ajeigbe
Ola Al-Fateh
S. Ali
Kathryn Allan
B. Morris Allen
Faith Allington
Angela Ambroz
R.E. Andeen
Colleen Anderson
Anshritha
Frank Ray Ard
Therese Arkenberg
Edward Ashton
Lae Astra
RJ Astruc
Davian Aw
Neil Ayres
Jason Baltazar
Ashley Bao
Duncan Barford
Devan Barlow
Redfern Barrett
Kayla Bashe
Joe Baumann
M. Bennardo
J.W. Bennett
F.J. Bergmann
Susan Jane Bigelow
Jessica E. Birch
Carina Bissett
Laura Blackwell
Zoë Blade
Richard R. Blake
Storm Blakley
Christel Bodenbender
Alexandra Brandt
Melinda Brasher
Jennifer Marie Brissett
Rebecca Buchanan
Emma Burnett
Alexander Burns
Jennifer Bushroe
Sarah L. Byrne
Lisa Cai
Emily Capettini
Johann Carlisle
Anna Caro
Neil Carstairs
Kari Castor
Beth Cato
L. Chan
Priya Chand
Curtis C. Chen
Joyce Chng
Jess Cho
Albert Chu
Sean Chua
Chloe N. Clark
M.L. Clark
Sophie Clarke
Addison Clift
Donyae Coles
Amanda Cook
Stefani Cox
Laura Cranehill
Marc A. Criley
Jennifer Crow
Meghan Cruickshank
Amelie Daigle
Sarah Day
Eric Del Carlo
Michael J. DeLuca
Michelle Denham
Maria DePaul
Nora E. Derrington
Evelyn Deshane
Patrick Doerksen
Jennifer R. Donohue
-
‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020
(4300 words)
-
‘The Mountain’s Wife’, Jennifer R. Donohue, 2021
(3200 words)
-
‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022
(2800 words)
-
‘Purity’, Jennifer R. Donohue, 2023
(3100 words)
-
‘The Ensanguined Shore’, Jennifer R. Donohue, 2024
(9700 words)
-
‘Dare Seize the Fire’, Jennifer R. Donohue, 2025
(6000 words)
B.L. Draper
Kiera Duggan
David Dumitru
Mark D. Dunn
Michael Díaz Feito
Nader Elhefnawy
David Birch Ellis
Monica Joyce Evans
Victoria Feistner
Fabio Fernandes
Z. Finch
A.J. Fitzwater
-
‘The City of Sand and Knives’, A.J. Fitzwater, 2012
(3900 words)
-
‘A Fear of Falling Under’, A.J. Fitzwater, 2013
(4600 words)
-
‘Causeway’, A.J. Fitzwater, 2015
(3400 words)
-
‘Embedded’, A.J. Fitzwater, 2016
(4800 words)
-
‘Cascade’, A.J. Fitzwater, 2020
(5200 words)
Alex Fleetwood
Peri L. Fletcher
Vanessa Fogg
-
‘Disconnected’, Vanessa Fogg, 2015
(3800 words)
-
‘The Wave’, Vanessa Fogg, 2016
(6300 words)
-
‘Taiya’, Vanessa Fogg, 2017
(4000 words)
-
‘The Message’, Vanessa Fogg, 2019
(4200 words)
-
‘The Shadow Catchers’, Vanessa Fogg, 2020
(6000 words)
-
‘Before We Drown’, Vanessa Fogg, 2022
(980 words)
-
‘Microseasons of the Dead’, Vanessa Fogg, 2023
(1500 words)
-
‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024
(3300 words)
Katrina S. Forest
Francesca Forrest
Dylan Fox
Alan Frackleton
M. Frost
Ephiny Gale
David Gallay
Adele Gardner
Ana Gardner
J.L. George
Carrie Gessner
Jaime Gill
Eleanor Glewwe
Samuel Lowd Goldstein
Rebecca Gomez Farrell
Aurelia Gonzalez
Dan Grace
Laura Gregory
Adriana C. Grigore
Terry Grimwood
-
‘What the Dead Are For’, Terry
Grimwood, 2005
(3500 words)
-
‘The Exaggerated Man’, Terry
Grimwood, 2005
(3800 words)
-
‘Coffin Road’, Terry
Grimwood, 2007
(3500 words)
-
‘Kemistry’, Terry
Grimwood, 2008
(1600 words)
-
‘The Contractor’, Terry
Grimwood, 2009
(3000 words)
Alexandra Grunberg
Laura Gullveig
Mark Harding
Kit Harding
Deborah Harford
J.D. Harlock
C.A. Hawksmoor
Laura Heron
Karen Heslop
Jordan Hirsch
Ada Hoffmann
Sara Hosey
J.C. Hsyu
Jennifer Hudak
Louise Hughes
Alexis A. Hunter
Amalie N. Ingham
Soren James
Terrance Jefferson
Kelly Jennings
Michael Johnson
Anne E. Johnson
Joshua Philip Johnson
Shelly Jones
-
‘The Lime Monster’, Shelly Jones, 2020
(900 words)
-
‘The Foraging’, Shelly Jones, 2020
(1500 words)
-
‘Of Weeds and Witches’, Shelly Jones, 2021
(38 lines)
-
‘A Sea Change’, Shelly Jones, 2022
(1000 words)
-
‘In the Field’, Shelly Jones, 2024
(2600 words)
Fiona M. Jones
Jeana Jorgensen
Danielle Jorgenson-Murray
Rufina Jinju Kang
Zoe Kaplan
Kate Kastelein
Kimberly Kaufman
Kassandra Kelly
D.H. Kelly
Jerome Kemp
Juliet Kemp
Sam S. Kepfield
Sim Kern
Simon Kewin
Jamie Killen
Barry King
Annika Barranti Klein
Jocelyn Koehler
Katie Kopajtic
Elena S. Kotsile
Frances Koziar
John Kratman
Damien Krsteski
Petra Kuppers
Michelle Labbé
L.J. Lacey
Jamie Lackey
Nicole J. LeBoeuf
Owen Leddy
Mary Soon Lee
Gerri Leen
Danielle Levsky
Clark Lewis
Irene Liang
Tom Lichtenberg
Rachel Linn
Alison Littlewood
Dawn Lloyd
Michael Loughrey
A.Z. Louise
Goran Lowie
Perrin Lu
Christine Lucas
Nicole Lungerhausen
Míquito López
Toby MacNutt
Kip Manley
Carol Holland March
Avra Margariti
-
‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020
(16 lines)
-
‘Wives at the End of the World’, Avra Margariti, 2021
(1300 words)
-
‘Degenerate’, Avra Margariti, 2022
(27 lines)
-
‘Side Effects May Vary’, Avra Margariti, 2023
(3300 words)
-
‘Homunculi of Creation’, Avra Margariti, 2024
(38 lines)
Jack Hollis Marr
Selena Martens
Elizabeth R. McClellan
Allen McGill
Cory McMillen
Jessica Dylan Miele
Devin Miller
D. Thomas Minton
Melissa Moorer
Celia Neri
E. Steven Newby
Lam Ning
Don Norum
Rick Novy
Pear Nuallak
Victor Fernando R. Ocampo
Sandra M. Odell
Aimee Ogden
Jonathan Olfert
Brian Olszewski
Barbora P.
Naethan Pais
Wendy Palmer
Ioanna Papadopoulou
Eva Papasoulioti
Harry Pauff
Misha Penton
Kelly Rose Pflug-Back
Rhianwen Phillips
Marisca Pichette
William J. Piovano
Steven Pirie
Joe Pitkin
Auke Pols
Nick Poniatowski
T.C. Powell
J.N. Powell
A. Poythress
Tim Pratt
Erika D. Price
Sara Puls
R.M. Pérez-Padilla
Ujjvala Bagal Rahn
Nicasio Andres Reed
Melanie Rees
Julie Reeser
Ranylt Richildis
Christyl Rivers
Edward W. Robertson
S. Brackett Robertson
Sean R. Robinson
Rachel Rodman
Hester J. Rook
C.L. Rossman
S.J. Sabri
Malena Salazar Maciá
Sarah Salcedo
P.L. Salerno
Ian Sales
Isabelle Sanders
Lynne Sargent
Brett Alexander Savory
E. Saxey
Bernie Jean Schiebeling
Ziggy Schutz
Rebecca J. Schwab
Alexandra Seidel
Rob Sharp
Katherine Shats
Stacy Sinclair
Amelia Sirina
Paige Elizabeth Smith
Katrina Smith
Mahaila Smith
Christina Sng
Su J. Sokol
Arley Sorg
Hannah Soyer
William Squirrell
Priya Sridhar
Benjanun Sriduangkaew
Meryl Stenhouse
Hayley Stone
Graham Storrs
Anna Sykora
Susan Taitel
Stephen Taylor
Jordan Taylor
Lauren C. Teffeau
Richard Thieme
Jo M. Thomas
Todd Thorne
Lisa Timpf
Joseph Tomaras
David Towsey
Erika Tracy
Marie Vibbert
Veda Villiers
Dawn Vogel
Jack Waddell
T.D. Walker
Sarah Ann Watts
Tracie Welser
Ana Wesley
Stephen Whitehead
Aliya Whiteley
Kim Whysall-Hammond
Subodhana Wijeyeratne
Omi Wilde
Lynda Williams
Nick Wood
Marianne Xenos
Timothy Yeo
John Young
Tannara Young
Eris Young
A. Zaykova
Anna Ziegelhof
2025
-
‘Dare Seize the Fire’, Jennifer R. Donohue, 2025
(6000 words)
-
‘The Cassandra Effect’, M. Frost, 2025
(22 lines)
-
‘Bright Bleeding Girls’, J.L. George, 2025
(5400 words)
-
‘Born of the Mountain's Chill’, Louise Hughes, 2025
(2800 words)
-
‘Treading Invisible Threads’, Juliet Kemp, 2025
(4700 words)
-
‘The Anarchivist’, Owen Leddy, 2025
(9500 words)
-
‘Dissolution’, Danielle Levsky, 2025
(66 lines)
-
‘Wishes Slick Like Eels’, Irene Liang, 2025
(10300 words)
-
‘Cupernicity’, B. Morris Allen, 2025
(16000 words)
-
‘Minotaur’, Jaime Gill, 2025
(5500 words)
-
‘Raised’, Deborah Harford, 2025
(22 lines)
-
‘Safe in a Malachite Storm’, Devin Miller, 2025
(1700 words)
-
‘Featured Exhibit: Drop in a Bucket’, Ziggy Schutz, 2025
(2000 words)
-
‘Unformed’, Veda Villiers, 2025
(81 lines)
-
‘Turnabout’, Ana Wesley, 2025
(6100 words)
-
‘All That Water’, Eris Young, 2025
(3200 words)
2024
-
‘Deep Sea Baby’, Faith Allington, 2024
(2100 words)
-
‘A Moon Witch Seeks a Shell’, Devan Barlow, 2024
(25 lines)
-
‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024
(3300 words)
-
‘Deirdre’s Skin’, Amalie N. Ingham, 2024
(3300 words)
-
‘In the Field’, Shelly Jones, 2024
(2600 words)
-
‘Whiskey Mud’, Jonathan Olfert, 2024
(2200 words)
-
‘Two Hybrids’, Rachel Rodman, 2024
(179 lines)
-
‘The Shape of Her Shadow’, Alexandra Brandt, 2024
(6000 words)
-
‘The Ships That Sang’, Jess Cho, 2024
(34 lines)
-
‘Matryoshka City’, Albert Chu, 2024
(8600 words)
-
‘The End of Rain’, Zoe Kaplan, 2024
(720 words)
-
‘What Heroines Read’, Mary Soon Lee, 2024
(16 lines)
-
‘The Transformative Three and the Clean Cooking Revolution (grant no. 437-775)’, Auke Pols, 2024
(8900 words)
-
‘Transmogrification’, R.M. Pérez-Padilla, 2024
(6000 words)
-
‘Sunrise over Neo-Tokyo’, Lae Astra, 2024
(26 lines)
-
‘Guidelines for Living Your Fairy Tale (in no Particular Order)’, Amanda Cook, 2024
(46 lines)
-
‘Sun-Dappled Sheets of Methane Rain’, Marc A. Criley, 2024
(830 words)
-
‘Terranueva’, Katie Kopajtic, 2024
(2800 words)
-
‘Space Gardens’, L.J. Lacey, 2024
(2000 words)
-
‘Manipulating the Light’, Mahaila Smith, 2024
(42 lines)
-
‘A Witch, a Wakening’, Laura Blackwell, 2024
(2200 words)
-
‘Escape Choice’, Emma Burnett, 2024
(2800 words)
-
‘The Ensanguined Shore’, Jennifer R. Donohue, 2024
(9700 words)
-
‘Bone Planet’, Petra Kuppers, 2024
(14 lines)
-
‘Homunculi of Creation’, Avra Margariti, 2024
(38 lines)
-
‘The Rose Sisterhood’, Susan Taitel, 2024
(2000 words)
2023
-
‘How Magic Will Help You Take the Bastards Down’, Beth Cato, 2023
(45 lines)
-
‘Woman, Soldier, Girl’, Priya Chand, 2023
(5900 words)
-
‘Microseasons of the Dead’, Vanessa Fogg, 2023
(1500 words)
-
‘Just as You Are’, Juliet Kemp, 2023
(5000 words)
-
‘How to Plant an Olive Tree on the Moon When All Is Lost’, Elena S. Kotsile, 2023
(14 lines)
-
‘Collective Bargaining’, Jonathan Olfert, 2023
(1000 words)
-
‘Crumb Cutie Exodus’, Bernie Jean Schiebeling, 2023
(4500 words)
-
‘The Fungal Force: A History’, Colleen Anderson, 2023
(55 lines)
-
‘Between the Shadow and the Soul’, Davian Aw, 2023
(6000 words)
-
‘One Day’, Frances Koziar, 2023
(1700 words)
-
‘Smells of Brine, Witching’, Devin Miller, 2023
(24 lines)
-
‘Boxes Full of Memories’, Sean R. Robinson, 2023
(2800 words)
-
‘Mycelial’, Lisa Timpf, 2023
(36 lines)
-
‘Out of Bounds’, Anna Ziegelhof, 2023
(3900 words)
-
‘Between Scylla and Charybdis’, Carina Bissett, 2023
(53 lines)
-
‘Solarpunk Letters: Seeds of Change’, Joyce Chng, 2023
(290 words)
-
‘The Pool Noodle Alien Posse’, M.L. Clark, 2023
(8200 words)
-
‘Huddle’, Monica Joyce Evans, 2023
(720 words)
-
‘Interstellar Wallflower’, Samuel Lowd Goldstein, 2023
(35 lines)
-
‘All I Ever Wanted to Be’, Goran Lowie, 2023
(28 lines)
-
‘Live off the Land’, Toby MacNutt, 2023
(1800 words)
-
‘Pirouettes in Weightlessness’, A. Zaykova, 2023
(400 words)
-
‘Purity’, Jennifer R. Donohue, 2023
(3100 words)
-
‘Solitary’, David Birch Ellis, 2023
(22 lines)
-
‘His New Body’, Simon Kewin, 2023
(3000 words)
-
‘Side Effects May Vary’, Avra Margariti, 2023
(3300 words)
-
‘The Later Life of Herr Samsa’s Picture’, Elizabeth R. McClellan, 2023
(68 lines)
-
‘The Thousand Tongues of Sara’, Jonathan Olfert, 2023
(1700 words)
-
‘Going Under’, Ujjvala Bagal Rahn, 2023
(13 lines)
-
‘Mageochory’, S. Brackett Robertson, 2023
(19 lines)
2022
-
‘Treacle Blood’, Joyce Chng, 2022
(1500 words)
-
‘Seams of Iron’, Adriana C. Grigore, 2022
(6400 words)
-
‘Spindle House’, Jennifer Hudak, 2022
(3000 words)
-
‘A Sea Change’, Shelly Jones, 2022
(1000 words)
-
‘AITA for throwing away my wife’s haunted dolls?’, Annika Barranti Klein, 2022
(890 words)
-
‘charybdis’, Marisca Pichette, 2022
(38 lines)
-
‘Bridge’, S. Brackett Robertson, 2022
(6000 words)
-
‘The Heart of the Party’, Sarah Day, 2022
(5800 words)
-
‘New Day Dawning’, Francesca Forrest, 2022
(6000 words)
-
‘We Don't Always Have to Toss Her in the Deep End’, Jordan Hirsch, 2022
(43 lines)
-
‘Unspoilt’, Louise Hughes, 2022
(4300 words)
-
‘Reasonable Accommodations’, Nicole J. LeBoeuf, 2022
(14 lines)
-
‘Song of Your Life’, Nicole Lungerhausen, 2022
(3100 words)
-
‘We Were Ghostless Against Her’, Ioanna Papadopoulou, 2022
(4600 words)
-
‘A Door of My Own’, Tim Pratt, 2022
(8800 words)
-
‘A Prayer to St Jude’, M. Bennardo, 2022
(5800 words)
-
‘Salt and Smoke’, Storm Blakley, 2022
(3200 words)
-
‘Nightingale’s Lament’, Laura Gregory, 2022
(2000 words)
-
‘avenging the sorrow’, Lam Ning, 2022
(15700 words)
-
‘The Fox and the Snake’, Timothy Yeo, 2022
(5000 words)
-
‘Ten Degrees of Freedom’, Sean Chua, 2022
(4200 words)
-
‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022
(2800 words)
-
‘Before We Drown’, Vanessa Fogg, 2022
(980 words)
-
‘Make of Me a Comet’, Kit Harding, 2022
(3100 words)
-
‘Degenerate’, Avra Margariti, 2022
(27 lines)
-
‘I’m Fine’, P.L. Salerno, 2022
(2000 words)
-
‘Return to the Cities’, Marie Vibbert, 2022
(34 lines)
-
‘Mrs. Daedalus’, Marianne Xenos, 2022
(1400 words)
2021
-
‘You Are Whole’, Anshritha, 2021
(86 lines)
-
‘Archive of the Inexplicable and Dangerous’, Alexandra Grunberg, 2021
(7800 words)
-
‘he kindly danced for me’, J.D. Harlock, 2021
(14 lines)
-
‘The Avlina Flower’s Magic’, Jamie Lackey, 2021
(1900 words)
-
‘The Devil Hunters of Fawn Street’, Clark Lewis, 2021
(9100 words)
-
‘Armor’, Devin Miller, 2021
(30 lines)
-
‘A Luxury Like Hope’, Aimee Ogden, 2021
(5000 words)
-
‘The Abridged Excerpts from the Diary of a Corpse’, Naethan Pais, 2021
(3500 words)
-
‘How to Tell Your Husband You’re a Werewolf’, Katherine Shats, 2021
(24 lines)
-
‘The Mountain’s Wife’, Jennifer R. Donohue, 2021
(3200 words)
-
‘Of Weeds and Witches’, Shelly Jones, 2021
(38 lines)
-
‘Not for Sale, Used Asteroid, One Owner’, Mary Soon Lee, 2021
(16 lines)
-
‘The Derelict’, Nicasio Andres Reed, 2021
(4200 words)
-
‘The Bone Prophet’, Hester J. Rook, 2021
(880 words)
-
‘Stitched’, Sarah Salcedo, 2021
(6200 words)
-
‘Until a Hundred Generations of People Have Departed’, E. Saxey, 2021
(52 lines)
-
‘Desolation Corner’, William Squirrell, 2021
(6900 words)
-
‘In Dependence’, Oluwatomiwa Ajeigbe, 2021
(33 lines)
-
‘The Flier and the Sheltered Maid’, Ana Gardner, 2021
(43 lines)
-
‘Apotheosis’, Nicole J. LeBoeuf, 2021
(45 lines)
-
‘Alien Armada’, Mary Soon Lee, 2021
(21 lines)
-
‘Wives at the End of the World’, Avra Margariti, 2021
(1300 words)
-
‘The City, My Love’, Alexandra Seidel, 2021
(2600 words)
-
‘Faulty Genes’, Hannah Soyer, 2021
(2300 words)
-
‘A Subtle Fire Beneath the Skin’, Hayley Stone, 2021
(4500 words)
-
‘Autonomous Dispatch’, Anna Ziegelhof, 2021
(3500 words)
-
‘Gendered Anatomy’, R.E. Andeen, 2021
(700 words)
-
‘How to Dismantle a Defective Sex Droid’, Ashley Bao, 2021
(29 lines)
-
‘Rumors of Women’, Laura Cranehill, 2021
(45 lines)
-
‘Rain on St Andrew’s Night’, Ana Gardner, 2021
(60 lines)
-
‘The Listener’, Sim Kern, 2021
(7700 words)
-
‘k.a. (birthright)’, Lam Ning, 2021
(8200 words)
-
‘The Risk of Embarking’, Lynne Sargent, 2021
(36 lines)
2020
-
‘Time Traveller's Memory’, Davian Aw, 2020
(177 lines)
-
‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020
(4300 words)
-
‘Mijara’s Freedom’, Eleanor Glewwe, 2020
(5600 words)
-
‘Oak Tree’, Fiona M. Jones, 2020
(34 lines)
-
‘The Good Hawks’, Danielle Jorgenson-Murray, 2020
(7600 words)
-
‘Neith and Her Women’, Gerri Leen, 2020
(34 lines)
-
‘Scaled Soul’, Rhianwen Phillips, 2020
(1700 words)
-
‘Whistling Trees and Ironwood’, Hester J. Rook, 2020
(40 lines)
-
‘We Will Become as Monsters’, Benjanun Sriduangkaew, 2020
(6900 words)
-
‘The Facts Are These’, M. Bennardo, 2020
(1200 words)
-
‘Cascade’, A.J. Fitzwater, 2020
(5200 words)
-
‘The Shadow Catchers’, Vanessa Fogg, 2020
(6000 words)
-
‘The Foraging’, Shelly Jones, 2020
(1500 words)
-
‘Dragon Years’, Juliet Kemp, 2020
(880 words)
-
‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020
(16 lines)
-
‘A Stereoscopic Landscape
View of Torino with Damsels and Distress’, Celia Neri, 2020
(6000 words)
-
‘This Soundless Murk’, Hester J. Rook, 2020
(22 lines)
-
‘Strange Engines’, Jordan Taylor, 2020
(3800 words)
-
‘Pleiades for a New Generation’, Kathryn Allan, 2020
(1600 words)
-
‘Lucky Fact’, Stefani Cox, 2020
(28 lines)
-
‘Lost’, Adele Gardner, 2020
(60 lines)
-
‘The Wasteland Review’, Aurelia Gonzalez, 2020
(5600 words)
-
‘The Lime Monster’, Shelly Jones, 2020
(900 words)
-
‘Spare the Fire, Spoil the Brute’, Gerri Leen, 2020
(40 lines)
-
‘The Third Angel Poured’, Julie Reeser, 2020
(3300 words)
-
‘Drown Me’, Hester J. Rook, 2020
(25 lines)
-
‘La ruta de la sal’, Malena Salazar Maciá, 2020
(2800 words)
-
‘The Salt in Her Kiss’, Malena Salazar Maciá, 2020
(2800 words)
-
‘Eden’, Stephen Whitehead, 2020
(38 lines)
2019
-
‘Through the Dark, Persephone Speaks’, Jennifer Bushroe, 2019
(24 lines)
-
‘Earthgazing’, Lisa Cai, 2019
(2900 words)
-
‘Billie the Dragon Slayer’, Alexandra Grunberg, 2019
(4300 words)
-
‘Riddles of Lunacy’, Rufina Jinju Kang, 2019
(36 lines)
-
‘Inanition’, Kate Kastelein, 2019
(4600 words)
-
‘Daughter’, Eva Papasoulioti, 2019
(28 lines)
-
‘Shore Pines and Spider Silk’, Misha Penton, 2019
(290 words)
-
‘Hysteria’, Katrina Smith, 2019
(830 words)
-
‘The First Breath after Drowning’, Tannara Young, 2019
(4000 words)
-
‘My Plastic Heart, My Metal Hand’, Susan Jane Bigelow, 2019
(15300 words)
-
‘Not a Princess, But (Yes) There Was a Pea’, Rebecca Buchanan, 2019
(182 lines)
-
‘And You Will Know Us by Our Monsters’, M.L. Clark, 2019
(8600 words)
-
‘Fairest of All’, Ada Hoffmann, 2019
(11800 words)
-
‘Walking on Knives’, Jeana Jorgensen, 2019
(85 lines)
-
‘The Furious Chisel’, D.H. Kelly, 2019
(7500 words)
-
‘Germination’, A.Z. Louise, 2019
(67 lines)
-
‘Where Machines Run with Gold’, Benjanun Sriduangkaew, 2019
(10600 words)
-
‘Goodbye, Snow Child’, Jo M. Thomas, 2019
(14400 words)
-
‘The Wolf’s Tale’, Rebecca Buchanan, 2019
(37 lines)
-
‘Shrouded’, Jennifer Bushroe, 2019
(30 lines)
-
‘Cleopatra Diaries’, Jennifer Crow, 2019
(52 lines)
-
‘Red Tide at the Finca’, Michael Díaz Feito, 2019
(20 lines)
-
‘Ganymede Riots’, Victoria Feistner, 2019
(500 words)
-
‘Moon’, Jeana Jorgensen, 2019
(43 lines)
-
‘Salamander Love’, Petra Kuppers, 2019
(890 words)
-
‘Not Far Enough’, Paige Elizabeth Smith, 2019
(29 lines)
-
‘Falling Out’, Hayley Stone, 2019
(10 lines)
-
‘I Believe’, Dawn Vogel, 2019
(770 words)
-
‘Lights’, Kim Whysall-Hammond, 2019
(34 lines)
-
‘Silver Wings’, Joyce Chng, 2019
(3200 words)
-
‘The Message’, Vanessa Fogg, 2019
(4200 words)
-
‘The Carminokite’, Kimberly Kaufman, 2019
(900 words)
-
‘I Thought of You’, Juliet Kemp, 2019
(2100 words)
-
‘The Boy from the War’, Perrin Lu, 2019
(9800 words)
-
‘Liquid Water Lake Revealed on Mars’, Paige Elizabeth Smith, 2019
(19 lines)
-
‘Sunset on Kepler-22b’, Christina Sng, 2019
(57 lines)
2018
-
‘Six Kilometers Around’, Meghan Cruickshank, 2018
(6300 words)
-
‘A 구미호 Invites a Soucouyant to a Picnic’, Rufina Jinju Kang, 2018
(96 lines)
-
‘Last Address’, Brian Olszewski, 2018
(4200 words)
-
‘Uniform of War’, Harry Pauff, 2018
(2300 words)
-
‘The Woman in the Pool’, Isabelle Sanders, 2018
(5000 words)
-
‘Ashen Wings and Lightless Skies’, Amelia Sirina, 2018
(6800 words)
-
‘Results of Your Quiz: Which Survivor of the Trojan War Are You?’, Hayley Stone, 2018
(46 lines)
-
‘Floaters’, Joe Baumann, 2018
(1500 words)
-
‘Five Tales of the Rose Palace’, Ephiny Gale, 2018
(6700 words)
-
‘A Whisper from the Waves’, Carrie Gessner, 2018
(2500 words)
-
‘Daphne’s Grove’, Hayley Stone, 2018
(59 lines)
-
‘Echidna’, Stephen Whitehead, 2018
(48 lines)
-
‘Little Grey Weirdos’, Anna Ziegelhof, 2018
(3200 words)
-
‘Mermaid's Comb’, Colleen Anderson, 2018
(36 lines)
-
‘The Good Wife’, Rebecca Buchanan, 2018
(800 words)
-
‘When Dessa Danced’, Donyae Coles, 2018
(4600 words)
-
‘Bite’, A. Poythress, 2018
(5500 words)
-
‘They Built the New Jerusalem on the Ruins of the Old’, William Squirrell, 2018
(5000 words)
-
‘Where Thorns Can Grow’, Meryl Stenhouse, 2018
(4100 words)
-
‘An Argument in a World Full of Wonders’, Omi Wilde, 2018
(2900 words)
-
‘The Thing You Feed’, Joyce Chng, 2018
(2400 words)
-
‘We Have Your Book!’, Patrick Doerksen, 2018
(1500 words)
-
‘Jonah’, Soren James, 2018
(33 lines)
-
‘A Faster Tomorrow’, Damien Krsteski, 2018
(9000 words)
-
‘From Out of the Ashes’, Michelle Labbé, 2018
(4000 words)
-
‘My Pet Tiger’, Jessica Dylan Miele, 2018
(3700 words)
-
‘Song of Wandering Agnes’, Christyl Rivers, 2018
(23 lines)
2017
-
‘Nebula Girl’, Maria DePaul, 2017
(16 lines)
-
‘The Cost of Fire’, Kiera Duggan, 2017
(3800 words)
-
‘Good Fortune’, Karen Heslop, 2017
(1900 words)
-
‘The Ghost Repeater’, Joshua Philip Johnson, 2017
(5000 words)
-
‘River Crossing’, Petra Kuppers, 2017
(2100 words)
-
‘Trash Goes in the Ground’, Kelly Rose Pflug-Back, 2017
(970 words)
-
‘Entwined’, J.N. Powell, 2017
(36 lines)
-
‘Witch Moon’, Colleen Anderson, 2017
(29 lines)
-
‘There Are No Echoes’, Davian Aw, 2017
(6400 words)
-
‘Lady of the Court of Black Wings’, Richard R. Blake, 2017
(920 words)
-
‘Taiya’, Vanessa Fogg, 2017
(4000 words)
-
‘Building the Arcology’, Laura Gullveig, 2017
(1900 words)
-
‘Tidal Waves’, Melanie Rees, 2017
(1800 words)
-
‘How Will They Judge Us’, Lisa Timpf, 2017
(9 lines)
-
‘Gurge’, Jason Baltazar, 2017
(3900 words)
-
‘Burning the Sinners with Lamplight’, Michelle Denham, 2017
(6300 words)
-
‘Shadows in the Water’, Selena Martens, 2017
(7900 words)
-
‘Spindle Talk’, Sean R. Robinson, 2017
(1000 words)
-
‘New Moon’, T.D. Walker, 2017
(30 lines)
-
‘The Hulks’, Subodhana Wijeyeratne, 2017
(9300 words)
-
‘Proven Strategies in Human Public Relations’, Davian Aw, 2017
(55 lines)
-
‘The Thinnest Veil’, Peri L. Fletcher, 2017
(6300 words)
-
‘Sometimes I Am Drowning’, Louise Hughes, 2017
(4200 words)
-
‘Seven Choices’, Rachel Rodman, 2017
(600 words)
-
‘Changer's Wood’, Stephen Taylor, 2017
(5900 words)
-
‘On Your Wings’, Omi Wilde, 2017
(6400 words)
2016
-
‘Athena on Motherhood’, Kari Castor, 2016
(33 lines)
-
‘Songbird’, L. Chan, 2016
(3700 words)
-
‘The Cryptographer’s Body’, Evelyn Deshane, 2016
(850 words)
-
‘Immaterial’, Dan Grace, 2016
(3500 words)
-
‘Hard Rains’, S.J. Sabri, 2016
(4700 words)
-
‘We Are All Wasteland on the Inside’, Benjanun Sriduangkaew, 2016
(4800 words)
-
‘Over the New Horizon’, T.D. Walker, 2016
(8400 words)
-
‘The Grand Museum’, Ola Al-Fateh, 2016
(2700 words)
-
‘How Far Does Night Have To Fall?’, F.J. Bergmann, 2016
(34 lines)
-
‘Good Genes’, Rebecca Gomez Farrell, 2016
(10200 words)
-
‘Siv Delfin’, Damien Krsteski, 2016
(8500 words)
-
‘The Road under the Bay’, Petra Kuppers, 2016
(2700 words)
-
‘Before We Left the Forest’, Kelly Rose Pflug-Back, 2016
(3900 words)
-
‘Cinder-Elver’, Mary Alexandra Agner, 2016
(650 words)
-
‘Patchwork Girl’, Colleen Anderson, 2016
(33 lines)
-
‘The Wave’, Vanessa Fogg, 2016
(6300 words)
-
‘A Distant Glimpse’, Simon Kewin, 2016
(2900 words)
-
‘Glow in the Dark’, Rachel Linn, 2016
(5600 words)
-
‘Porphyria: Dazzle Con Debut’, Priya Sridhar, 2016
(4100 words)
-
‘The Orchids of Lethe’, M. Bennardo, 2016
(8700 words)
-
‘Holy Many-Minds Home’, Michael Díaz Feito, 2016
(7700 words)
-
‘Embedded’, A.J. Fitzwater, 2016
(4800 words)
-
‘Vengeance Sewn with Fey Cord’, Christine Lucas, 2016
(5800 words)
-
‘Keeping the Stars’, Anna Sykora, 2016
(24 lines)
2015
-
‘Snakes, Thorns, August’, Kayla Bashe, 2015
(8900 words)
-
‘Free State’, Nora E. Derrington, 2015
(7200 words)
-
‘Sonnets from the “New Heart’s Ease”’, Z. Finch, 2015
(4100 words)
-
‘Lavender Tea’, Míquito López, 2015
(4600 words)
-
‘The Rice Mother in Red’, Pear Nuallak, 2015
(4800 words)
-
‘A Matter of Perspective’, T.C. Powell, 2015
(500 words)
-
‘It Kills Your Heart’, Anthony M. Abboreno, 2015
(4500 words)
-
‘Godwin's Law’, Curtis C. Chen, 2015
(9700 words)
-
‘Causeway’, A.J. Fitzwater, 2015
(3400 words)
-
‘The Day the Books Left’, Simon Kewin, 2015
(1200 words)
-
‘Crescendo’, Omi Wilde, 2015
(3100 words)
-
‘Menander’, Angela Ambroz, 2015
(4000 words)
-
‘All Along the Mall’, Chloe N. Clark, 2015
(6000 words)
-
‘The Bright Hunters’, B.L. Draper, 2015
(250 words)
-
‘Tiangong Park’, Erika D. Price, 2015
(4400 words)
-
‘The Paragon of Knowledge’, Nick Wood, 2015
(5000 words)
-
‘Tessa’, Edward Ashton, 2015
(1600 words)
-
‘Disconnected’, Vanessa Fogg, 2015
(3800 words)
-
‘Trigger Point’, C.A. Hawksmoor, 2015
(7300 words)
-
‘Rustsong’, Sean R. Robinson, 2015
(2000 words)
-
‘An Invisible Tide’, Jo M. Thomas, 2015
(4900 words)
-
‘After the New Dawn’, Joseph Tomaras, 2015
(1500 words)
2014
-
‘Tears of the Gods’, Sarah L. Byrne, 2014
(5000 words)
-
‘The Poisoned City’, Katrina S. Forest, 2014
(4000 words)
-
‘Seven Bridges’, Francesca Forrest, 2014
(3900 words)
-
‘Tanty Marlene’, E. Saxey, 2014
(2400 words)
-
‘Digital Ligatures’, Lauren C. Teffeau, 2014
(4600 words)
-
‘Passcodes’, Melinda Brasher, 2014
(2800 words)
-
‘Phantom Hearts’, David Gallay, 2014
(5500 words)
-
‘The Man Who Watched the Stars’, Carol Holland March, 2014
(3800 words)
-
‘I m d 1 in 10’, Victor Fernando R. Ocampo, 2014
(7300 words)
-
‘No Chimeras’, Ranylt Richildis, 2014
(3600 words)
-
‘Sophie and Zoe at the End of the World’, Rebecca Buchanan, 2014
(1900 words)
-
‘The New Revolution’, Dylan Fox, 2014
(9400 words)
-
‘The Birdwatcher’, Jocelyn Koehler, 2014
(4200 words)
-
‘Always Left Behind’, Jack Hollis Marr, 2014
(1500 words)
-
‘Made Light’, Melissa Moorer, 2014
(5700 words)
2013
-
‘Terminal City’, Zoë Blade, 2013
(11000 words)
-
‘Soul Catcher’, Christel Bodenbender, 2013
(2000 words)
-
‘The Tuner’, Kip Manley, 2013
(5600 words)
-
‘Sweet Like Fate’, Sara Puls, 2013
(1600 words)
-
‘Nettles’, Arley Sorg, 2013
(7900 words)
-
‘Hunting Unicorns’, Jo M. Thomas, 2013
(5000 words)
-
‘Final Passage’, Addison Clift, 2013
(6000 words)
-
‘Monsters’, Amelie Daigle, 2013
(2600 words)
-
‘A Fear of Falling Under’, A.J. Fitzwater, 2013
(4600 words)
-
‘The Light Princess’, Ephiny Gale, 2013
(1000 words)
-
‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor, 2013
(2900 words)
-
‘The Water Thief’, Jack Waddell, 2013
(8700 words)
-
‘Liquid Loyalty’, Redfern Barrett, 2013
(4200 words)
-
‘Whose Side Are You on Anyway?’, Sarah L. Byrne, 2013
(4100 words)
-
‘Dare’, Sophie Clarke, 2013
(3800 words)
-
‘Bluebird Magick’, Alexis A. Hunter, 2013
(2200 words)
2012
-
‘Elmer Bank’, Emily Capettini, 2012
(7600 words)
-
‘Millie’, Anna Caro, 2012
(2600 words)
-
‘The Remaker’, Fabio Fernandes, 2012
(10000 words)
-
‘Winds: NW 20 km/hr’, Stacy Sinclair, 2012
(7300 words)
-
‘Good Form’, Jo M. Thomas, 2012
(4000 words)
-
‘Her Bones, Those of the Dead’, Tracie Welser, 2012
(3800 words)
-
‘Secrets of the Sea’, Jennifer Marie Brissett, 2012
(2300 words)
-
‘The Harpy’, Laura Heron, 2012
(2900 words)
-
‘Safecracker, Safe’, J.C. Hsyu, 2012
(6700 words)
-
‘Arrow’, Barry King, 2012
(8400 words)
-
‘Je me souviens’, Su J. Sokol, 2012
(6300 words)
-
‘Courtship in the Country of Machine-Gods’, Benjanun Sriduangkaew, 2012
(11200 words)
-
‘Lacuna’, Anne E. Johnson, 2012
(4700 words)
-
‘Elm’, Jamie Killen, 2012
(7600 words)
-
‘Survive!’, Cory McMillen, 2012
(5100 words)
-
‘American Golgotha’, Joe Pitkin, 2012
(6500 words)
-
‘Thick on the Wet Cement’, Rebecca J. Schwab, 2012
(2600 words)
-
‘Bilaadi’, S. Ali, 2012
(2600 words)
-
‘The Boy who Shattered Time’, Mark D. Dunn, 2012
(8500 words)
-
‘The City of Sand and Knives’, A.J. Fitzwater, 2012
(3900 words)
-
‘Requiem for Shiva’, D. Thomas Minton, 2012
(9000 words)
-
‘A History of the 20th Century, with illustrations: Atonement’, Ian Sales, 2012
(900 words)
2010
-
‘How You Make the Straight’, RJ
Astruc, 2010
(5900 words)
-
‘The Issuance of One Hundred and
Thirty-Six’, Mark Harding, 2010
(4000 words)
-
‘This is What I Look Like Now’, Sara Hosey, 2010
(8000 words)
-
‘Drafting Zoë’, Kelly
Jennings, 2010
(4000 words)
-
‘Silence’, Alex
Fleetwood, 2010
(4800 words)
-
‘Titanium and Silk’, Nick
Poniatowski, 2010
(4600 words)
-
‘Merlin's Dolphin’, Erika
Tracy, 2010
(4500 words)
-
‘Drown or Die’, Therese
Arkenberg, 2010
(4600 words)
-
‘Reflection’, Jessica E.
Birch, 2010
(2300 words)
-
‘Fragmentality’, Sandra M.
Odell, 2010
(4000 words)
-
‘Silent Song’, Wendy
Palmer, 2010
(5000 words)
-
‘Daughters of Hralln’, C.L.
Rossman, 2010
(8300 words)
2009
-
‘Nasmina's Black Box’, Jennifer
Marie Brissett, 2009
(4300 words)
-
‘Maryann Saves the World’, Michael
J. DeLuca, 2009
(2000 words)
-
‘All the Way’, Graham
Storrs, 2009
(2400 words)
-
‘The Overdue Protocols’, Alexander
Burns, 2009
(1500 words)
-
‘Neap Tide’, Don
Norum, 2009
(4400 words)
-
‘Shadows in the Mirror’, Todd
Thorne, 2009
(6700 words)
-
‘Wingspan’, Aliya
Whiteley, 2009
(2000 words)
-
‘Wings So Foreign’, Frank Ray
Ard, 2009
(3000 words)
-
‘The Contractor’, Terry
Grimwood, 2009
(3000 words)
-
‘Galatea's Stepchildren’, Sam S.
Kepfield, 2009
(11000 words)
-
‘Only the Dogs Bark’, Dawn
Lloyd, 2009
(4900 words)
-
‘10%’, Edward W.
Robertson, 2009
(4800 words)
-
‘The Recycled Man, part 2’, Rob
Sharp, 2009
(7000 words)
-
‘Respite Time’, Eric Del
Carlo, 2009
(4400 words)
-
‘The Transmigration’, Nader
Elhefnawy, 2009
(1700 words)
-
‘Ephemeral Love’, Melanie
Rees, 2009
(1700 words)
-
‘The Recycled Man, part 1’, Rob
Sharp, 2009
(9500 words)
2008
-
‘Until the Pit is Dug for the Wicked’, John Kratman, 2008
(10000 words)
-
‘A Rock by Any Other Name’, Rick
Novy, 2008
(1800 words)
-
‘Less Than the Sum of the Movable Parts’, Richard Thieme, 2008
(7000 words)
-
‘One Drop’, David
Dumitru, 2008
(6500 words)
-
‘Getting Down and Dirty’, Michael
Johnson, 2008
(4700 words)
-
‘Avatar on the Belts 3: Aither’, William J. Piovano, 2008
(3500 words)
-
‘Suburban Alchemist’, Rob
Sharp, 2008
(4000 words)
-
‘Kemistry’, Terry
Grimwood, 2008
(1600 words)
-
‘Always Look on the Bright Side’, Alison Littlewood, 2008
(1000 words)
-
‘The Devil's Tooth’, E. Steven
Newby, 2008
(2500 words)
-
‘Avatar on the Belts 2: Eros’, William J. Piovano, 2008
(5500 words)
-
‘Lucky .003’, Kassandra
Kelly, 2008
(4500 words)
-
‘Avatar on the Belts 1: Tartaros’, William J. Piovano, 2008
(5700 words)
-
‘Share Your Space Today’, David
Towsey, 2008
(3200 words)
2007
-
‘In the Shadow of Kakadu’, RJ
Astruc, 2007
(4000 words)
-
‘Night Dreaming’, Steven
Pirie, 2007
(2000 words)
-
‘What Hath God Wrought?’, Neil
Carstairs, 2007
(5700 words)
-
‘Art Attack!’, Mark
Harding, 2007
(2000 words)
-
‘Apala’, Terrance
Jefferson, 2007
(4000 words)
-
‘Pianissimo’, Alan
Frackleton, 2007
(11500 words)
-
‘Coffin Road’, Terry
Grimwood, 2007
(3500 words)
-
‘The Blood of Castalsara’, William
J. Piovano, 2007
(12000 words)
2006
-
‘Omega, maybe’, Michael Loughrey, 2006
(10000 words)
-
‘The Dark One's
Cry’, Barbora P., 2006
(1700 words)
-
‘Looking Glass
Vacation’, Sarah Ann
Watts, 2006
(5000 words)
-
‘Half Light House’, J.W.
Bennett, 2006
(1500 words)
-
‘Deadline’, Tom
Lichtenberg, 2006
(1000 words)
-
‘Happy Days’, Jerome
Kemp, 2006
(2900 words)
-
‘Making History’, Lynda
Williams, 2006
(3900 words)
2005
-
‘Lost Chapters: A fairytale’, J.W.
Bennett, 2005
(7400 words)
-
‘The Exaggerated Man’, Terry
Grimwood, 2005
(3800 words)
-
‘Once Again’, Allen
McGill, 2005
(900 words)
-
‘Bottom Drawer’, Brett Alexander
Savory, 2005
(500 words)
-
‘Backward Planning’, John
Young, 2005
(270 words)
-
‘Letting Go’, Neil
Ayres, 2005
(3100 words)
-
‘The Death Park’, Duncan
Barford, 2005
(2800 words)
-
‘What the Dead Are For’, Terry
Grimwood, 2005
(3500 words)
-
‘The Wolf Behind the Sun’, Johann
Carlisle, 2005
(2900 words)
Poems
-
‘How Will They Judge Us’, Lisa Timpf, 2017
(9 lines)
-
‘Falling Out’, Hayley Stone, 2019
(10 lines)
-
‘Going Under’, Ujjvala Bagal Rahn, 2023
(13 lines)
-
‘he kindly danced for me’, J.D. Harlock, 2021
(14 lines)
-
‘Reasonable Accommodations’, Nicole J. LeBoeuf, 2022
(14 lines)
-
‘How to Plant an Olive Tree on the Moon When All Is Lost’, Elena S. Kotsile, 2023
(14 lines)
-
‘Bone Planet’, Petra Kuppers, 2024
(14 lines)
-
‘Nebula Girl’, Maria DePaul, 2017
(16 lines)
-
‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020
(16 lines)
-
‘Not for Sale, Used Asteroid, One Owner’, Mary Soon Lee, 2021
(16 lines)
-
‘What Heroines Read’, Mary Soon Lee, 2024
(16 lines)
-
‘Liquid Water Lake Revealed on Mars’, Paige Elizabeth Smith, 2019
(19 lines)
-
‘Mageochory’, S. Brackett Robertson, 2023
(19 lines)
-
‘Red Tide at the Finca’, Michael Díaz Feito, 2019
(20 lines)
-
‘Alien Armada’, Mary Soon Lee, 2021
(21 lines)
-
‘This Soundless Murk’, Hester J. Rook, 2020
(22 lines)
-
‘Solitary’, David Birch Ellis, 2023
(22 lines)
-
‘Raised’, Deborah Harford, 2025
(22 lines)
-
‘The Cassandra Effect’, M. Frost, 2025
(22 lines)
-
‘Song of Wandering Agnes’, Christyl Rivers, 2018
(23 lines)
-
‘Keeping the Stars’, Anna Sykora, 2016
(24 lines)
-
‘Through the Dark, Persephone Speaks’, Jennifer Bushroe, 2019
(24 lines)
-
‘How to Tell Your Husband You’re a Werewolf’, Katherine Shats, 2021
(24 lines)
-
‘Smells of Brine, Witching’, Devin Miller, 2023
(24 lines)
-
‘Drown Me’, Hester J. Rook, 2020
(25 lines)
-
‘A Moon Witch Seeks a Shell’, Devan Barlow, 2024
(25 lines)
-
‘Sunrise over Neo-Tokyo’, Lae Astra, 2024
(26 lines)
-
‘Degenerate’, Avra Margariti, 2022
(27 lines)
-
‘Daughter’, Eva Papasoulioti, 2019
(28 lines)
-
‘Lucky Fact’, Stefani Cox, 2020
(28 lines)
-
‘All I Ever Wanted to Be’, Goran Lowie, 2023
(28 lines)
-
‘Witch Moon’, Colleen Anderson, 2017
(29 lines)
-
‘Not Far Enough’, Paige Elizabeth Smith, 2019
(29 lines)
-
‘How to Dismantle a Defective Sex Droid’, Ashley Bao, 2021
(29 lines)
-
‘New Moon’, T.D. Walker, 2017
(30 lines)
-
‘Shrouded’, Jennifer Bushroe, 2019
(30 lines)
-
‘Armor’, Devin Miller, 2021
(30 lines)
-
‘Patchwork Girl’, Colleen Anderson, 2016
(33 lines)
-
‘Athena on Motherhood’, Kari Castor, 2016
(33 lines)
-
‘Jonah’, Soren James, 2018
(33 lines)
-
‘In Dependence’, Oluwatomiwa Ajeigbe, 2021
(33 lines)
-
‘How Far Does Night Have To Fall?’, F.J. Bergmann, 2016
(34 lines)
-
‘Lights’, Kim Whysall-Hammond, 2019
(34 lines)
-
‘Oak Tree’, Fiona M. Jones, 2020
(34 lines)
-
‘Neith and Her Women’, Gerri Leen, 2020
(34 lines)
-
‘Return to the Cities’, Marie Vibbert, 2022
(34 lines)
-
‘The Ships That Sang’, Jess Cho, 2024
(34 lines)
-
‘Interstellar Wallflower’, Samuel Lowd Goldstein, 2023
(35 lines)
-
‘Entwined’, J.N. Powell, 2017
(36 lines)
-
‘Mermaid's Comb’, Colleen Anderson, 2018
(36 lines)
-
‘Riddles of Lunacy’, Rufina Jinju Kang, 2019
(36 lines)
-
‘The Risk of Embarking’, Lynne Sargent, 2021
(36 lines)
-
‘Mycelial’, Lisa Timpf, 2023
(36 lines)
-
‘The Wolf’s Tale’, Rebecca Buchanan, 2019
(37 lines)
-
‘Eden’, Stephen Whitehead, 2020
(38 lines)
-
‘Of Weeds and Witches’, Shelly Jones, 2021
(38 lines)
-
‘charybdis’, Marisca Pichette, 2022
(38 lines)
-
‘Homunculi of Creation’, Avra Margariti, 2024
(38 lines)
-
‘Spare the Fire, Spoil the Brute’, Gerri Leen, 2020
(40 lines)
-
‘Whistling Trees and Ironwood’, Hester J. Rook, 2020
(40 lines)
-
‘Manipulating the Light’, Mahaila Smith, 2024
(42 lines)
-
‘Moon’, Jeana Jorgensen, 2019
(43 lines)
-
‘The Flier and the Sheltered Maid’, Ana Gardner, 2021
(43 lines)
-
‘We Don't Always Have to Toss Her in the Deep End’, Jordan Hirsch, 2022
(43 lines)
-
‘Rumors of Women’, Laura Cranehill, 2021
(45 lines)
-
‘Apotheosis’, Nicole J. LeBoeuf, 2021
(45 lines)
-
‘How Magic Will Help You Take the Bastards Down’, Beth Cato, 2023
(45 lines)
-
‘Results of Your Quiz: Which Survivor of the Trojan War Are You?’, Hayley Stone, 2018
(46 lines)
-
‘Guidelines for Living Your Fairy Tale (in no Particular Order)’, Amanda Cook, 2024
(46 lines)
-
‘Echidna’, Stephen Whitehead, 2018
(48 lines)
-
‘Cleopatra Diaries’, Jennifer Crow, 2019
(52 lines)
-
‘Until a Hundred Generations of People Have Departed’, E. Saxey, 2021
(52 lines)
-
‘Between Scylla and Charybdis’, Carina Bissett, 2023
(53 lines)
-
‘Proven Strategies in Human Public Relations’, Davian Aw, 2017
(55 lines)
-
‘The Fungal Force: A History’, Colleen Anderson, 2023
(55 lines)
-
‘Sunset on Kepler-22b’, Christina Sng, 2019
(57 lines)
-
‘Daphne’s Grove’, Hayley Stone, 2018
(59 lines)
-
‘Lost’, Adele Gardner, 2020
(60 lines)
-
‘Rain on St Andrew’s Night’, Ana Gardner, 2021
(60 lines)
-
‘Dissolution’, Danielle Levsky, 2025
(66 lines)
-
‘Germination’, A.Z. Louise, 2019
(67 lines)
-
‘The Later Life of Herr Samsa’s Picture’, Elizabeth R. McClellan, 2023
(68 lines)
-
‘Unformed’, Veda Villiers, 2025
(81 lines)
-
‘Walking on Knives’, Jeana Jorgensen, 2019
(85 lines)
-
‘You Are Whole’, Anshritha, 2021
(86 lines)
-
‘A 구미호 Invites a Soucouyant to a Picnic’, Rufina Jinju Kang, 2018
(96 lines)
-
‘Time Traveller's Memory’, Davian Aw, 2020
(177 lines)
-
‘Two Hybrids’, Rachel Rodman, 2024
(179 lines)
-
‘Not a Princess, But (Yes) There Was a Pea’, Rebecca Buchanan, 2019
(182 lines)
Flash fiction
-
‘The Bright Hunters’, B.L. Draper, 2015
(250 words)
-
‘Backward Planning’, John
Young, 2005
(270 words)
-
‘Shore Pines and Spider Silk’, Misha Penton, 2019
(290 words)
-
‘Solarpunk Letters: Seeds of Change’, Joyce Chng, 2023
(290 words)
-
‘Pirouettes in Weightlessness’, A. Zaykova, 2023
(400 words)
-
‘Bottom Drawer’, Brett Alexander
Savory, 2005
(500 words)
-
‘A Matter of Perspective’, T.C. Powell, 2015
(500 words)
-
‘Ganymede Riots’, Victoria Feistner, 2019
(500 words)
-
‘Seven Choices’, Rachel Rodman, 2017
(600 words)
-
‘Cinder-Elver’, Mary Alexandra Agner, 2016
(650 words)
-
‘Gendered Anatomy’, R.E. Andeen, 2021
(700 words)
-
‘Huddle’, Monica Joyce Evans, 2023
(720 words)
-
‘The End of Rain’, Zoe Kaplan, 2024
(720 words)
-
‘I Believe’, Dawn Vogel, 2019
(770 words)
-
‘The Good Wife’, Rebecca Buchanan, 2018
(800 words)
-
‘Hysteria’, Katrina Smith, 2019
(830 words)
-
‘Sun-Dappled Sheets of Methane Rain’, Marc A. Criley, 2024
(830 words)
-
‘The Cryptographer’s Body’, Evelyn Deshane, 2016
(850 words)
-
‘Dragon Years’, Juliet Kemp, 2020
(880 words)
-
‘The Bone Prophet’, Hester J. Rook, 2021
(880 words)
-
‘Salamander Love’, Petra Kuppers, 2019
(890 words)
-
‘AITA for throwing away my wife’s haunted dolls?’, Annika Barranti Klein, 2022
(890 words)
-
‘Once Again’, Allen
McGill, 2005
(900 words)
-
‘A History of the 20th Century, with illustrations: Atonement’, Ian Sales, 2012
(900 words)
-
‘The Carminokite’, Kimberly Kaufman, 2019
(900 words)
-
‘The Lime Monster’, Shelly Jones, 2020
(900 words)
-
‘Lady of the Court of Black Wings’, Richard R. Blake, 2017
(920 words)
-
‘Trash Goes in the Ground’, Kelly Rose Pflug-Back, 2017
(970 words)
-
‘Before We Drown’, Vanessa Fogg, 2022
(980 words)
-
‘Deadline’, Tom
Lichtenberg, 2006
(1000 words)
-
‘Always Look on the Bright Side’, Alison Littlewood, 2008
(1000 words)
-
‘The Light Princess’, Ephiny Gale, 2013
(1000 words)
-
‘Spindle Talk’, Sean R. Robinson, 2017
(1000 words)
-
‘A Sea Change’, Shelly Jones, 2022
(1000 words)
-
‘Collective Bargaining’, Jonathan Olfert, 2023
(1000 words)
Short stories
-
‘The Day the Books Left’, Simon Kewin, 2015
(1200 words)
-
‘The Facts Are These’, M. Bennardo, 2020
(1200 words)
-
‘Wives at the End of the World’, Avra Margariti, 2021
(1300 words)
-
‘Mrs. Daedalus’, Marianne Xenos, 2022
(1400 words)
-
‘Half Light House’, J.W.
Bennett, 2006
(1500 words)
-
‘The Overdue Protocols’, Alexander
Burns, 2009
(1500 words)
-
‘Always Left Behind’, Jack Hollis Marr, 2014
(1500 words)
-
‘After the New Dawn’, Joseph Tomaras, 2015
(1500 words)
-
‘We Have Your Book!’, Patrick Doerksen, 2018
(1500 words)
-
‘Floaters’, Joe Baumann, 2018
(1500 words)
-
‘The Foraging’, Shelly Jones, 2020
(1500 words)
-
‘Treacle Blood’, Joyce Chng, 2022
(1500 words)
-
‘Microseasons of the Dead’, Vanessa Fogg, 2023
(1500 words)
-
‘Kemistry’, Terry
Grimwood, 2008
(1600 words)
-
‘Sweet Like Fate’, Sara Puls, 2013
(1600 words)
-
‘Tessa’, Edward Ashton, 2015
(1600 words)
-
‘Pleiades for a New Generation’, Kathryn Allan, 2020
(1600 words)
-
‘The Dark One's
Cry’, Barbora P., 2006
(1700 words)
-
‘Ephemeral Love’, Melanie
Rees, 2009
(1700 words)
-
‘The Transmigration’, Nader
Elhefnawy, 2009
(1700 words)
-
‘Scaled Soul’, Rhianwen Phillips, 2020
(1700 words)
-
‘The Thousand Tongues of Sara’, Jonathan Olfert, 2023
(1700 words)
-
‘One Day’, Frances Koziar, 2023
(1700 words)
-
‘Safe in a Malachite Storm’, Devin Miller, 2025
(1700 words)
-
‘A Rock by Any Other Name’, Rick
Novy, 2008
(1800 words)
-
‘Tidal Waves’, Melanie Rees, 2017
(1800 words)
-
‘Live off the Land’, Toby MacNutt, 2023
(1800 words)
-
‘Sophie and Zoe at the End of the World’, Rebecca Buchanan, 2014
(1900 words)
-
‘Building the Arcology’, Laura Gullveig, 2017
(1900 words)
-
‘Good Fortune’, Karen Heslop, 2017
(1900 words)
-
‘The Avlina Flower’s Magic’, Jamie Lackey, 2021
(1900 words)
-
‘Art Attack!’, Mark
Harding, 2007
(2000 words)
-
‘Night Dreaming’, Steven
Pirie, 2007
(2000 words)
-
‘Wingspan’, Aliya
Whiteley, 2009
(2000 words)
-
‘Maryann Saves the World’, Michael
J. DeLuca, 2009
(2000 words)
-
‘Soul Catcher’, Christel Bodenbender, 2013
(2000 words)
-
‘Rustsong’, Sean R. Robinson, 2015
(2000 words)
-
‘I’m Fine’, P.L. Salerno, 2022
(2000 words)
-
‘Nightingale’s Lament’, Laura Gregory, 2022
(2000 words)
-
‘The Rose Sisterhood’, Susan Taitel, 2024
(2000 words)
-
‘Space Gardens’, L.J. Lacey, 2024
(2000 words)
-
‘Featured Exhibit: Drop in a Bucket’, Ziggy Schutz, 2025
(2000 words)
-
‘River Crossing’, Petra Kuppers, 2017
(2100 words)
-
‘I Thought of You’, Juliet Kemp, 2019
(2100 words)
-
‘Deep Sea Baby’, Faith Allington, 2024
(2100 words)
-
‘Bluebird Magick’, Alexis A. Hunter, 2013
(2200 words)
-
‘A Witch, a Wakening’, Laura Blackwell, 2024
(2200 words)
-
‘Whiskey Mud’, Jonathan Olfert, 2024
(2200 words)
-
‘Reflection’, Jessica E.
Birch, 2010
(2300 words)
-
‘Secrets of the Sea’, Jennifer Marie Brissett, 2012
(2300 words)
-
‘Uniform of War’, Harry Pauff, 2018
(2300 words)
-
‘Faulty Genes’, Hannah Soyer, 2021
(2300 words)
-
‘All the Way’, Graham
Storrs, 2009
(2400 words)
-
‘Tanty Marlene’, E. Saxey, 2014
(2400 words)
-
‘The Thing You Feed’, Joyce Chng, 2018
(2400 words)
-
‘The Devil's Tooth’, E. Steven
Newby, 2008
(2500 words)
-
‘A Whisper from the Waves’, Carrie Gessner, 2018
(2500 words)
-
‘Bilaadi’, S. Ali, 2012
(2600 words)
-
‘Thick on the Wet Cement’, Rebecca J. Schwab, 2012
(2600 words)
-
‘Millie’, Anna Caro, 2012
(2600 words)
-
‘Monsters’, Amelie Daigle, 2013
(2600 words)
-
‘The City, My Love’, Alexandra Seidel, 2021
(2600 words)
-
‘In the Field’, Shelly Jones, 2024
(2600 words)
-
‘The Grand Museum’, Ola Al-Fateh, 2016
(2700 words)
-
‘The Road under the Bay’, Petra Kuppers, 2016
(2700 words)
-
‘The Death Park’, Duncan
Barford, 2005
(2800 words)
-
‘Passcodes’, Melinda Brasher, 2014
(2800 words)
-
‘La ruta de la sal’, Malena Salazar Maciá, 2020
(2800 words)
-
‘The Salt in Her Kiss’, Malena Salazar Maciá, 2020
(2800 words)
-
‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022
(2800 words)
-
‘Boxes Full of Memories’, Sean R. Robinson, 2023
(2800 words)
-
‘Escape Choice’, Emma Burnett, 2024
(2800 words)
-
‘Terranueva’, Katie Kopajtic, 2024
(2800 words)
-
‘Born of the Mountain's Chill’, Louise Hughes, 2025
(2800 words)
-
‘The Wolf Behind the Sun’, Johann
Carlisle, 2005
(2900 words)
-
‘Happy Days’, Jerome
Kemp, 2006
(2900 words)
-
‘The Harpy’, Laura Heron, 2012
(2900 words)
-
‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor, 2013
(2900 words)
-
‘A Distant Glimpse’, Simon Kewin, 2016
(2900 words)
-
‘An Argument in a World Full of Wonders’, Omi Wilde, 2018
(2900 words)
-
‘Earthgazing’, Lisa Cai, 2019
(2900 words)
-
‘Wings So Foreign’, Frank Ray
Ard, 2009
(3000 words)
-
‘The Contractor’, Terry
Grimwood, 2009
(3000 words)
-
‘Spindle House’, Jennifer Hudak, 2022
(3000 words)
-
‘His New Body’, Simon Kewin, 2023
(3000 words)
-
‘Letting Go’, Neil
Ayres, 2005
(3100 words)
-
‘Crescendo’, Omi Wilde, 2015
(3100 words)
-
‘Make of Me a Comet’, Kit Harding, 2022
(3100 words)
-
‘Song of Your Life’, Nicole Lungerhausen, 2022
(3100 words)
-
‘Purity’, Jennifer R. Donohue, 2023
(3100 words)
-
‘Share Your Space Today’, David
Towsey, 2008
(3200 words)
-
‘Little Grey Weirdos’, Anna Ziegelhof, 2018
(3200 words)
-
‘Silver Wings’, Joyce Chng, 2019
(3200 words)
-
‘The Mountain’s Wife’, Jennifer R. Donohue, 2021
(3200 words)
-
‘Salt and Smoke’, Storm Blakley, 2022
(3200 words)
-
‘All That Water’, Eris Young, 2025
(3200 words)
-
‘The Third Angel Poured’, Julie Reeser, 2020
(3300 words)
-
‘Side Effects May Vary’, Avra Margariti, 2023
(3300 words)
-
‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024
(3300 words)
-
‘Deirdre’s Skin’, Amalie N. Ingham, 2024
(3300 words)
-
‘Causeway’, A.J. Fitzwater, 2015
(3400 words)
-
‘What the Dead Are For’, Terry
Grimwood, 2005
(3500 words)
-
‘Coffin Road’, Terry
Grimwood, 2007
(3500 words)
-
‘Avatar on the Belts 3: Aither’, William J. Piovano, 2008
(3500 words)
-
‘Immaterial’, Dan Grace, 2016
(3500 words)
-
‘Autonomous Dispatch’, Anna Ziegelhof, 2021
(3500 words)
-
‘The Abridged Excerpts from the Diary of a Corpse’, Naethan Pais, 2021
(3500 words)
-
‘No Chimeras’, Ranylt Richildis, 2014
(3600 words)
-
‘Songbird’, L. Chan, 2016
(3700 words)
-
‘My Pet Tiger’, Jessica Dylan Miele, 2018
(3700 words)
-
‘The Exaggerated Man’, Terry
Grimwood, 2005
(3800 words)
-
‘Her Bones, Those of the Dead’, Tracie Welser, 2012
(3800 words)
-
‘Dare’, Sophie Clarke, 2013
(3800 words)
-
‘The Man Who Watched the Stars’, Carol Holland March, 2014
(3800 words)
-
‘Disconnected’, Vanessa Fogg, 2015
(3800 words)
-
‘The Cost of Fire’, Kiera Duggan, 2017
(3800 words)
-
‘Strange Engines’, Jordan Taylor, 2020
(3800 words)
-
‘Making History’, Lynda
Williams, 2006
(3900 words)
-
‘The City of Sand and Knives’, A.J. Fitzwater, 2012
(3900 words)
-
‘Seven Bridges’, Francesca Forrest, 2014
(3900 words)
-
‘Before We Left the Forest’, Kelly Rose Pflug-Back, 2016
(3900 words)
-
‘Gurge’, Jason Baltazar, 2017
(3900 words)
-
‘Out of Bounds’, Anna Ziegelhof, 2023
(3900 words)
-
‘Apala’, Terrance
Jefferson, 2007
(4000 words)
-
‘In the Shadow of Kakadu’, RJ
Astruc, 2007
(4000 words)
-
‘Suburban Alchemist’, Rob
Sharp, 2008
(4000 words)
-
‘Fragmentality’, Sandra M.
Odell, 2010
(4000 words)
-
‘The Issuance of One Hundred and
Thirty-Six’, Mark Harding, 2010
(4000 words)
-
‘Drafting Zoë’, Kelly
Jennings, 2010
(4000 words)
-
‘Good Form’, Jo M. Thomas, 2012
(4000 words)
-
‘The Poisoned City’, Katrina S. Forest, 2014
(4000 words)
-
‘Menander’, Angela Ambroz, 2015
(4000 words)
-
‘Taiya’, Vanessa Fogg, 2017
(4000 words)
-
‘From Out of the Ashes’, Michelle Labbé, 2018
(4000 words)
-
‘The First Breath after Drowning’, Tannara Young, 2019
(4000 words)
-
‘Whose Side Are You on Anyway?’, Sarah L. Byrne, 2013
(4100 words)
-
‘Sonnets from the “New Heart’s Ease”’, Z. Finch, 2015
(4100 words)
-
‘Porphyria: Dazzle Con Debut’, Priya Sridhar, 2016
(4100 words)
-
‘Where Thorns Can Grow’, Meryl Stenhouse, 2018
(4100 words)
-
‘Liquid Loyalty’, Redfern Barrett, 2013
(4200 words)
-
‘The Birdwatcher’, Jocelyn Koehler, 2014
(4200 words)
-
‘Sometimes I Am Drowning’, Louise Hughes, 2017
(4200 words)
-
‘Last Address’, Brian Olszewski, 2018
(4200 words)
-
‘The Message’, Vanessa Fogg, 2019
(4200 words)
-
‘The Derelict’, Nicasio Andres Reed, 2021
(4200 words)
-
‘Ten Degrees of Freedom’, Sean Chua, 2022
(4200 words)
-
‘Nasmina's Black Box’, Jennifer
Marie Brissett, 2009
(4300 words)
-
‘Billie the Dragon Slayer’, Alexandra Grunberg, 2019
(4300 words)
-
‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020
(4300 words)
-
‘Unspoilt’, Louise Hughes, 2022
(4300 words)
-
‘Respite Time’, Eric Del
Carlo, 2009
(4400 words)
-
‘Neap Tide’, Don
Norum, 2009
(4400 words)
-
‘Tiangong Park’, Erika D. Price, 2015
(4400 words)
-
‘Lucky .003’, Kassandra
Kelly, 2008
(4500 words)
-
‘Merlin's Dolphin’, Erika
Tracy, 2010
(4500 words)
-
‘It Kills Your Heart’, Anthony M. Abboreno, 2015
(4500 words)
-
‘A Subtle Fire Beneath the Skin’, Hayley Stone, 2021
(4500 words)
-
‘Crumb Cutie Exodus’, Bernie Jean Schiebeling, 2023
(4500 words)
-
‘Drown or Die’, Therese
Arkenberg, 2010
(4600 words)
-
‘Titanium and Silk’, Nick
Poniatowski, 2010
(4600 words)
-
‘A Fear of Falling Under’, A.J. Fitzwater, 2013
(4600 words)
-
‘Digital Ligatures’, Lauren C. Teffeau, 2014
(4600 words)
-
‘Lavender Tea’, Míquito López, 2015
(4600 words)
-
‘When Dessa Danced’, Donyae Coles, 2018
(4600 words)
-
‘Inanition’, Kate Kastelein, 2019
(4600 words)
-
‘We Were Ghostless Against Her’, Ioanna Papadopoulou, 2022
(4600 words)
-
‘Getting Down and Dirty’, Michael
Johnson, 2008
(4700 words)
-
‘Lacuna’, Anne E. Johnson, 2012
(4700 words)
-
‘Hard Rains’, S.J. Sabri, 2016
(4700 words)
-
‘Treading Invisible Threads’, Juliet Kemp, 2025
(4700 words)
-
‘10%’, Edward W.
Robertson, 2009
(4800 words)
-
‘Silence’, Alex
Fleetwood, 2010
(4800 words)
-
‘The Rice Mother in Red’, Pear Nuallak, 2015
(4800 words)
-
‘Embedded’, A.J. Fitzwater, 2016
(4800 words)
-
‘We Are All Wasteland on the Inside’, Benjanun Sriduangkaew, 2016
(4800 words)
-
‘Only the Dogs Bark’, Dawn
Lloyd, 2009
(4900 words)
-
‘An Invisible Tide’, Jo M. Thomas, 2015
(4900 words)
-
‘Looking Glass
Vacation’, Sarah Ann
Watts, 2006
(5000 words)
-
‘Silent Song’, Wendy
Palmer, 2010
(5000 words)
-
‘Hunting Unicorns’, Jo M. Thomas, 2013
(5000 words)
-
‘Tears of the Gods’, Sarah L. Byrne, 2014
(5000 words)
-
‘The Paragon of Knowledge’, Nick Wood, 2015
(5000 words)
-
‘The Ghost Repeater’, Joshua Philip Johnson, 2017
(5000 words)
-
‘They Built the New Jerusalem on the Ruins of the Old’, William Squirrell, 2018
(5000 words)
-
‘The Woman in the Pool’, Isabelle Sanders, 2018
(5000 words)
-
‘A Luxury Like Hope’, Aimee Ogden, 2021
(5000 words)
-
‘The Fox and the Snake’, Timothy Yeo, 2022
(5000 words)
-
‘Just as You Are’, Juliet Kemp, 2023
(5000 words)
-
‘Survive!’, Cory McMillen, 2012
(5100 words)
-
‘Cascade’, A.J. Fitzwater, 2020
(5200 words)
-
‘Bright Bleeding Girls’, J.L. George, 2025
(5400 words)
-
‘Avatar on the Belts 2: Eros’, William J. Piovano, 2008
(5500 words)
-
‘Phantom Hearts’, David Gallay, 2014
(5500 words)
-
‘Bite’, A. Poythress, 2018
(5500 words)
-
‘Minotaur’, Jaime Gill, 2025
(5500 words)
-
‘The Tuner’, Kip Manley, 2013
(5600 words)
-
‘Glow in the Dark’, Rachel Linn, 2016
(5600 words)
-
‘The Wasteland Review’, Aurelia Gonzalez, 2020
(5600 words)
-
‘Mijara’s Freedom’, Eleanor Glewwe, 2020
(5600 words)
-
‘What Hath God Wrought?’, Neil
Carstairs, 2007
(5700 words)
-
‘Avatar on the Belts 1: Tartaros’, William J. Piovano, 2008
(5700 words)
-
‘Made Light’, Melissa Moorer, 2014
(5700 words)
-
‘Vengeance Sewn with Fey Cord’, Christine Lucas, 2016
(5800 words)
-
‘A Prayer to St Jude’, M. Bennardo, 2022
(5800 words)
-
‘The Heart of the Party’, Sarah Day, 2022
(5800 words)
-
‘How You Make the Straight’, RJ
Astruc, 2010
(5900 words)
-
‘Changer's Wood’, Stephen Taylor, 2017
(5900 words)
-
‘Woman, Soldier, Girl’, Priya Chand, 2023
(5900 words)
-
‘Final Passage’, Addison Clift, 2013
(6000 words)
-
‘All Along the Mall’, Chloe N. Clark, 2015
(6000 words)
-
‘A Stereoscopic Landscape
View of Torino with Damsels and Distress’, Celia Neri, 2020
(6000 words)
-
‘The Shadow Catchers’, Vanessa Fogg, 2020
(6000 words)
-
‘New Day Dawning’, Francesca Forrest, 2022
(6000 words)
-
‘Bridge’, S. Brackett Robertson, 2022
(6000 words)
-
‘Between the Shadow and the Soul’, Davian Aw, 2023
(6000 words)
-
‘Transmogrification’, R.M. Pérez-Padilla, 2024
(6000 words)
-
‘The Shape of Her Shadow’, Alexandra Brandt, 2024
(6000 words)
-
‘Dare Seize the Fire’, Jennifer R. Donohue, 2025
(6000 words)
-
‘Turnabout’, Ana Wesley, 2025
(6100 words)
-
‘Stitched’, Sarah Salcedo, 2021
(6200 words)
-
‘Je me souviens’, Su J. Sokol, 2012
(6300 words)
-
‘The Wave’, Vanessa Fogg, 2016
(6300 words)
-
‘The Thinnest Veil’, Peri L. Fletcher, 2017
(6300 words)
-
‘Burning the Sinners with Lamplight’, Michelle Denham, 2017
(6300 words)
-
‘Six Kilometers Around’, Meghan Cruickshank, 2018
(6300 words)
-
‘On Your Wings’, Omi Wilde, 2017
(6400 words)
-
‘There Are No Echoes’, Davian Aw, 2017
(6400 words)
-
‘Seams of Iron’, Adriana C. Grigore, 2022
(6400 words)
-
‘One Drop’, David
Dumitru, 2008
(6500 words)
-
‘American Golgotha’, Joe Pitkin, 2012
(6500 words)
-
‘Shadows in the Mirror’, Todd
Thorne, 2009
(6700 words)
-
‘Safecracker, Safe’, J.C. Hsyu, 2012
(6700 words)
-
‘Five Tales of the Rose Palace’, Ephiny Gale, 2018
(6700 words)
-
‘Ashen Wings and Lightless Skies’, Amelia Sirina, 2018
(6800 words)
-
‘We Will Become as Monsters’, Benjanun Sriduangkaew, 2020
(6900 words)
-
‘Desolation Corner’, William Squirrell, 2021
(6900 words)
-
‘Less Than the Sum of the Movable Parts’, Richard Thieme, 2008
(7000 words)
-
‘The Recycled Man, part 2’, Rob
Sharp, 2009
(7000 words)
-
‘Free State’, Nora E. Derrington, 2015
(7200 words)
-
‘Winds: NW 20 km/hr’, Stacy Sinclair, 2012
(7300 words)
-
‘I m d 1 in 10’, Victor Fernando R. Ocampo, 2014
(7300 words)
-
‘Trigger Point’, C.A. Hawksmoor, 2015
(7300 words)
-
‘Lost Chapters: A fairytale’, J.W.
Bennett, 2005
(7400 words)
Novelettes
-
‘The Furious Chisel’, D.H. Kelly, 2019
(7500 words)
-
‘Elm’, Jamie Killen, 2012
(7600 words)
-
‘Elmer Bank’, Emily Capettini, 2012
(7600 words)
-
‘The Good Hawks’, Danielle Jorgenson-Murray, 2020
(7600 words)
-
‘Holy Many-Minds Home’, Michael Díaz Feito, 2016
(7700 words)
-
‘The Listener’, Sim Kern, 2021
(7700 words)
-
‘Archive of the Inexplicable and Dangerous’, Alexandra Grunberg, 2021
(7800 words)
-
‘Nettles’, Arley Sorg, 2013
(7900 words)
-
‘Shadows in the Water’, Selena Martens, 2017
(7900 words)
-
‘This is What I Look Like Now’, Sara Hosey, 2010
(8000 words)
-
‘k.a. (birthright)’, Lam Ning, 2021
(8200 words)
-
‘The Pool Noodle Alien Posse’, M.L. Clark, 2023
(8200 words)
-
‘Daughters of Hralln’, C.L.
Rossman, 2010
(8300 words)
-
‘Arrow’, Barry King, 2012
(8400 words)
-
‘Over the New Horizon’, T.D. Walker, 2016
(8400 words)
-
‘The Boy who Shattered Time’, Mark D. Dunn, 2012
(8500 words)
-
‘Siv Delfin’, Damien Krsteski, 2016
(8500 words)
-
‘And You Will Know Us by Our Monsters’, M.L. Clark, 2019
(8600 words)
-
‘Matryoshka City’, Albert Chu, 2024
(8600 words)
-
‘The Water Thief’, Jack Waddell, 2013
(8700 words)
-
‘The Orchids of Lethe’, M. Bennardo, 2016
(8700 words)
-
‘A Door of My Own’, Tim Pratt, 2022
(8800 words)
-
‘Snakes, Thorns, August’, Kayla Bashe, 2015
(8900 words)
-
‘The Transformative Three and the Clean Cooking Revolution (grant no. 437-775)’, Auke Pols, 2024
(8900 words)
-
‘Requiem for Shiva’, D. Thomas Minton, 2012
(9000 words)
-
‘A Faster Tomorrow’, Damien Krsteski, 2018
(9000 words)
-
‘The Devil Hunters of Fawn Street’, Clark Lewis, 2021
(9100 words)
-
‘The Hulks’, Subodhana Wijeyeratne, 2017
(9300 words)
-
‘The New Revolution’, Dylan Fox, 2014
(9400 words)
-
‘The Recycled Man, part 1’, Rob
Sharp, 2009
(9500 words)
-
‘The Anarchivist’, Owen Leddy, 2025
(9500 words)
-
‘Godwin's Law’, Curtis C. Chen, 2015
(9700 words)
-
‘The Ensanguined Shore’, Jennifer R. Donohue, 2024
(9700 words)
-
‘The Boy from the War’, Perrin Lu, 2019
(9800 words)
-
‘Omega, maybe’, Michael Loughrey, 2006
(10000 words)
-
‘Until the Pit is Dug for the Wicked’, John Kratman, 2008
(10000 words)
-
‘The Remaker’, Fabio Fernandes, 2012
(10000 words)
-
‘Good Genes’, Rebecca Gomez Farrell, 2016
(10200 words)
-
‘Wishes Slick Like Eels’, Irene Liang, 2025
(10300 words)
-
‘Where Machines Run with Gold’, Benjanun Sriduangkaew, 2019
(10600 words)
-
‘Galatea's Stepchildren’, Sam S.
Kepfield, 2009
(11000 words)
-
‘Terminal City’, Zoë Blade, 2013
(11000 words)
-
‘Courtship in the Country of Machine-Gods’, Benjanun Sriduangkaew, 2012
(11200 words)
-
‘Pianissimo’, Alan
Frackleton, 2007
(11500 words)
-
‘Fairest of All’, Ada Hoffmann, 2019
(11800 words)
-
‘The Blood of Castalsara’, William
J. Piovano, 2007
(12000 words)
-
‘Goodbye, Snow Child’, Jo M. Thomas, 2019
(14400 words)
-
‘My Plastic Heart, My Metal Hand’, Susan Jane Bigelow, 2019
(15300 words)
-
‘avenging the sorrow’, Lam Ning, 2022
(15700 words)
-
‘Cupernicity’, B. Morris Allen, 2025
(16000 words)
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