Poems

• ‘Alien Armada’, Mary Soon Lee, 2021 (21 lines)
• ‘All I Ever Wanted to Be’, Goran Lowie, 2023 (28 lines)
• ‘Apotheosis’, Nicole J. LeBoeuf, 2021 (45 lines)
• ‘Armor’, Devin Miller, 2021 (30 lines)
• ‘Athena on Motherhood’, Kari Castor, 2016 (33 lines)
• ‘Between Scylla and Charybdis’, Carina Bissett, 2023 (53 lines)
• ‘Bone Planet’, Petra Kuppers, 2024 (14 lines)
• ‘The Cassandra Effect’, M. Frost, 2025 (22 lines)
• ‘charybdis’, Marisca Pichette, 2022 (38 lines)
• ‘Cleopatra Diaries’, Jennifer Crow, 2019 (52 lines)
• ‘Daphne’s Grove’, Hayley Stone, 2018 (59 lines)
• ‘Daughter’, Eva Papasoulioti, 2019 (28 lines)
• ‘Degenerate’, Avra Margariti, 2022 (27 lines)
• ‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020 (16 lines)
• ‘Dissolution’, Danielle Levsky, 2025 (66 lines)
• ‘Drown Me’, Hester J. Rook, 2020 (25 lines)
• ‘Echidna’, Stephen Whitehead, 2018 (48 lines)
• ‘Eden’, Stephen Whitehead, 2020 (38 lines)
• ‘Entwined’, J.N. Powell, 2017 (36 lines)
• ‘Falling Out’, Hayley Stone, 2019 (10 lines)
• ‘The Flier and the Sheltered Maid’, Ana Gardner, 2021 (43 lines)
• ‘The Fungal Force: A History’, Colleen Anderson, 2023 (55 lines)
• ‘Germination’, A.Z. Louise, 2019 (67 lines)
• ‘Going Under’, Ujjvala Bagal Rahn, 2023 (13 lines)
• ‘Guidelines for Living Your Fairy Tale (in no Particular Order)’, Amanda Cook, 2024 (46 lines)
• ‘he kindly danced for me’, J.D. Harlock, 2021 (14 lines)
• ‘Homunculi of Creation’, Avra Margariti, 2024 (38 lines)
• ‘How Far Does Night Have To Fall?’, F.J. Bergmann, 2016 (34 lines)
• ‘How Magic Will Help You Take the Bastards Down’, Beth Cato, 2023 (45 lines)
• ‘How to Dismantle a Defective Sex Droid’, Ashley Bao, 2021 (29 lines)
• ‘How to Plant an Olive Tree on the Moon When All Is Lost’, Elena S. Kotsile, 2023 (14 lines)
• ‘How to Tell Your Husband You’re a Werewolf’, Katherine Shats, 2021 (24 lines)
• ‘How Will They Judge Us’, Lisa Timpf, 2017 (9 lines)
• ‘In Dependence’, Oluwatomiwa Ajeigbe, 2021 (33 lines)
• ‘Interstellar Wallflower’, Samuel Lowd Goldstein, 2023 (35 lines)
• ‘Jonah’, Soren James, 2018 (33 lines)
• ‘Keeping the Stars’, Anna Sykora, 2016 (24 lines)
• ‘The Later Life of Herr Samsa’s Picture’, Elizabeth R. McClellan, 2023 (68 lines)
• ‘Lights’, Kim Whysall-Hammond, 2019 (34 lines)
• ‘Liquid Water Lake Revealed on Mars’, Paige Elizabeth Smith, 2019 (19 lines)
• ‘Lost’, Adele Gardner, 2020 (60 lines)
• ‘Lucky Fact’, Stefani Cox, 2020 (28 lines)
• ‘Mageochory’, S. Brackett Robertson, 2023 (19 lines)
• ‘Manipulating the Light’, Mahaila Smith, 2024 (42 lines)
• ‘Mermaid's Comb’, Colleen Anderson, 2018 (36 lines)
• ‘Moon’, Jeana Jorgensen, 2019 (43 lines)
• ‘A Moon Witch Seeks a Shell’, Devan Barlow, 2024 (25 lines)
• ‘Mycelial’, Lisa Timpf, 2023 (36 lines)
• ‘Nebula Girl’, Maria DePaul, 2017 (16 lines)
• ‘Neith and Her Women’, Gerri Leen, 2020 (34 lines)
• ‘New Moon’, T.D. Walker, 2017 (30 lines)
• ‘Not a Princess, But (Yes) There Was a Pea’, Rebecca Buchanan, 2019 (182 lines)
• ‘Not Far Enough’, Paige Elizabeth Smith, 2019 (29 lines)
• ‘Not for Sale, Used Asteroid, One Owner’, Mary Soon Lee, 2021 (16 lines)
• ‘Oak Tree’, Fiona M. Jones, 2020 (34 lines)
• ‘Of Weeds and Witches’, Shelly Jones, 2021 (38 lines)
• ‘Patchwork Girl’, Colleen Anderson, 2016 (33 lines)
• ‘Proven Strategies in Human Public Relations’, Davian Aw, 2017 (55 lines)
• ‘Rain on St Andrew’s Night’, Ana Gardner, 2021 (60 lines)
• ‘Raised’, Deborah Harford, 2025 (22 lines)
• ‘Reasonable Accommodations’, Nicole J. LeBoeuf, 2022 (14 lines)
• ‘Red Tide at the Finca’, Michael Díaz Feito, 2019 (20 lines)
• ‘Results of Your Quiz: Which Survivor of the Trojan War Are You?’, Hayley Stone, 2018 (46 lines)
• ‘Return to the Cities’, Marie Vibbert, 2022 (34 lines)
• ‘Riddles of Lunacy’, Rufina Jinju Kang, 2019 (36 lines)
• ‘The Risk of Embarking’, Lynne Sargent, 2021 (36 lines)
• ‘Rumors of Women’, Laura Cranehill, 2021 (45 lines)
• ‘The Ships That Sang’, Jess Cho, 2024 (34 lines)
• ‘Shrouded’, Jennifer Bushroe, 2019 (30 lines)
• ‘Smells of Brine, Witching’, Devin Miller, 2023 (24 lines)
• ‘Solitary’, David Birch Ellis, 2023 (22 lines)
• ‘Song of Wandering Agnes’, Christyl Rivers, 2018 (23 lines)
• ‘Spare the Fire, Spoil the Brute’, Gerri Leen, 2020 (40 lines)
• ‘Sunrise over Neo-Tokyo’, Lae Astra, 2024 (26 lines)
• ‘Sunset on Kepler-22b’, Christina Sng, 2019 (57 lines)
• ‘This Soundless Murk’, Hester J. Rook, 2020 (22 lines)
• ‘Through the Dark, Persephone Speaks’, Jennifer Bushroe, 2019 (24 lines)
• ‘Time Traveller's Memory’, Davian Aw, 2020 (177 lines)
• ‘Two Hybrids’, Rachel Rodman, 2024 (179 lines)
• ‘Unformed’, Veda Villiers, 2025 (81 lines)
• ‘Until a Hundred Generations of People Have Departed’, E. Saxey, 2021 (52 lines)
• ‘The Void Is in a Playful Mood Tonight’, Naomi Simone Borwein, 2025 (115 lines)
• ‘Walking on Knives’, Jeana Jorgensen, 2019 (85 lines)
• ‘We Don't Always Have to Toss Her in the Deep End’, Jordan Hirsch, 2022 (43 lines)
• ‘What Heroines Read’, Mary Soon Lee, 2024 (16 lines)
• ‘Whistling Trees and Ironwood’, Hester J. Rook, 2020 (40 lines)
• ‘Witch Moon’, Colleen Anderson, 2017 (29 lines)
• ‘The Wolf’s Tale’, Rebecca Buchanan, 2019 (37 lines)
• ‘You Are Whole’, Anshritha, 2021 (86 lines)
• ‘A 구미호 Invites a Soucouyant to a Picnic’, Rufina Jinju Kang, 2018 (96 lines)

Flash fiction

• ‘AITA for throwing away my wife’s haunted dolls?’, Annika Barranti Klein, 2022 (890 words)
• ‘Always Look on the Bright Side’, Alison Littlewood, 2008 (1000 words)
• ‘Backward Planning’, John Young, 2005 (270 words)
• ‘Before We Drown’, Vanessa Fogg, 2022 (980 words)
• ‘The Bone Prophet’, Hester J. Rook, 2021 (880 words)
• ‘Bottom Drawer’, Brett Alexander Savory, 2005 (500 words)
• ‘The Bright Hunters’, B.L. Draper, 2015 (250 words)
• ‘The Carminokite’, Kimberly Kaufman, 2019 (900 words)
• ‘Cinder-Elver’, Mary Alexandra Agner, 2016 (650 words)
• ‘Collective Bargaining’, Jonathan Olfert, 2023 (1000 words)
• ‘The Cryptographer’s Body’, Evelyn Deshane, 2016 (850 words)
• ‘Deadline’, Tom Lichtenberg, 2006 (1000 words)
• ‘Dragon Years’, Juliet Kemp, 2020 (880 words)
• ‘The End of Rain’, Zoe Kaplan, 2024 (720 words)
• ‘Ganymede Riots’, Victoria Feistner, 2019 (500 words)
• ‘Gendered Anatomy’, R.E. Andeen, 2021 (700 words)
• ‘The Good Wife’, Rebecca Buchanan, 2018 (800 words)
• ‘A History of the 20th Century, with illustrations: Atonement’, Ian Sales, 2012 (900 words)
• ‘Huddle’, Monica Joyce Evans, 2023 (720 words)
• ‘Hysteria’, Katrina Smith, 2019 (830 words)
• ‘I Believe’, Dawn Vogel, 2019 (770 words)
• ‘Lady of the Court of Black Wings’, Richard R. Blake, 2017 (920 words)
• ‘The Light Princess’, Ephiny Gale, 2013 (1000 words)
• ‘The Lime Monster’, Shelly Jones, 2020 (900 words)
• ‘A Matter of Perspective’, T.C. Powell, 2015 (500 words)
• ‘Once Again’, Allen McGill, 2005 (900 words)
• ‘Pirouettes in Weightlessness’, A. Zaykova, 2023 (400 words)
• ‘Salamander Love’, Petra Kuppers, 2019 (890 words)
• ‘A Sea Change’, Shelly Jones, 2022 (1000 words)
• ‘Seven Choices’, Rachel Rodman, 2017 (600 words)
• ‘Shore Pines and Spider Silk’, Misha Penton, 2019 (290 words)
• ‘Solarpunk Letters: Seeds of Change’, Joyce Chng, 2023 (290 words)
• ‘Spindle Talk’, Sean R. Robinson, 2017 (1000 words)
• ‘Sun-Dappled Sheets of Methane Rain’, Marc A. Criley, 2024 (830 words)
• ‘Trash Goes in the Ground’, Kelly Rose Pflug-Back, 2017 (970 words)

Short stories

• ‘10%’, Edward W. Robertson, 2009 (4800 words)
• ‘The Abridged Excerpts from the Diary of a Corpse’, Naethan Pais, 2021 (3500 words)
• ‘After the New Dawn’, Joseph Tomaras, 2015 (1500 words)
• ‘All Along the Mall’, Chloe N. Clark, 2015 (6000 words)
• ‘All That Water’, Eris Young, 2025 (3200 words)
• ‘All the Way’, Graham Storrs, 2009 (2400 words)
• ‘Always Left Behind’, Jack Hollis Marr, 2014 (1500 words)
• ‘American Golgotha’, Joe Pitkin, 2012 (6500 words)
• ‘Apala’, Terrance Jefferson, 2007 (4000 words)
• ‘An Argument in a World Full of Wonders’, Omi Wilde, 2018 (2900 words)
• ‘Art Attack!’, Mark Harding, 2007 (2000 words)
• ‘Ashen Wings and Lightless Skies’, Amelia Sirina, 2018 (6800 words)
• ‘Autonomous Dispatch’, Anna Ziegelhof, 2021 (3500 words)
• ‘Avatar on the Belts 1: Tartaros’, William J. Piovano, 2008 (5700 words)
• ‘Avatar on the Belts 2: Eros’, William J. Piovano, 2008 (5500 words)
• ‘Avatar on the Belts 3: Aither’, William J. Piovano, 2008 (3500 words)
• ‘The Avlina Flower’s Magic’, Jamie Lackey, 2021 (1900 words)
• ‘Before We Left the Forest’, Kelly Rose Pflug-Back, 2016 (3900 words)
• ‘Between the Shadow and the Soul’, Davian Aw, 2023 (6000 words)
• ‘Bilaadi’, S. Ali, 2012 (2600 words)
• ‘Billie the Dragon Slayer’, Alexandra Grunberg, 2019 (4300 words)
• ‘The Birdwatcher’, Jocelyn Koehler, 2014 (4200 words)
• ‘Bite’, A. Poythress, 2018 (5500 words)
• ‘Bluebird Magick’, Alexis A. Hunter, 2013 (2200 words)
• ‘Born of the Mountain's Chill’, Louise Hughes, 2025 (2800 words)
• ‘Boxes Full of Memories’, Sean R. Robinson, 2023 (2800 words)
• ‘Bridge’, S. Brackett Robertson, 2022 (6000 words)
• ‘Bright Bleeding Girls’, J.L. George, 2025 (5400 words)
• ‘Building the Arcology’, Laura Gullveig, 2017 (1900 words)
• ‘Burning the Sinners with Lamplight’, Michelle Denham, 2017 (6300 words)
• ‘Cascade’, A.J. Fitzwater, 2020 (5200 words)
• ‘Causeway’, A.J. Fitzwater, 2015 (3400 words)
• ‘Changer's Wood’, Stephen Taylor, 2017 (5900 words)
• ‘The City of Sand and Knives’, A.J. Fitzwater, 2012 (3900 words)
• ‘The City, My Love’, Alexandra Seidel, 2021 (2600 words)
• ‘Coffin Road’, Terry Grimwood, 2007 (3500 words)
• ‘The Contractor’, Terry Grimwood, 2009 (3000 words)
• ‘The Cost of Fire’, Kiera Duggan, 2017 (3800 words)
• ‘Crescendo’, Omi Wilde, 2015 (3100 words)
• ‘Crumb Cutie Exodus’, Bernie Jean Schiebeling, 2023 (4500 words)
• ‘Dare’, Sophie Clarke, 2013 (3800 words)
• ‘Dare Seize the Fire’, Jennifer R. Donohue, 2025 (6000 words)
• ‘The Dark One's Cry’, Barbora P., 2006 (1700 words)
• ‘The Day the Books Left’, Simon Kewin, 2015 (1200 words)
• ‘The Death Park’, Duncan Barford, 2005 (2800 words)
• ‘Deep Sea Baby’, Faith Allington, 2024 (2100 words)
• ‘Deirdre’s Skin’, Amalie N. Ingham, 2024 (3300 words)
• ‘The Derelict’, Nicasio Andres Reed, 2021 (4200 words)
• ‘Desolation Corner’, William Squirrell, 2021 (6900 words)
• ‘The Devil's Tooth’, E. Steven Newby, 2008 (2500 words)
• ‘Digital Ligatures’, Lauren C. Teffeau, 2014 (4600 words)
• ‘Disconnected’, Vanessa Fogg, 2015 (3800 words)
• ‘A Distant Glimpse’, Simon Kewin, 2016 (2900 words)
• ‘Drafting Zoë’, Kelly Jennings, 2010 (4000 words)
• ‘Drown or Die’, Therese Arkenberg, 2010 (4600 words)
• ‘Earthgazing’, Lisa Cai, 2019 (2900 words)
• ‘Embedded’, A.J. Fitzwater, 2016 (4800 words)
• ‘Ephemeral Love’, Melanie Rees, 2009 (1700 words)
• ‘Escape Choice’, Emma Burnett, 2024 (2800 words)
• ‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022 (2800 words)
• ‘The Exaggerated Man’, Terry Grimwood, 2005 (3800 words)
• ‘The Facts Are These’, M. Bennardo, 2020 (1200 words)
• ‘Faulty Genes’, Hannah Soyer, 2021 (2300 words)
• ‘A Fear of Falling Under’, A.J. Fitzwater, 2013 (4600 words)
• ‘Featured Exhibit: Drop in a Bucket’, Ziggy Schutz, 2025 (2000 words)
• ‘Final Passage’, Addison Clift, 2013 (6000 words)
• ‘The First Breath after Drowning’, Tannara Young, 2019 (4000 words)
• ‘Five Tales of the Rose Palace’, Ephiny Gale, 2018 (6700 words)
• ‘Floaters’, Joe Baumann, 2018 (1500 words)
• ‘The Foraging’, Shelly Jones, 2020 (1500 words)
• ‘The Fox and the Snake’, Timothy Yeo, 2022 (5000 words)
• ‘Fragmentality’, Sandra M. Odell, 2010 (4000 words)
• ‘Free State’, Nora E. Derrington, 2015 (7200 words)
• ‘From Out of the Ashes’, Michelle Labbé, 2018 (4000 words)
• ‘Getting Down and Dirty’, Michael Johnson, 2008 (4700 words)
• ‘The Ghost Repeater’, Joshua Philip Johnson, 2017 (5000 words)
• ‘Glow in the Dark’, Rachel Linn, 2016 (5600 words)
• ‘Good Form’, Jo M. Thomas, 2012 (4000 words)
• ‘Good Fortune’, Karen Heslop, 2017 (1900 words)
• ‘The Grand Museum’, Ola Al-Fateh, 2016 (2700 words)
• ‘Gurge’, Jason Baltazar, 2017 (3900 words)
• ‘Half Light House’, J.W. Bennett, 2006 (1500 words)
• ‘Happy Days’, Jerome Kemp, 2006 (2900 words)
• ‘Hard Rains’, S.J. Sabri, 2016 (4700 words)
• ‘The Harpy’, Laura Heron, 2012 (2900 words)
• ‘Her Bones, Those of the Dead’, Tracie Welser, 2012 (3800 words)
• ‘His New Body’, Simon Kewin, 2023 (3000 words)
• ‘How You Make the Straight’, RJ Astruc, 2010 (5900 words)
• ‘Hunting Unicorns’, Jo M. Thomas, 2013 (5000 words)
• ‘I m d 1 in 10’, Victor Fernando R. Ocampo, 2014 (7300 words)
• ‘I Thought of You’, Juliet Kemp, 2019 (2100 words)
• ‘Immaterial’, Dan Grace, 2016 (3500 words)
• ‘In the Field’, Shelly Jones, 2024 (2600 words)
• ‘In the Shadow of Kakadu’, RJ Astruc, 2007 (4000 words)
• ‘Inanition’, Kate Kastelein, 2019 (4600 words)
• ‘An Invisible Tide’, Jo M. Thomas, 2015 (4900 words)
• ‘The Issuance of One Hundred and Thirty-Six’, Mark Harding, 2010 (4000 words)
• ‘It Kills Your Heart’, Anthony M. Abboreno, 2015 (4500 words)
• ‘I’m Fine’, P.L. Salerno, 2022 (2000 words)
• ‘Je me souviens’, Su J. Sokol, 2012 (6300 words)
• ‘Just as You Are’, Juliet Kemp, 2023 (5000 words)
• ‘Kemistry’, Terry Grimwood, 2008 (1600 words)
• ‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020 (4300 words)
• ‘Lacuna’, Anne E. Johnson, 2012 (4700 words)
• ‘Last Address’, Brian Olszewski, 2018 (4200 words)
• ‘Lavender Tea’, Míquito López, 2015 (4600 words)
• ‘Less Than the Sum of the Movable Parts’, Richard Thieme, 2008 (7000 words)
• ‘Letting Go’, Neil Ayres, 2005 (3100 words)
• ‘Liquid Loyalty’, Redfern Barrett, 2013 (4200 words)
• ‘Little Grey Weirdos’, Anna Ziegelhof, 2018 (3200 words)
• ‘Live off the Land’, Toby MacNutt, 2023 (1800 words)
• ‘Looking Glass Vacation’, Sarah Ann Watts, 2006 (5000 words)
• ‘Lost Chapters: A fairytale’, J.W. Bennett, 2005 (7400 words)
• ‘Lucky .003’, Kassandra Kelly, 2008 (4500 words)
• ‘A Luxury Like Hope’, Aimee Ogden, 2021 (5000 words)
• ‘Made Light’, Melissa Moorer, 2014 (5700 words)
• ‘Make of Me a Comet’, Kit Harding, 2022 (3100 words)
• ‘Making History’, Lynda Williams, 2006 (3900 words)
• ‘The Man Who Watched the Stars’, Carol Holland March, 2014 (3800 words)
• ‘Maryann Saves the World’, Michael J. DeLuca, 2009 (2000 words)
• ‘Menander’, Angela Ambroz, 2015 (4000 words)
• ‘Merlin's Dolphin’, Erika Tracy, 2010 (4500 words)
• ‘The Message’, Vanessa Fogg, 2019 (4200 words)
• ‘Microseasons of the Dead’, Vanessa Fogg, 2023 (1500 words)
• ‘Mijara’s Freedom’, Eleanor Glewwe, 2020 (5600 words)
• ‘Millie’, Anna Caro, 2012 (2600 words)
• ‘Minotaur’, Jaime Gill, 2025 (5500 words)
• ‘Monsters’, Amelie Daigle, 2013 (2600 words)
• ‘The Mountain’s Wife’, Jennifer R. Donohue, 2021 (3200 words)
• ‘Mrs. Daedalus’, Marianne Xenos, 2022 (1400 words)
• ‘My Pet Tiger’, Jessica Dylan Miele, 2018 (3700 words)
• ‘Nasmina's Black Box’, Jennifer Marie Brissett, 2009 (4300 words)
• ‘Neap Tide’, Don Norum, 2009 (4400 words)
• ‘New Day Dawning’, Francesca Forrest, 2022 (6000 words)
• ‘Night Dreaming’, Steven Pirie, 2007 (2000 words)
• ‘Nightingale’s Lament’, Laura Gregory, 2022 (2000 words)
• ‘No Chimeras’, Ranylt Richildis, 2014 (3600 words)
• ‘On Your Wings’, Omi Wilde, 2017 (6400 words)
• ‘One Day’, Frances Koziar, 2023 (1700 words)
• ‘One Drop’, David Dumitru, 2008 (6500 words)
• ‘Only the Dogs Bark’, Dawn Lloyd, 2009 (4900 words)
• ‘Out of Bounds’, Anna Ziegelhof, 2023 (3900 words)
• ‘The Overdue Protocols’, Alexander Burns, 2009 (1500 words)
• ‘The Paragon of Knowledge’, Nick Wood, 2015 (5000 words)
• ‘Passcodes’, Melinda Brasher, 2014 (2800 words)
• ‘Phantom Hearts’, David Gallay, 2014 (5500 words)
• ‘Pleiades for a New Generation’, Kathryn Allan, 2020 (1600 words)
• ‘The Poisoned City’, Katrina S. Forest, 2014 (4000 words)
• ‘Porphyria: Dazzle Con Debut’, Priya Sridhar, 2016 (4100 words)
• ‘A Prayer to St Jude’, M. Bennardo, 2022 (5800 words)
• ‘Purity’, Jennifer R. Donohue, 2023 (3100 words)
• ‘The Recycled Man, part 2’, Rob Sharp, 2009 (7000 words)
• ‘Reflection’, Jessica E. Birch, 2010 (2300 words)
• ‘Respite Time’, Eric Del Carlo, 2009 (4400 words)
• ‘The Rice Mother in Red’, Pear Nuallak, 2015 (4800 words)
• ‘River Crossing’, Petra Kuppers, 2017 (2100 words)
• ‘The Road under the Bay’, Petra Kuppers, 2016 (2700 words)
• ‘A Rock by Any Other Name’, Rick Novy, 2008 (1800 words)
• ‘The Rose Sisterhood’, Susan Taitel, 2024 (2000 words)
• ‘Rustsong’, Sean R. Robinson, 2015 (2000 words)
• ‘La ruta de la sal’, Malena Salazar Maciá, 2020 (2800 words)
• ‘Safe in a Malachite Storm’, Devin Miller, 2025 (1700 words)
• ‘Safecracker, Safe’, J.C. Hsyu, 2012 (6700 words)
• ‘Salt and Smoke’, Storm Blakley, 2022 (3200 words)
• ‘The Salt in Her Kiss’, Malena Salazar Maciá, 2020 (2800 words)
• ‘Scaled Soul’, Rhianwen Phillips, 2020 (1700 words)
• ‘Seams of Iron’, Adriana C. Grigore, 2022 (6400 words)
• ‘Secrets of the Sea’, Jennifer Marie Brissett, 2012 (2300 words)
• ‘Sentinel’, Lauren Ferebee, 2025 (3700 words)
• ‘Seven Bridges’, Francesca Forrest, 2014 (3900 words)
• ‘Seven Stories for Now and Later’, Nancy S. Koven, 2025 (3000 words)
• ‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor, 2013 (2900 words)
• ‘The Shadow Catchers’, Vanessa Fogg, 2020 (6000 words)
• ‘Shadows in the Mirror’, Todd Thorne, 2009 (6700 words)
• ‘The Shape of Her Shadow’, Alexandra Brandt, 2024 (6000 words)
• ‘Share Your Space Today’, David Towsey, 2008 (3200 words)
• ‘Side Effects May Vary’, Avra Margariti, 2023 (3300 words)
• ‘Silence’, Alex Fleetwood, 2010 (4800 words)
• ‘Silent Song’, Wendy Palmer, 2010 (5000 words)
• ‘Silver Wings’, Joyce Chng, 2019 (3200 words)
• ‘Six Kilometers Around’, Meghan Cruickshank, 2018 (6300 words)
• ‘Sometimes I Am Drowning’, Louise Hughes, 2017 (4200 words)
• ‘Song of Your Life’, Nicole Lungerhausen, 2022 (3100 words)
• ‘Songbird’, L. Chan, 2016 (3700 words)
• ‘Sonnets from the “New Heart’s Ease”’, Z. Finch, 2015 (4100 words)
• ‘The Sons of Victor Levitak’, Rowley Amato, 2025 (6400 words)
• ‘Sophie and Zoe at the End of the World’, Rebecca Buchanan, 2014 (1900 words)
• ‘Soul Catcher’, Christel Bodenbender, 2013 (2000 words)
• ‘Space Gardens’, L.J. Lacey, 2024 (2000 words)
• ‘Spindle House’, Jennifer Hudak, 2022 (3000 words)
• ‘A Stereoscopic Landscape View of Torino with Damsels and Distress’, Celia Neri, 2020 (6000 words)
• ‘Stitched’, Sarah Salcedo, 2021 (6200 words)
• ‘Strange Engines’, Jordan Taylor, 2020 (3800 words)
• ‘A Subtle Fire Beneath the Skin’, Hayley Stone, 2021 (4500 words)
• ‘Suburban Alchemist’, Rob Sharp, 2008 (4000 words)
• ‘Survive!’, Cory McMillen, 2012 (5100 words)
• ‘Sweet Like Fate’, Sara Puls, 2013 (1600 words)
• ‘Taiya’, Vanessa Fogg, 2017 (4000 words)
• ‘Tanty Marlene’, E. Saxey, 2014 (2400 words)
• ‘Tears of the Gods’, Sarah L. Byrne, 2014 (5000 words)
• ‘Ten Degrees of Freedom’, Sean Chua, 2022 (4200 words)
• ‘Terranueva’, Katie Kopajtic, 2024 (2800 words)
• ‘Tessa’, Edward Ashton, 2015 (1600 words)
• ‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024 (3300 words)
• ‘The Heart of the Party’, Sarah Day, 2022 (5800 words)
• ‘There Are No Echoes’, Davian Aw, 2017 (6400 words)
• ‘They Built the New Jerusalem on the Ruins of the Old’, William Squirrell, 2018 (5000 words)
• ‘Thick on the Wet Cement’, Rebecca J. Schwab, 2012 (2600 words)
• ‘The Thing You Feed’, Joyce Chng, 2018 (2400 words)
• ‘The Thinnest Veil’, Peri L. Fletcher, 2017 (6300 words)
• ‘The Third Angel Poured’, Julie Reeser, 2020 (3300 words)
• ‘The Thousand Tongues of Sara’, Jonathan Olfert, 2023 (1700 words)
• ‘Tiangong Park’, Erika D. Price, 2015 (4400 words)
• ‘Tidal Waves’, Melanie Rees, 2017 (1800 words)
• ‘Titanium and Silk’, Nick Poniatowski, 2010 (4600 words)
• ‘The Transmigration’, Nader Elhefnawy, 2009 (1700 words)
• ‘Transmogrification’, R.M. Pérez-Padilla, 2024 (6000 words)
• ‘Treacle Blood’, Joyce Chng, 2022 (1500 words)
• ‘Treading Invisible Threads’, Juliet Kemp, 2025 (4700 words)
• ‘Trigger Point’, C.A. Hawksmoor, 2015 (7300 words)
• ‘The Tuner’, Kip Manley, 2013 (5600 words)
• ‘Turnabout’, Ana Wesley, 2025 (6100 words)
• ‘Unblooded Gospel’, Justin Taroli, 2025 (5900 words)
• ‘Uniform of War’, Harry Pauff, 2018 (2300 words)
• ‘Unspoilt’, Louise Hughes, 2022 (4300 words)
• ‘Vengeance Sewn with Fey Cord’, Christine Lucas, 2016 (5800 words)
• ‘The Wasteland Review’, Aurelia Gonzalez, 2020 (5600 words)
• ‘The Wave’, Vanessa Fogg, 2016 (6300 words)
• ‘We Are All Wasteland on the Inside’, Benjanun Sriduangkaew, 2016 (4800 words)
• ‘We Have Your Book!’, Patrick Doerksen, 2018 (1500 words)
• ‘We Were Ghostless Against Her’, Ioanna Papadopoulou, 2022 (4600 words)
• ‘We Will Become as Monsters’, Benjanun Sriduangkaew, 2020 (6900 words)
• ‘What Hath God Wrought?’, Neil Carstairs, 2007 (5700 words)
• ‘What the Dead Are For’, Terry Grimwood, 2005 (3500 words)
• ‘When Dessa Danced’, Donyae Coles, 2018 (4600 words)
• ‘Where Thorns Can Grow’, Meryl Stenhouse, 2018 (4100 words)
• ‘Whiskey Mud’, Jonathan Olfert, 2024 (2200 words)
• ‘A Whisper from the Waves’, Carrie Gessner, 2018 (2500 words)
• ‘Whose Side Are You on Anyway?’, Sarah L. Byrne, 2013 (4100 words)
• ‘Winds: NW 20 km/hr’, Stacy Sinclair, 2012 (7300 words)
• ‘Wings So Foreign’, Frank Ray Ard, 2009 (3000 words)
• ‘Wingspan’, Aliya Whiteley, 2009 (2000 words)
• ‘A Witch, a Wakening’, Laura Blackwell, 2024 (2200 words)
• ‘Wives at the End of the World’, Avra Margariti, 2021 (1300 words)
• ‘The Wolf Behind the Sun’, Johann Carlisle, 2005 (2900 words)
• ‘The Woman in the Pool’, Isabelle Sanders, 2018 (5000 words)
• ‘Woman, Soldier, Girl’, Priya Chand, 2023 (5900 words)

Novelettes

• ‘A Faster Tomorrow’, Damien Krsteski, 2018 (9000 words)
• ‘The Anarchivist’, Owen Leddy, 2025 (9500 words)
• ‘And You Will Know Us by Our Monsters’, M.L. Clark, 2019 (8600 words)
• ‘Archive of the Inexplicable and Dangerous’, Alexandra Grunberg, 2021 (7800 words)
• ‘Arrow’, Barry King, 2012 (8400 words)
• ‘avenging the sorrow’, Lam Ning, 2022 (15700 words)
• ‘The Better Ends’, V. Zixin, 2025 (15600 words)
• ‘The Blood of Castalsara’, William J. Piovano, 2007 (12000 words)
• ‘The Boy from the War’, Perrin Lu, 2019 (9800 words)
• ‘The Boy who Shattered Time’, Mark D. Dunn, 2012 (8500 words)
• ‘Courtship in the Country of Machine-Gods’, Benjanun Sriduangkaew, 2012 (11200 words)
• ‘Cupernicity’, B. Morris Allen, 2025 (16000 words)
• ‘Daughters of Hralln’, C.L. Rossman, 2010 (8300 words)
• ‘The Devil Hunters of Fawn Street’, Clark Lewis, 2021 (9100 words)
• ‘A Door of My Own’, Tim Pratt, 2022 (8800 words)
• ‘Elm’, Jamie Killen, 2012 (7600 words)
• ‘Elmer Bank’, Emily Capettini, 2012 (7600 words)
• ‘The Ensanguined Shore’, Jennifer R. Donohue, 2024 (9700 words)
• ‘Fairest of All’, Ada Hoffmann, 2019 (11800 words)
• ‘The Furious Chisel’, D.H. Kelly, 2019 (7500 words)
• ‘Galatea's Stepchildren’, Sam S. Kepfield, 2009 (11000 words)
• ‘Godwin's Law’, Curtis C. Chen, 2015 (9700 words)
• ‘Good Genes’, Rebecca Gomez Farrell, 2016 (10200 words)
• ‘The Good Hawks’, Danielle Jorgenson-Murray, 2020 (7600 words)
• ‘Goodbye, Snow Child’, Jo M. Thomas, 2019 (14400 words)
• ‘Holy Many-Minds Home’, Michael Díaz Feito, 2016 (7700 words)
• ‘The Hulks’, Subodhana Wijeyeratne, 2017 (9300 words)
• ‘k.a. (birthright)’, Lam Ning, 2021 (8200 words)
• ‘Limue’s Alphabet’, Eleanor Glewwe, 2025 (10000 words)
• ‘The Listener’, Sim Kern, 2021 (7700 words)
• ‘Matryoshka City’, Albert Chu, 2024 (8600 words)
• ‘My Plastic Heart, My Metal Hand’, Susan Jane Bigelow, 2019 (15300 words)
• ‘Nettles’, Arley Sorg, 2013 (7900 words)
• ‘The New Revolution’, Dylan Fox, 2014 (9400 words)
• ‘Omega, maybe’, Michael Loughrey, 2006 (10000 words)
• ‘The Orchids of Lethe’, M. Bennardo, 2016 (8700 words)
• ‘Over the New Horizon’, T.D. Walker, 2016 (8400 words)
• ‘Pianissimo’, Alan Frackleton, 2007 (11500 words)
• ‘The Pool Noodle Alien Posse’, M.L. Clark, 2023 (8200 words)
• ‘The Recycled Man, part 1’, Rob Sharp, 2009 (9500 words)
• ‘The Remaker’, Fabio Fernandes, 2012 (10000 words)
• ‘Requiem for Shiva’, D. Thomas Minton, 2012 (9000 words)
• ‘Shadows in the Water’, Selena Martens, 2017 (7900 words)
• ‘Siv Delfin’, Damien Krsteski, 2016 (8500 words)
• ‘Snakes, Thorns, August’, Kayla Bashe, 2015 (8900 words)
• ‘Terminal City’, Zoë Blade, 2013 (11000 words)
• ‘This is What I Look Like Now’, Sara Hosey, 2010 (8000 words)
• ‘The Transformative Three and the Clean Cooking Revolution (grant no. 437-775)’, Auke Pols, 2024 (8900 words)
• ‘Until the Pit is Dug for the Wicked’, John Kratman, 2008 (10000 words)
• ‘The Water Thief’, Jack Waddell, 2013 (8700 words)
• ‘Where Machines Run with Gold’, Benjanun Sriduangkaew, 2019 (10600 words)
• ‘Wishes Slick Like Eels’, Irene Liang, 2025 (10300 words)

Anthony M. Abboreno

• ‘It Kills Your Heart’, Anthony M. Abboreno, 2015 (4500 words)

Mary Alexandra Agner

• ‘Cinder-Elver’, Mary Alexandra Agner, 2016 (650 words)

Oluwatomiwa Ajeigbe

• ‘In Dependence’, Oluwatomiwa Ajeigbe, 2021 (33 lines)

Ola Al-Fateh

• ‘The Grand Museum’, Ola Al-Fateh, 2016 (2700 words)

S. Ali

• ‘Bilaadi’, S. Ali, 2012 (2600 words)

Kathryn Allan

• ‘Pleiades for a New Generation’, Kathryn Allan, 2020 (1600 words)

B. Morris Allen

• ‘Cupernicity’, B. Morris Allen, 2025 (16000 words)

Faith Allington

• ‘Deep Sea Baby’, Faith Allington, 2024 (2100 words)

Rowley Amato

• ‘The Sons of Victor Levitak’, Rowley Amato, 2025 (6400 words)

Angela Ambroz

• ‘Menander’, Angela Ambroz, 2015 (4000 words)

R.E. Andeen

• ‘Gendered Anatomy’, R.E. Andeen, 2021 (700 words)

Colleen Anderson

• ‘Patchwork Girl’, Colleen Anderson, 2016 (33 lines)
• ‘Witch Moon’, Colleen Anderson, 2017 (29 lines)
• ‘Mermaid's Comb’, Colleen Anderson, 2018 (36 lines)
• ‘The Fungal Force: A History’, Colleen Anderson, 2023 (55 lines)

Anshritha

• ‘You Are Whole’, Anshritha, 2021 (86 lines)

Frank Ray Ard

• ‘Wings So Foreign’, Frank Ray Ard, 2009 (3000 words)

Therese Arkenberg

• ‘Drown or Die’, Therese Arkenberg, 2010 (4600 words)

Edward Ashton

• ‘Tessa’, Edward Ashton, 2015 (1600 words)

Lae Astra

• ‘Sunrise over Neo-Tokyo’, Lae Astra, 2024 (26 lines)

RJ Astruc

• ‘In the Shadow of Kakadu’, RJ Astruc, 2007 (4000 words)
• ‘How You Make the Straight’, RJ Astruc, 2010 (5900 words)

Davian Aw

• ‘Proven Strategies in Human Public Relations’, Davian Aw, 2017 (55 lines)
• ‘There Are No Echoes’, Davian Aw, 2017 (6400 words)
• ‘Time Traveller's Memory’, Davian Aw, 2020 (177 lines)
• ‘Between the Shadow and the Soul’, Davian Aw, 2023 (6000 words)

Neil Ayres

• ‘Letting Go’, Neil Ayres, 2005 (3100 words)

Jason Baltazar

• ‘Gurge’, Jason Baltazar, 2017 (3900 words)

Ashley Bao

• ‘How to Dismantle a Defective Sex Droid’, Ashley Bao, 2021 (29 lines)

Duncan Barford

• ‘The Death Park’, Duncan Barford, 2005 (2800 words)

Devan Barlow

• ‘A Moon Witch Seeks a Shell’, Devan Barlow, 2024 (25 lines)

Redfern Barrett

• ‘Liquid Loyalty’, Redfern Barrett, 2013 (4200 words)

Kayla Bashe

• ‘Snakes, Thorns, August’, Kayla Bashe, 2015 (8900 words)

Joe Baumann

• ‘Floaters’, Joe Baumann, 2018 (1500 words)

M. Bennardo

• ‘The Orchids of Lethe’, M. Bennardo, 2016 (8700 words)
• ‘The Facts Are These’, M. Bennardo, 2020 (1200 words)
• ‘A Prayer to St Jude’, M. Bennardo, 2022 (5800 words)

J.W. Bennett

• ‘Lost Chapters: A fairytale’, J.W. Bennett, 2005 (7400 words)
• ‘Half Light House’, J.W. Bennett, 2006 (1500 words)

F.J. Bergmann

• ‘How Far Does Night Have To Fall?’, F.J. Bergmann, 2016 (34 lines)

Susan Jane Bigelow

• ‘My Plastic Heart, My Metal Hand’, Susan Jane Bigelow, 2019 (15300 words)

Jessica E. Birch

• ‘Reflection’, Jessica E. Birch, 2010 (2300 words)

Carina Bissett

• ‘Between Scylla and Charybdis’, Carina Bissett, 2023 (53 lines)

Laura Blackwell

• ‘A Witch, a Wakening’, Laura Blackwell, 2024 (2200 words)

Zoë Blade

• ‘Terminal City’, Zoë Blade, 2013 (11000 words)

Richard R. Blake

• ‘Lady of the Court of Black Wings’, Richard R. Blake, 2017 (920 words)

Storm Blakley

• ‘Salt and Smoke’, Storm Blakley, 2022 (3200 words)

Christel Bodenbender

• ‘Soul Catcher’, Christel Bodenbender, 2013 (2000 words)

Naomi Simone Borwein

• ‘The Void Is in a Playful Mood Tonight’, Naomi Simone Borwein, 2025 (115 lines)

Alexandra Brandt

• ‘The Shape of Her Shadow’, Alexandra Brandt, 2024 (6000 words)

Melinda Brasher

• ‘Passcodes’, Melinda Brasher, 2014 (2800 words)

Jennifer Marie Brissett

• ‘Nasmina's Black Box’, Jennifer Marie Brissett, 2009 (4300 words)
• ‘Secrets of the Sea’, Jennifer Marie Brissett, 2012 (2300 words)

Rebecca Buchanan

• ‘Sophie and Zoe at the End of the World’, Rebecca Buchanan, 2014 (1900 words)
• ‘The Good Wife’, Rebecca Buchanan, 2018 (800 words)
• ‘The Wolf’s Tale’, Rebecca Buchanan, 2019 (37 lines)
• ‘Not a Princess, But (Yes) There Was a Pea’, Rebecca Buchanan, 2019 (182 lines)

Emma Burnett

• ‘Escape Choice’, Emma Burnett, 2024 (2800 words)

Alexander Burns

• ‘The Overdue Protocols’, Alexander Burns, 2009 (1500 words)

Jennifer Bushroe

• ‘Shrouded’, Jennifer Bushroe, 2019 (30 lines)
• ‘Through the Dark, Persephone Speaks’, Jennifer Bushroe, 2019 (24 lines)

Sarah L. Byrne

• ‘Whose Side Are You on Anyway?’, Sarah L. Byrne, 2013 (4100 words)
• ‘Tears of the Gods’, Sarah L. Byrne, 2014 (5000 words)

Lisa Cai

• ‘Earthgazing’, Lisa Cai, 2019 (2900 words)

Emily Capettini

• ‘Elmer Bank’, Emily Capettini, 2012 (7600 words)

Johann Carlisle

• ‘The Wolf Behind the Sun’, Johann Carlisle, 2005 (2900 words)

Anna Caro

• ‘Millie’, Anna Caro, 2012 (2600 words)

Neil Carstairs

• ‘What Hath God Wrought?’, Neil Carstairs, 2007 (5700 words)

Kari Castor

• ‘Athena on Motherhood’, Kari Castor, 2016 (33 lines)

Beth Cato

• ‘How Magic Will Help You Take the Bastards Down’, Beth Cato, 2023 (45 lines)

L. Chan

• ‘Songbird’, L. Chan, 2016 (3700 words)

Priya Chand

• ‘Woman, Soldier, Girl’, Priya Chand, 2023 (5900 words)

Curtis C. Chen

• ‘Godwin's Law’, Curtis C. Chen, 2015 (9700 words)

Joyce Chng

• ‘The Thing You Feed’, Joyce Chng, 2018 (2400 words)
• ‘Silver Wings’, Joyce Chng, 2019 (3200 words)
• ‘Treacle Blood’, Joyce Chng, 2022 (1500 words)
• ‘Solarpunk Letters: Seeds of Change’, Joyce Chng, 2023 (290 words)

Jess Cho

• ‘The Ships That Sang’, Jess Cho, 2024 (34 lines)

Albert Chu

• ‘Matryoshka City’, Albert Chu, 2024 (8600 words)

Sean Chua

• ‘Ten Degrees of Freedom’, Sean Chua, 2022 (4200 words)

Chloe N. Clark

• ‘All Along the Mall’, Chloe N. Clark, 2015 (6000 words)

M.L. Clark

• ‘And You Will Know Us by Our Monsters’, M.L. Clark, 2019 (8600 words)
• ‘The Pool Noodle Alien Posse’, M.L. Clark, 2023 (8200 words)

Sophie Clarke

• ‘Dare’, Sophie Clarke, 2013 (3800 words)

Addison Clift

• ‘Final Passage’, Addison Clift, 2013 (6000 words)

Donyae Coles

• ‘When Dessa Danced’, Donyae Coles, 2018 (4600 words)

Amanda Cook

• ‘Guidelines for Living Your Fairy Tale (in no Particular Order)’, Amanda Cook, 2024 (46 lines)

Stefani Cox

• ‘Lucky Fact’, Stefani Cox, 2020 (28 lines)

Laura Cranehill

• ‘Rumors of Women’, Laura Cranehill, 2021 (45 lines)

Marc A. Criley

• ‘Sun-Dappled Sheets of Methane Rain’, Marc A. Criley, 2024 (830 words)

Jennifer Crow

• ‘Cleopatra Diaries’, Jennifer Crow, 2019 (52 lines)

Meghan Cruickshank

• ‘Six Kilometers Around’, Meghan Cruickshank, 2018 (6300 words)

Amelie Daigle

• ‘Monsters’, Amelie Daigle, 2013 (2600 words)

Sarah Day

• ‘The Heart of the Party’, Sarah Day, 2022 (5800 words)

Eric Del Carlo

• ‘Respite Time’, Eric Del Carlo, 2009 (4400 words)

Michael J. DeLuca

• ‘Maryann Saves the World’, Michael J. DeLuca, 2009 (2000 words)

Michelle Denham

• ‘Burning the Sinners with Lamplight’, Michelle Denham, 2017 (6300 words)

Maria DePaul

• ‘Nebula Girl’, Maria DePaul, 2017 (16 lines)

Nora E. Derrington

• ‘Free State’, Nora E. Derrington, 2015 (7200 words)

Evelyn Deshane

• ‘The Cryptographer’s Body’, Evelyn Deshane, 2016 (850 words)

Patrick Doerksen

• ‘We Have Your Book!’, Patrick Doerksen, 2018 (1500 words)

Jennifer R. Donohue

• ‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020 (4300 words)
• ‘The Mountain’s Wife’, Jennifer R. Donohue, 2021 (3200 words)
• ‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022 (2800 words)
• ‘Purity’, Jennifer R. Donohue, 2023 (3100 words)
• ‘The Ensanguined Shore’, Jennifer R. Donohue, 2024 (9700 words)
• ‘Dare Seize the Fire’, Jennifer R. Donohue, 2025 (6000 words)

B.L. Draper

• ‘The Bright Hunters’, B.L. Draper, 2015 (250 words)

Kiera Duggan

• ‘The Cost of Fire’, Kiera Duggan, 2017 (3800 words)

David Dumitru

• ‘One Drop’, David Dumitru, 2008 (6500 words)

Mark D. Dunn

• ‘The Boy who Shattered Time’, Mark D. Dunn, 2012 (8500 words)

Michael Díaz Feito

• ‘Holy Many-Minds Home’, Michael Díaz Feito, 2016 (7700 words)
• ‘Red Tide at the Finca’, Michael Díaz Feito, 2019 (20 lines)

Nader Elhefnawy

• ‘The Transmigration’, Nader Elhefnawy, 2009 (1700 words)

David Birch Ellis

• ‘Solitary’, David Birch Ellis, 2023 (22 lines)

Monica Joyce Evans

• ‘Huddle’, Monica Joyce Evans, 2023 (720 words)

Victoria Feistner

• ‘Ganymede Riots’, Victoria Feistner, 2019 (500 words)

Lauren Ferebee

• ‘Sentinel’, Lauren Ferebee, 2025 (3700 words)

Fabio Fernandes

• ‘The Remaker’, Fabio Fernandes, 2012 (10000 words)

Z. Finch

• ‘Sonnets from the “New Heart’s Ease”’, Z. Finch, 2015 (4100 words)

A.J. Fitzwater

• ‘The City of Sand and Knives’, A.J. Fitzwater, 2012 (3900 words)
• ‘A Fear of Falling Under’, A.J. Fitzwater, 2013 (4600 words)
• ‘Causeway’, A.J. Fitzwater, 2015 (3400 words)
• ‘Embedded’, A.J. Fitzwater, 2016 (4800 words)
• ‘Cascade’, A.J. Fitzwater, 2020 (5200 words)

Alex Fleetwood

• ‘Silence’, Alex Fleetwood, 2010 (4800 words)

Peri L. Fletcher

• ‘The Thinnest Veil’, Peri L. Fletcher, 2017 (6300 words)

Vanessa Fogg

• ‘Disconnected’, Vanessa Fogg, 2015 (3800 words)
• ‘The Wave’, Vanessa Fogg, 2016 (6300 words)
• ‘Taiya’, Vanessa Fogg, 2017 (4000 words)
• ‘The Message’, Vanessa Fogg, 2019 (4200 words)
• ‘The Shadow Catchers’, Vanessa Fogg, 2020 (6000 words)
• ‘Before We Drown’, Vanessa Fogg, 2022 (980 words)
• ‘Microseasons of the Dead’, Vanessa Fogg, 2023 (1500 words)
• ‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024 (3300 words)

Katrina S. Forest

• ‘The Poisoned City’, Katrina S. Forest, 2014 (4000 words)

Francesca Forrest

• ‘Seven Bridges’, Francesca Forrest, 2014 (3900 words)
• ‘New Day Dawning’, Francesca Forrest, 2022 (6000 words)

Dylan Fox

• ‘The New Revolution’, Dylan Fox, 2014 (9400 words)

Alan Frackleton

• ‘Pianissimo’, Alan Frackleton, 2007 (11500 words)

M. Frost

• ‘The Cassandra Effect’, M. Frost, 2025 (22 lines)

Ephiny Gale

• ‘The Light Princess’, Ephiny Gale, 2013 (1000 words)
• ‘Five Tales of the Rose Palace’, Ephiny Gale, 2018 (6700 words)

David Gallay

• ‘Phantom Hearts’, David Gallay, 2014 (5500 words)

Adele Gardner

• ‘Lost’, Adele Gardner, 2020 (60 lines)

Ana Gardner

• ‘Rain on St Andrew’s Night’, Ana Gardner, 2021 (60 lines)
• ‘The Flier and the Sheltered Maid’, Ana Gardner, 2021 (43 lines)

J.L. George

• ‘Bright Bleeding Girls’, J.L. George, 2025 (5400 words)

Carrie Gessner

• ‘A Whisper from the Waves’, Carrie Gessner, 2018 (2500 words)

Jaime Gill

• ‘Minotaur’, Jaime Gill, 2025 (5500 words)

Eleanor Glewwe

• ‘Mijara’s Freedom’, Eleanor Glewwe, 2020 (5600 words)
• ‘Limue’s Alphabet’, Eleanor Glewwe, 2025 (10000 words)

Samuel Lowd Goldstein

• ‘Interstellar Wallflower’, Samuel Lowd Goldstein, 2023 (35 lines)

Rebecca Gomez Farrell

• ‘Good Genes’, Rebecca Gomez Farrell, 2016 (10200 words)

Aurelia Gonzalez

• ‘The Wasteland Review’, Aurelia Gonzalez, 2020 (5600 words)

Dan Grace

• ‘Immaterial’, Dan Grace, 2016 (3500 words)

Laura Gregory

• ‘Nightingale’s Lament’, Laura Gregory, 2022 (2000 words)

Adriana C. Grigore

• ‘Seams of Iron’, Adriana C. Grigore, 2022 (6400 words)

Terry Grimwood

• ‘What the Dead Are For’, Terry Grimwood, 2005 (3500 words)
• ‘The Exaggerated Man’, Terry Grimwood, 2005 (3800 words)
• ‘Coffin Road’, Terry Grimwood, 2007 (3500 words)
• ‘Kemistry’, Terry Grimwood, 2008 (1600 words)
• ‘The Contractor’, Terry Grimwood, 2009 (3000 words)

Alexandra Grunberg

• ‘Billie the Dragon Slayer’, Alexandra Grunberg, 2019 (4300 words)
• ‘Archive of the Inexplicable and Dangerous’, Alexandra Grunberg, 2021 (7800 words)

Laura Gullveig

• ‘Building the Arcology’, Laura Gullveig, 2017 (1900 words)

Mark Harding

• ‘Art Attack!’, Mark Harding, 2007 (2000 words)
• ‘The Issuance of One Hundred and Thirty-Six’, Mark Harding, 2010 (4000 words)

Kit Harding

• ‘Make of Me a Comet’, Kit Harding, 2022 (3100 words)

Deborah Harford

• ‘Raised’, Deborah Harford, 2025 (22 lines)

J.D. Harlock

• ‘he kindly danced for me’, J.D. Harlock, 2021 (14 lines)

C.A. Hawksmoor

• ‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor, 2013 (2900 words)
• ‘Trigger Point’, C.A. Hawksmoor, 2015 (7300 words)

Laura Heron

• ‘The Harpy’, Laura Heron, 2012 (2900 words)

Karen Heslop

• ‘Good Fortune’, Karen Heslop, 2017 (1900 words)

Jordan Hirsch

• ‘We Don't Always Have to Toss Her in the Deep End’, Jordan Hirsch, 2022 (43 lines)

Ada Hoffmann

• ‘Fairest of All’, Ada Hoffmann, 2019 (11800 words)

Sara Hosey

• ‘This is What I Look Like Now’, Sara Hosey, 2010 (8000 words)

J.C. Hsyu

• ‘Safecracker, Safe’, J.C. Hsyu, 2012 (6700 words)

Jennifer Hudak

• ‘Spindle House’, Jennifer Hudak, 2022 (3000 words)

Louise Hughes

• ‘Sometimes I Am Drowning’, Louise Hughes, 2017 (4200 words)
• ‘Unspoilt’, Louise Hughes, 2022 (4300 words)
• ‘Born of the Mountain's Chill’, Louise Hughes, 2025 (2800 words)

Alexis A. Hunter

• ‘Bluebird Magick’, Alexis A. Hunter, 2013 (2200 words)

Amalie N. Ingham

• ‘Deirdre’s Skin’, Amalie N. Ingham, 2024 (3300 words)

Soren James

• ‘Jonah’, Soren James, 2018 (33 lines)

Terrance Jefferson

• ‘Apala’, Terrance Jefferson, 2007 (4000 words)

Kelly Jennings

• ‘Drafting Zoë’, Kelly Jennings, 2010 (4000 words)

Michael Johnson

• ‘Getting Down and Dirty’, Michael Johnson, 2008 (4700 words)

Anne E. Johnson

• ‘Lacuna’, Anne E. Johnson, 2012 (4700 words)

Joshua Philip Johnson

• ‘The Ghost Repeater’, Joshua Philip Johnson, 2017 (5000 words)

Shelly Jones

• ‘The Lime Monster’, Shelly Jones, 2020 (900 words)
• ‘The Foraging’, Shelly Jones, 2020 (1500 words)
• ‘Of Weeds and Witches’, Shelly Jones, 2021 (38 lines)
• ‘A Sea Change’, Shelly Jones, 2022 (1000 words)
• ‘In the Field’, Shelly Jones, 2024 (2600 words)

Fiona M. Jones

• ‘Oak Tree’, Fiona M. Jones, 2020 (34 lines)

Jeana Jorgensen

• ‘Moon’, Jeana Jorgensen, 2019 (43 lines)
• ‘Walking on Knives’, Jeana Jorgensen, 2019 (85 lines)

Danielle Jorgenson-Murray

• ‘The Good Hawks’, Danielle Jorgenson-Murray, 2020 (7600 words)

Rufina Jinju Kang

• ‘A 구미호 Invites a Soucouyant to a Picnic’, Rufina Jinju Kang, 2018 (96 lines)
• ‘Riddles of Lunacy’, Rufina Jinju Kang, 2019 (36 lines)

Zoe Kaplan

• ‘The End of Rain’, Zoe Kaplan, 2024 (720 words)

Kate Kastelein

• ‘Inanition’, Kate Kastelein, 2019 (4600 words)

Kimberly Kaufman

• ‘The Carminokite’, Kimberly Kaufman, 2019 (900 words)

Kassandra Kelly

• ‘Lucky .003’, Kassandra Kelly, 2008 (4500 words)

D.H. Kelly

• ‘The Furious Chisel’, D.H. Kelly, 2019 (7500 words)

Jerome Kemp

• ‘Happy Days’, Jerome Kemp, 2006 (2900 words)

Juliet Kemp

• ‘I Thought of You’, Juliet Kemp, 2019 (2100 words)
• ‘Dragon Years’, Juliet Kemp, 2020 (880 words)
• ‘Just as You Are’, Juliet Kemp, 2023 (5000 words)
• ‘Treading Invisible Threads’, Juliet Kemp, 2025 (4700 words)

Sam S. Kepfield

• ‘Galatea's Stepchildren’, Sam S. Kepfield, 2009 (11000 words)

Sim Kern

• ‘The Listener’, Sim Kern, 2021 (7700 words)

Simon Kewin

• ‘The Day the Books Left’, Simon Kewin, 2015 (1200 words)
• ‘A Distant Glimpse’, Simon Kewin, 2016 (2900 words)
• ‘His New Body’, Simon Kewin, 2023 (3000 words)

Jamie Killen

• ‘Elm’, Jamie Killen, 2012 (7600 words)

Barry King

• ‘Arrow’, Barry King, 2012 (8400 words)

Annika Barranti Klein

• ‘AITA for throwing away my wife’s haunted dolls?’, Annika Barranti Klein, 2022 (890 words)

Jocelyn Koehler

• ‘The Birdwatcher’, Jocelyn Koehler, 2014 (4200 words)

Katie Kopajtic

• ‘Terranueva’, Katie Kopajtic, 2024 (2800 words)

Elena S. Kotsile

• ‘How to Plant an Olive Tree on the Moon When All Is Lost’, Elena S. Kotsile, 2023 (14 lines)

Nancy S. Koven

• ‘Seven Stories for Now and Later’, Nancy S. Koven, 2025 (3000 words)

Frances Koziar

• ‘One Day’, Frances Koziar, 2023 (1700 words)

John Kratman

• ‘Until the Pit is Dug for the Wicked’, John Kratman, 2008 (10000 words)

Damien Krsteski

• ‘Siv Delfin’, Damien Krsteski, 2016 (8500 words)
• ‘A Faster Tomorrow’, Damien Krsteski, 2018 (9000 words)

Petra Kuppers

• ‘The Road under the Bay’, Petra Kuppers, 2016 (2700 words)
• ‘River Crossing’, Petra Kuppers, 2017 (2100 words)
• ‘Salamander Love’, Petra Kuppers, 2019 (890 words)
• ‘Bone Planet’, Petra Kuppers, 2024 (14 lines)

Michelle Labbé

• ‘From Out of the Ashes’, Michelle Labbé, 2018 (4000 words)

L.J. Lacey

• ‘Space Gardens’, L.J. Lacey, 2024 (2000 words)

Jamie Lackey

• ‘The Avlina Flower’s Magic’, Jamie Lackey, 2021 (1900 words)

Nicole J. LeBoeuf

• ‘Apotheosis’, Nicole J. LeBoeuf, 2021 (45 lines)
• ‘Reasonable Accommodations’, Nicole J. LeBoeuf, 2022 (14 lines)

Owen Leddy

• ‘The Anarchivist’, Owen Leddy, 2025 (9500 words)

Mary Soon Lee

• ‘Alien Armada’, Mary Soon Lee, 2021 (21 lines)
• ‘Not for Sale, Used Asteroid, One Owner’, Mary Soon Lee, 2021 (16 lines)
• ‘What Heroines Read’, Mary Soon Lee, 2024 (16 lines)

Gerri Leen

• ‘Spare the Fire, Spoil the Brute’, Gerri Leen, 2020 (40 lines)
• ‘Neith and Her Women’, Gerri Leen, 2020 (34 lines)

Danielle Levsky

• ‘Dissolution’, Danielle Levsky, 2025 (66 lines)

Clark Lewis

• ‘The Devil Hunters of Fawn Street’, Clark Lewis, 2021 (9100 words)

Irene Liang

• ‘Wishes Slick Like Eels’, Irene Liang, 2025 (10300 words)

Tom Lichtenberg

• ‘Deadline’, Tom Lichtenberg, 2006 (1000 words)

Rachel Linn

• ‘Glow in the Dark’, Rachel Linn, 2016 (5600 words)

Alison Littlewood

• ‘Always Look on the Bright Side’, Alison Littlewood, 2008 (1000 words)

Dawn Lloyd

• ‘Only the Dogs Bark’, Dawn Lloyd, 2009 (4900 words)

Michael Loughrey

• ‘Omega, maybe’, Michael Loughrey, 2006 (10000 words)

A.Z. Louise

• ‘Germination’, A.Z. Louise, 2019 (67 lines)

Goran Lowie

• ‘All I Ever Wanted to Be’, Goran Lowie, 2023 (28 lines)

Perrin Lu

• ‘The Boy from the War’, Perrin Lu, 2019 (9800 words)

Christine Lucas

• ‘Vengeance Sewn with Fey Cord’, Christine Lucas, 2016 (5800 words)

Nicole Lungerhausen

• ‘Song of Your Life’, Nicole Lungerhausen, 2022 (3100 words)

Míquito López

• ‘Lavender Tea’, Míquito López, 2015 (4600 words)

Toby MacNutt

• ‘Live off the Land’, Toby MacNutt, 2023 (1800 words)

Kip Manley

• ‘The Tuner’, Kip Manley, 2013 (5600 words)

Carol Holland March

• ‘The Man Who Watched the Stars’, Carol Holland March, 2014 (3800 words)

Avra Margariti

• ‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020 (16 lines)
• ‘Wives at the End of the World’, Avra Margariti, 2021 (1300 words)
• ‘Degenerate’, Avra Margariti, 2022 (27 lines)
• ‘Side Effects May Vary’, Avra Margariti, 2023 (3300 words)
• ‘Homunculi of Creation’, Avra Margariti, 2024 (38 lines)

Jack Hollis Marr

• ‘Always Left Behind’, Jack Hollis Marr, 2014 (1500 words)

Selena Martens

• ‘Shadows in the Water’, Selena Martens, 2017 (7900 words)

Elizabeth R. McClellan

• ‘The Later Life of Herr Samsa’s Picture’, Elizabeth R. McClellan, 2023 (68 lines)

Allen McGill

• ‘Once Again’, Allen McGill, 2005 (900 words)

Cory McMillen

• ‘Survive!’, Cory McMillen, 2012 (5100 words)

Jessica Dylan Miele

• ‘My Pet Tiger’, Jessica Dylan Miele, 2018 (3700 words)

Devin Miller

• ‘Armor’, Devin Miller, 2021 (30 lines)
• ‘Smells of Brine, Witching’, Devin Miller, 2023 (24 lines)
• ‘Safe in a Malachite Storm’, Devin Miller, 2025 (1700 words)

D. Thomas Minton

• ‘Requiem for Shiva’, D. Thomas Minton, 2012 (9000 words)

Melissa Moorer

• ‘Made Light’, Melissa Moorer, 2014 (5700 words)

Celia Neri

• ‘A Stereoscopic Landscape View of Torino with Damsels and Distress’, Celia Neri, 2020 (6000 words)

E. Steven Newby

• ‘The Devil's Tooth’, E. Steven Newby, 2008 (2500 words)

Lam Ning

• ‘k.a. (birthright)’, Lam Ning, 2021 (8200 words)
• ‘avenging the sorrow’, Lam Ning, 2022 (15700 words)

Don Norum

• ‘Neap Tide’, Don Norum, 2009 (4400 words)

Rick Novy

• ‘A Rock by Any Other Name’, Rick Novy, 2008 (1800 words)

Pear Nuallak

• ‘The Rice Mother in Red’, Pear Nuallak, 2015 (4800 words)

Victor Fernando R. Ocampo

• ‘I m d 1 in 10’, Victor Fernando R. Ocampo, 2014 (7300 words)

Sandra M. Odell

• ‘Fragmentality’, Sandra M. Odell, 2010 (4000 words)

Aimee Ogden

• ‘A Luxury Like Hope’, Aimee Ogden, 2021 (5000 words)

Jonathan Olfert

• ‘The Thousand Tongues of Sara’, Jonathan Olfert, 2023 (1700 words)
• ‘Collective Bargaining’, Jonathan Olfert, 2023 (1000 words)
• ‘Whiskey Mud’, Jonathan Olfert, 2024 (2200 words)

Brian Olszewski

• ‘Last Address’, Brian Olszewski, 2018 (4200 words)

Barbora P.

• ‘The Dark One's Cry’, Barbora P., 2006 (1700 words)

Naethan Pais

• ‘The Abridged Excerpts from the Diary of a Corpse’, Naethan Pais, 2021 (3500 words)

Wendy Palmer

• ‘Silent Song’, Wendy Palmer, 2010 (5000 words)

Ioanna Papadopoulou

• ‘We Were Ghostless Against Her’, Ioanna Papadopoulou, 2022 (4600 words)

Eva Papasoulioti

• ‘Daughter’, Eva Papasoulioti, 2019 (28 lines)

Harry Pauff

• ‘Uniform of War’, Harry Pauff, 2018 (2300 words)

Misha Penton

• ‘Shore Pines and Spider Silk’, Misha Penton, 2019 (290 words)

Kelly Rose Pflug-Back

• ‘Before We Left the Forest’, Kelly Rose Pflug-Back, 2016 (3900 words)
• ‘Trash Goes in the Ground’, Kelly Rose Pflug-Back, 2017 (970 words)

Rhianwen Phillips

• ‘Scaled Soul’, Rhianwen Phillips, 2020 (1700 words)

Marisca Pichette

• ‘charybdis’, Marisca Pichette, 2022 (38 lines)

William J. Piovano

• ‘The Blood of Castalsara’, William J. Piovano, 2007 (12000 words)
• ‘Avatar on the Belts 1: Tartaros’, William J. Piovano, 2008 (5700 words)
• ‘Avatar on the Belts 2: Eros’, William J. Piovano, 2008 (5500 words)
• ‘Avatar on the Belts 3: Aither’, William J. Piovano, 2008 (3500 words)

Steven Pirie

• ‘Night Dreaming’, Steven Pirie, 2007 (2000 words)

Joe Pitkin

• ‘American Golgotha’, Joe Pitkin, 2012 (6500 words)

Auke Pols

• ‘The Transformative Three and the Clean Cooking Revolution (grant no. 437-775)’, Auke Pols, 2024 (8900 words)

Nick Poniatowski

• ‘Titanium and Silk’, Nick Poniatowski, 2010 (4600 words)

T.C. Powell

• ‘A Matter of Perspective’, T.C. Powell, 2015 (500 words)

J.N. Powell

• ‘Entwined’, J.N. Powell, 2017 (36 lines)

A. Poythress

• ‘Bite’, A. Poythress, 2018 (5500 words)

Tim Pratt

• ‘A Door of My Own’, Tim Pratt, 2022 (8800 words)

Erika D. Price

• ‘Tiangong Park’, Erika D. Price, 2015 (4400 words)

Sara Puls

• ‘Sweet Like Fate’, Sara Puls, 2013 (1600 words)

R.M. Pérez-Padilla

• ‘Transmogrification’, R.M. Pérez-Padilla, 2024 (6000 words)

Ujjvala Bagal Rahn

• ‘Going Under’, Ujjvala Bagal Rahn, 2023 (13 lines)

Nicasio Andres Reed

• ‘The Derelict’, Nicasio Andres Reed, 2021 (4200 words)

Melanie Rees

• ‘Ephemeral Love’, Melanie Rees, 2009 (1700 words)
• ‘Tidal Waves’, Melanie Rees, 2017 (1800 words)

Julie Reeser

• ‘The Third Angel Poured’, Julie Reeser, 2020 (3300 words)

Ranylt Richildis

• ‘No Chimeras’, Ranylt Richildis, 2014 (3600 words)

Christyl Rivers

• ‘Song of Wandering Agnes’, Christyl Rivers, 2018 (23 lines)

Edward W. Robertson

• ‘10%’, Edward W. Robertson, 2009 (4800 words)

S. Brackett Robertson

• ‘Bridge’, S. Brackett Robertson, 2022 (6000 words)
• ‘Mageochory’, S. Brackett Robertson, 2023 (19 lines)

Sean R. Robinson

• ‘Rustsong’, Sean R. Robinson, 2015 (2000 words)
• ‘Spindle Talk’, Sean R. Robinson, 2017 (1000 words)
• ‘Boxes Full of Memories’, Sean R. Robinson, 2023 (2800 words)

Rachel Rodman

• ‘Seven Choices’, Rachel Rodman, 2017 (600 words)
• ‘Two Hybrids’, Rachel Rodman, 2024 (179 lines)

Hester J. Rook

• ‘Drown Me’, Hester J. Rook, 2020 (25 lines)
• ‘This Soundless Murk’, Hester J. Rook, 2020 (22 lines)
• ‘Whistling Trees and Ironwood’, Hester J. Rook, 2020 (40 lines)
• ‘The Bone Prophet’, Hester J. Rook, 2021 (880 words)

C.L. Rossman

• ‘Daughters of Hralln’, C.L. Rossman, 2010 (8300 words)

S.J. Sabri

• ‘Hard Rains’, S.J. Sabri, 2016 (4700 words)

Malena Salazar Maciá

• ‘La ruta de la sal’, Malena Salazar Maciá, 2020 (2800 words)
• ‘The Salt in Her Kiss’, Malena Salazar Maciá, 2020 (2800 words)

Sarah Salcedo

• ‘Stitched’, Sarah Salcedo, 2021 (6200 words)

P.L. Salerno

• ‘I’m Fine’, P.L. Salerno, 2022 (2000 words)

Ian Sales

• ‘A History of the 20th Century, with illustrations: Atonement’, Ian Sales, 2012 (900 words)

Isabelle Sanders

• ‘The Woman in the Pool’, Isabelle Sanders, 2018 (5000 words)

Lynne Sargent

• ‘The Risk of Embarking’, Lynne Sargent, 2021 (36 lines)

Brett Alexander Savory

• ‘Bottom Drawer’, Brett Alexander Savory, 2005 (500 words)

E. Saxey

• ‘Tanty Marlene’, E. Saxey, 2014 (2400 words)
• ‘Until a Hundred Generations of People Have Departed’, E. Saxey, 2021 (52 lines)

Bernie Jean Schiebeling

• ‘Crumb Cutie Exodus’, Bernie Jean Schiebeling, 2023 (4500 words)

Ziggy Schutz

• ‘Featured Exhibit: Drop in a Bucket’, Ziggy Schutz, 2025 (2000 words)

Rebecca J. Schwab

• ‘Thick on the Wet Cement’, Rebecca J. Schwab, 2012 (2600 words)

Alexandra Seidel

• ‘The City, My Love’, Alexandra Seidel, 2021 (2600 words)

Rob Sharp

• ‘Suburban Alchemist’, Rob Sharp, 2008 (4000 words)
• ‘The Recycled Man, part 1’, Rob Sharp, 2009 (9500 words)
• ‘The Recycled Man, part 2’, Rob Sharp, 2009 (7000 words)

Katherine Shats

• ‘How to Tell Your Husband You’re a Werewolf’, Katherine Shats, 2021 (24 lines)

Stacy Sinclair

• ‘Winds: NW 20 km/hr’, Stacy Sinclair, 2012 (7300 words)

Amelia Sirina

• ‘Ashen Wings and Lightless Skies’, Amelia Sirina, 2018 (6800 words)

Paige Elizabeth Smith

• ‘Liquid Water Lake Revealed on Mars’, Paige Elizabeth Smith, 2019 (19 lines)
• ‘Not Far Enough’, Paige Elizabeth Smith, 2019 (29 lines)

Katrina Smith

• ‘Hysteria’, Katrina Smith, 2019 (830 words)

Mahaila Smith

• ‘Manipulating the Light’, Mahaila Smith, 2024 (42 lines)

Christina Sng

• ‘Sunset on Kepler-22b’, Christina Sng, 2019 (57 lines)

Su J. Sokol

• ‘Je me souviens’, Su J. Sokol, 2012 (6300 words)

Arley Sorg

• ‘Nettles’, Arley Sorg, 2013 (7900 words)

Hannah Soyer

• ‘Faulty Genes’, Hannah Soyer, 2021 (2300 words)

William Squirrell

• ‘They Built the New Jerusalem on the Ruins of the Old’, William Squirrell, 2018 (5000 words)
• ‘Desolation Corner’, William Squirrell, 2021 (6900 words)

Priya Sridhar

• ‘Porphyria: Dazzle Con Debut’, Priya Sridhar, 2016 (4100 words)

Benjanun Sriduangkaew

• ‘Courtship in the Country of Machine-Gods’, Benjanun Sriduangkaew, 2012 (11200 words)
• ‘We Are All Wasteland on the Inside’, Benjanun Sriduangkaew, 2016 (4800 words)
• ‘Where Machines Run with Gold’, Benjanun Sriduangkaew, 2019 (10600 words)
• ‘We Will Become as Monsters’, Benjanun Sriduangkaew, 2020 (6900 words)

Meryl Stenhouse

• ‘Where Thorns Can Grow’, Meryl Stenhouse, 2018 (4100 words)

Hayley Stone

• ‘Daphne’s Grove’, Hayley Stone, 2018 (59 lines)
• ‘Results of Your Quiz: Which Survivor of the Trojan War Are You?’, Hayley Stone, 2018 (46 lines)
• ‘Falling Out’, Hayley Stone, 2019 (10 lines)
• ‘A Subtle Fire Beneath the Skin’, Hayley Stone, 2021 (4500 words)

Graham Storrs

• ‘All the Way’, Graham Storrs, 2009 (2400 words)

Anna Sykora

• ‘Keeping the Stars’, Anna Sykora, 2016 (24 lines)

Susan Taitel

• ‘The Rose Sisterhood’, Susan Taitel, 2024 (2000 words)

Justin Taroli

• ‘Unblooded Gospel’, Justin Taroli, 2025 (5900 words)

Stephen Taylor

• ‘Changer's Wood’, Stephen Taylor, 2017 (5900 words)

Jordan Taylor

• ‘Strange Engines’, Jordan Taylor, 2020 (3800 words)

Lauren C. Teffeau

• ‘Digital Ligatures’, Lauren C. Teffeau, 2014 (4600 words)

Richard Thieme

• ‘Less Than the Sum of the Movable Parts’, Richard Thieme, 2008 (7000 words)

Jo M. Thomas

• ‘Good Form’, Jo M. Thomas, 2012 (4000 words)
• ‘Hunting Unicorns’, Jo M. Thomas, 2013 (5000 words)
• ‘An Invisible Tide’, Jo M. Thomas, 2015 (4900 words)
• ‘Goodbye, Snow Child’, Jo M. Thomas, 2019 (14400 words)

Todd Thorne

• ‘Shadows in the Mirror’, Todd Thorne, 2009 (6700 words)

Lisa Timpf

• ‘How Will They Judge Us’, Lisa Timpf, 2017 (9 lines)
• ‘Mycelial’, Lisa Timpf, 2023 (36 lines)

Joseph Tomaras

• ‘After the New Dawn’, Joseph Tomaras, 2015 (1500 words)

David Towsey

• ‘Share Your Space Today’, David Towsey, 2008 (3200 words)

Erika Tracy

• ‘Merlin's Dolphin’, Erika Tracy, 2010 (4500 words)

Marie Vibbert

• ‘Return to the Cities’, Marie Vibbert, 2022 (34 lines)

Veda Villiers

• ‘Unformed’, Veda Villiers, 2025 (81 lines)

Dawn Vogel

• ‘I Believe’, Dawn Vogel, 2019 (770 words)

Jack Waddell

• ‘The Water Thief’, Jack Waddell, 2013 (8700 words)

T.D. Walker

• ‘Over the New Horizon’, T.D. Walker, 2016 (8400 words)
• ‘New Moon’, T.D. Walker, 2017 (30 lines)

Sarah Ann Watts

• ‘Looking Glass Vacation’, Sarah Ann Watts, 2006 (5000 words)

Tracie Welser

• ‘Her Bones, Those of the Dead’, Tracie Welser, 2012 (3800 words)

Ana Wesley

• ‘Turnabout’, Ana Wesley, 2025 (6100 words)

Stephen Whitehead

• ‘Echidna’, Stephen Whitehead, 2018 (48 lines)
• ‘Eden’, Stephen Whitehead, 2020 (38 lines)

Aliya Whiteley

• ‘Wingspan’, Aliya Whiteley, 2009 (2000 words)

Kim Whysall-Hammond

• ‘Lights’, Kim Whysall-Hammond, 2019 (34 lines)

Subodhana Wijeyeratne

• ‘The Hulks’, Subodhana Wijeyeratne, 2017 (9300 words)

Omi Wilde

• ‘Crescendo’, Omi Wilde, 2015 (3100 words)
• ‘On Your Wings’, Omi Wilde, 2017 (6400 words)
• ‘An Argument in a World Full of Wonders’, Omi Wilde, 2018 (2900 words)

Lynda Williams

• ‘Making History’, Lynda Williams, 2006 (3900 words)

Nick Wood

• ‘The Paragon of Knowledge’, Nick Wood, 2015 (5000 words)

Marianne Xenos

• ‘Mrs. Daedalus’, Marianne Xenos, 2022 (1400 words)

Timothy Yeo

• ‘The Fox and the Snake’, Timothy Yeo, 2022 (5000 words)

John Young

• ‘Backward Planning’, John Young, 2005 (270 words)

Tannara Young

• ‘The First Breath after Drowning’, Tannara Young, 2019 (4000 words)

Eris Young

• ‘All That Water’, Eris Young, 2025 (3200 words)

A. Zaykova

• ‘Pirouettes in Weightlessness’, A. Zaykova, 2023 (400 words)

Anna Ziegelhof

• ‘Little Grey Weirdos’, Anna Ziegelhof, 2018 (3200 words)
• ‘Autonomous Dispatch’, Anna Ziegelhof, 2021 (3500 words)
• ‘Out of Bounds’, Anna Ziegelhof, 2023 (3900 words)

V. Zixin

• ‘The Better Ends’, V. Zixin, 2025 (15600 words)

2025

• ‘The Sons of Victor Levitak’, Rowley Amato, 2025 (6400 words)
• ‘The Void Is in a Playful Mood Tonight’, Naomi Simone Borwein, 2025 (115 lines)
• ‘Sentinel’, Lauren Ferebee, 2025 (3700 words)
• ‘Limue’s Alphabet’, Eleanor Glewwe, 2025 (10000 words)
• ‘Seven Stories for Now and Later’, Nancy S. Koven, 2025 (3000 words)
• ‘Unblooded Gospel’, Justin Taroli, 2025 (5900 words)
• ‘The Better Ends’, V. Zixin, 2025 (15600 words)
• ‘Dare Seize the Fire’, Jennifer R. Donohue, 2025 (6000 words)
• ‘The Cassandra Effect’, M. Frost, 2025 (22 lines)
• ‘Bright Bleeding Girls’, J.L. George, 2025 (5400 words)
• ‘Born of the Mountain's Chill’, Louise Hughes, 2025 (2800 words)
• ‘Treading Invisible Threads’, Juliet Kemp, 2025 (4700 words)
• ‘The Anarchivist’, Owen Leddy, 2025 (9500 words)
• ‘Dissolution’, Danielle Levsky, 2025 (66 lines)
• ‘Wishes Slick Like Eels’, Irene Liang, 2025 (10300 words)
• ‘Cupernicity’, B. Morris Allen, 2025 (16000 words)
• ‘Minotaur’, Jaime Gill, 2025 (5500 words)
• ‘Raised’, Deborah Harford, 2025 (22 lines)
• ‘Safe in a Malachite Storm’, Devin Miller, 2025 (1700 words)
• ‘Featured Exhibit: Drop in a Bucket’, Ziggy Schutz, 2025 (2000 words)
• ‘Unformed’, Veda Villiers, 2025 (81 lines)
• ‘Turnabout’, Ana Wesley, 2025 (6100 words)
• ‘All That Water’, Eris Young, 2025 (3200 words)

2024

• ‘Deep Sea Baby’, Faith Allington, 2024 (2100 words)
• ‘A Moon Witch Seeks a Shell’, Devan Barlow, 2024 (25 lines)
• ‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024 (3300 words)
• ‘Deirdre’s Skin’, Amalie N. Ingham, 2024 (3300 words)
• ‘In the Field’, Shelly Jones, 2024 (2600 words)
• ‘Whiskey Mud’, Jonathan Olfert, 2024 (2200 words)
• ‘Two Hybrids’, Rachel Rodman, 2024 (179 lines)
• ‘The Shape of Her Shadow’, Alexandra Brandt, 2024 (6000 words)
• ‘The Ships That Sang’, Jess Cho, 2024 (34 lines)
• ‘Matryoshka City’, Albert Chu, 2024 (8600 words)
• ‘The End of Rain’, Zoe Kaplan, 2024 (720 words)
• ‘What Heroines Read’, Mary Soon Lee, 2024 (16 lines)
• ‘The Transformative Three and the Clean Cooking Revolution (grant no. 437-775)’, Auke Pols, 2024 (8900 words)
• ‘Transmogrification’, R.M. Pérez-Padilla, 2024 (6000 words)
• ‘Sunrise over Neo-Tokyo’, Lae Astra, 2024 (26 lines)
• ‘Guidelines for Living Your Fairy Tale (in no Particular Order)’, Amanda Cook, 2024 (46 lines)
• ‘Sun-Dappled Sheets of Methane Rain’, Marc A. Criley, 2024 (830 words)
• ‘Terranueva’, Katie Kopajtic, 2024 (2800 words)
• ‘Space Gardens’, L.J. Lacey, 2024 (2000 words)
• ‘Manipulating the Light’, Mahaila Smith, 2024 (42 lines)
• ‘A Witch, a Wakening’, Laura Blackwell, 2024 (2200 words)
• ‘Escape Choice’, Emma Burnett, 2024 (2800 words)
• ‘The Ensanguined Shore’, Jennifer R. Donohue, 2024 (9700 words)
• ‘Bone Planet’, Petra Kuppers, 2024 (14 lines)
• ‘Homunculi of Creation’, Avra Margariti, 2024 (38 lines)
• ‘The Rose Sisterhood’, Susan Taitel, 2024 (2000 words)

2023

• ‘How Magic Will Help You Take the Bastards Down’, Beth Cato, 2023 (45 lines)
• ‘Woman, Soldier, Girl’, Priya Chand, 2023 (5900 words)
• ‘Microseasons of the Dead’, Vanessa Fogg, 2023 (1500 words)
• ‘Just as You Are’, Juliet Kemp, 2023 (5000 words)
• ‘How to Plant an Olive Tree on the Moon When All Is Lost’, Elena S. Kotsile, 2023 (14 lines)
• ‘Collective Bargaining’, Jonathan Olfert, 2023 (1000 words)
• ‘Crumb Cutie Exodus’, Bernie Jean Schiebeling, 2023 (4500 words)
• ‘The Fungal Force: A History’, Colleen Anderson, 2023 (55 lines)
• ‘Between the Shadow and the Soul’, Davian Aw, 2023 (6000 words)
• ‘One Day’, Frances Koziar, 2023 (1700 words)
• ‘Smells of Brine, Witching’, Devin Miller, 2023 (24 lines)
• ‘Boxes Full of Memories’, Sean R. Robinson, 2023 (2800 words)
• ‘Mycelial’, Lisa Timpf, 2023 (36 lines)
• ‘Out of Bounds’, Anna Ziegelhof, 2023 (3900 words)
• ‘Between Scylla and Charybdis’, Carina Bissett, 2023 (53 lines)
• ‘Solarpunk Letters: Seeds of Change’, Joyce Chng, 2023 (290 words)
• ‘The Pool Noodle Alien Posse’, M.L. Clark, 2023 (8200 words)
• ‘Huddle’, Monica Joyce Evans, 2023 (720 words)
• ‘Interstellar Wallflower’, Samuel Lowd Goldstein, 2023 (35 lines)
• ‘All I Ever Wanted to Be’, Goran Lowie, 2023 (28 lines)
• ‘Live off the Land’, Toby MacNutt, 2023 (1800 words)
• ‘Pirouettes in Weightlessness’, A. Zaykova, 2023 (400 words)
• ‘Purity’, Jennifer R. Donohue, 2023 (3100 words)
• ‘Solitary’, David Birch Ellis, 2023 (22 lines)
• ‘His New Body’, Simon Kewin, 2023 (3000 words)
• ‘Side Effects May Vary’, Avra Margariti, 2023 (3300 words)
• ‘The Later Life of Herr Samsa’s Picture’, Elizabeth R. McClellan, 2023 (68 lines)
• ‘The Thousand Tongues of Sara’, Jonathan Olfert, 2023 (1700 words)
• ‘Going Under’, Ujjvala Bagal Rahn, 2023 (13 lines)
• ‘Mageochory’, S. Brackett Robertson, 2023 (19 lines)

2022

• ‘Treacle Blood’, Joyce Chng, 2022 (1500 words)
• ‘Seams of Iron’, Adriana C. Grigore, 2022 (6400 words)
• ‘Spindle House’, Jennifer Hudak, 2022 (3000 words)
• ‘A Sea Change’, Shelly Jones, 2022 (1000 words)
• ‘AITA for throwing away my wife’s haunted dolls?’, Annika Barranti Klein, 2022 (890 words)
• ‘charybdis’, Marisca Pichette, 2022 (38 lines)
• ‘Bridge’, S. Brackett Robertson, 2022 (6000 words)
• ‘The Heart of the Party’, Sarah Day, 2022 (5800 words)
• ‘New Day Dawning’, Francesca Forrest, 2022 (6000 words)
• ‘We Don't Always Have to Toss Her in the Deep End’, Jordan Hirsch, 2022 (43 lines)
• ‘Unspoilt’, Louise Hughes, 2022 (4300 words)
• ‘Reasonable Accommodations’, Nicole J. LeBoeuf, 2022 (14 lines)
• ‘Song of Your Life’, Nicole Lungerhausen, 2022 (3100 words)
• ‘We Were Ghostless Against Her’, Ioanna Papadopoulou, 2022 (4600 words)
• ‘A Door of My Own’, Tim Pratt, 2022 (8800 words)
• ‘A Prayer to St Jude’, M. Bennardo, 2022 (5800 words)
• ‘Salt and Smoke’, Storm Blakley, 2022 (3200 words)
• ‘Nightingale’s Lament’, Laura Gregory, 2022 (2000 words)
• ‘avenging the sorrow’, Lam Ning, 2022 (15700 words)
• ‘The Fox and the Snake’, Timothy Yeo, 2022 (5000 words)
• ‘Ten Degrees of Freedom’, Sean Chua, 2022 (4200 words)
• ‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022 (2800 words)
• ‘Before We Drown’, Vanessa Fogg, 2022 (980 words)
• ‘Make of Me a Comet’, Kit Harding, 2022 (3100 words)
• ‘Degenerate’, Avra Margariti, 2022 (27 lines)
• ‘I’m Fine’, P.L. Salerno, 2022 (2000 words)
• ‘Return to the Cities’, Marie Vibbert, 2022 (34 lines)
• ‘Mrs. Daedalus’, Marianne Xenos, 2022 (1400 words)

2021

• ‘You Are Whole’, Anshritha, 2021 (86 lines)
• ‘Archive of the Inexplicable and Dangerous’, Alexandra Grunberg, 2021 (7800 words)
• ‘he kindly danced for me’, J.D. Harlock, 2021 (14 lines)
• ‘The Avlina Flower’s Magic’, Jamie Lackey, 2021 (1900 words)
• ‘The Devil Hunters of Fawn Street’, Clark Lewis, 2021 (9100 words)
• ‘Armor’, Devin Miller, 2021 (30 lines)
• ‘A Luxury Like Hope’, Aimee Ogden, 2021 (5000 words)
• ‘The Abridged Excerpts from the Diary of a Corpse’, Naethan Pais, 2021 (3500 words)
• ‘How to Tell Your Husband You’re a Werewolf’, Katherine Shats, 2021 (24 lines)
• ‘The Mountain’s Wife’, Jennifer R. Donohue, 2021 (3200 words)
• ‘Of Weeds and Witches’, Shelly Jones, 2021 (38 lines)
• ‘Not for Sale, Used Asteroid, One Owner’, Mary Soon Lee, 2021 (16 lines)
• ‘The Derelict’, Nicasio Andres Reed, 2021 (4200 words)
• ‘The Bone Prophet’, Hester J. Rook, 2021 (880 words)
• ‘Stitched’, Sarah Salcedo, 2021 (6200 words)
• ‘Until a Hundred Generations of People Have Departed’, E. Saxey, 2021 (52 lines)
• ‘Desolation Corner’, William Squirrell, 2021 (6900 words)
• ‘In Dependence’, Oluwatomiwa Ajeigbe, 2021 (33 lines)
• ‘The Flier and the Sheltered Maid’, Ana Gardner, 2021 (43 lines)
• ‘Apotheosis’, Nicole J. LeBoeuf, 2021 (45 lines)
• ‘Alien Armada’, Mary Soon Lee, 2021 (21 lines)
• ‘Wives at the End of the World’, Avra Margariti, 2021 (1300 words)
• ‘The City, My Love’, Alexandra Seidel, 2021 (2600 words)
• ‘Faulty Genes’, Hannah Soyer, 2021 (2300 words)
• ‘A Subtle Fire Beneath the Skin’, Hayley Stone, 2021 (4500 words)
• ‘Autonomous Dispatch’, Anna Ziegelhof, 2021 (3500 words)
• ‘Gendered Anatomy’, R.E. Andeen, 2021 (700 words)
• ‘How to Dismantle a Defective Sex Droid’, Ashley Bao, 2021 (29 lines)
• ‘Rumors of Women’, Laura Cranehill, 2021 (45 lines)
• ‘Rain on St Andrew’s Night’, Ana Gardner, 2021 (60 lines)
• ‘The Listener’, Sim Kern, 2021 (7700 words)
• ‘k.a. (birthright)’, Lam Ning, 2021 (8200 words)
• ‘The Risk of Embarking’, Lynne Sargent, 2021 (36 lines)

2020

• ‘Time Traveller's Memory’, Davian Aw, 2020 (177 lines)
• ‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020 (4300 words)
• ‘Mijara’s Freedom’, Eleanor Glewwe, 2020 (5600 words)
• ‘Oak Tree’, Fiona M. Jones, 2020 (34 lines)
• ‘The Good Hawks’, Danielle Jorgenson-Murray, 2020 (7600 words)
• ‘Neith and Her Women’, Gerri Leen, 2020 (34 lines)
• ‘Scaled Soul’, Rhianwen Phillips, 2020 (1700 words)
• ‘Whistling Trees and Ironwood’, Hester J. Rook, 2020 (40 lines)
• ‘We Will Become as Monsters’, Benjanun Sriduangkaew, 2020 (6900 words)
• ‘The Facts Are These’, M. Bennardo, 2020 (1200 words)
• ‘Cascade’, A.J. Fitzwater, 2020 (5200 words)
• ‘The Shadow Catchers’, Vanessa Fogg, 2020 (6000 words)
• ‘The Foraging’, Shelly Jones, 2020 (1500 words)
• ‘Dragon Years’, Juliet Kemp, 2020 (880 words)
• ‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020 (16 lines)
• ‘A Stereoscopic Landscape View of Torino with Damsels and Distress’, Celia Neri, 2020 (6000 words)
• ‘This Soundless Murk’, Hester J. Rook, 2020 (22 lines)
• ‘Strange Engines’, Jordan Taylor, 2020 (3800 words)
• ‘Pleiades for a New Generation’, Kathryn Allan, 2020 (1600 words)
• ‘Lucky Fact’, Stefani Cox, 2020 (28 lines)
• ‘Lost’, Adele Gardner, 2020 (60 lines)
• ‘The Wasteland Review’, Aurelia Gonzalez, 2020 (5600 words)
• ‘The Lime Monster’, Shelly Jones, 2020 (900 words)
• ‘Spare the Fire, Spoil the Brute’, Gerri Leen, 2020 (40 lines)
• ‘The Third Angel Poured’, Julie Reeser, 2020 (3300 words)
• ‘Drown Me’, Hester J. Rook, 2020 (25 lines)
• ‘La ruta de la sal’, Malena Salazar Maciá, 2020 (2800 words)
• ‘The Salt in Her Kiss’, Malena Salazar Maciá, 2020 (2800 words)
• ‘Eden’, Stephen Whitehead, 2020 (38 lines)

2019

• ‘Through the Dark, Persephone Speaks’, Jennifer Bushroe, 2019 (24 lines)
• ‘Earthgazing’, Lisa Cai, 2019 (2900 words)
• ‘Billie the Dragon Slayer’, Alexandra Grunberg, 2019 (4300 words)
• ‘Riddles of Lunacy’, Rufina Jinju Kang, 2019 (36 lines)
• ‘Inanition’, Kate Kastelein, 2019 (4600 words)
• ‘Daughter’, Eva Papasoulioti, 2019 (28 lines)
• ‘Shore Pines and Spider Silk’, Misha Penton, 2019 (290 words)
• ‘Hysteria’, Katrina Smith, 2019 (830 words)
• ‘The First Breath after Drowning’, Tannara Young, 2019 (4000 words)
• ‘My Plastic Heart, My Metal Hand’, Susan Jane Bigelow, 2019 (15300 words)
• ‘Not a Princess, But (Yes) There Was a Pea’, Rebecca Buchanan, 2019 (182 lines)
• ‘And You Will Know Us by Our Monsters’, M.L. Clark, 2019 (8600 words)
• ‘Fairest of All’, Ada Hoffmann, 2019 (11800 words)
• ‘Walking on Knives’, Jeana Jorgensen, 2019 (85 lines)
• ‘The Furious Chisel’, D.H. Kelly, 2019 (7500 words)
• ‘Germination’, A.Z. Louise, 2019 (67 lines)
• ‘Where Machines Run with Gold’, Benjanun Sriduangkaew, 2019 (10600 words)
• ‘Goodbye, Snow Child’, Jo M. Thomas, 2019 (14400 words)
• ‘The Wolf’s Tale’, Rebecca Buchanan, 2019 (37 lines)
• ‘Shrouded’, Jennifer Bushroe, 2019 (30 lines)
• ‘Cleopatra Diaries’, Jennifer Crow, 2019 (52 lines)
• ‘Red Tide at the Finca’, Michael Díaz Feito, 2019 (20 lines)
• ‘Ganymede Riots’, Victoria Feistner, 2019 (500 words)
• ‘Moon’, Jeana Jorgensen, 2019 (43 lines)
• ‘Salamander Love’, Petra Kuppers, 2019 (890 words)
• ‘Not Far Enough’, Paige Elizabeth Smith, 2019 (29 lines)
• ‘Falling Out’, Hayley Stone, 2019 (10 lines)
• ‘I Believe’, Dawn Vogel, 2019 (770 words)
• ‘Lights’, Kim Whysall-Hammond, 2019 (34 lines)
• ‘Silver Wings’, Joyce Chng, 2019 (3200 words)
• ‘The Message’, Vanessa Fogg, 2019 (4200 words)
• ‘The Carminokite’, Kimberly Kaufman, 2019 (900 words)
• ‘I Thought of You’, Juliet Kemp, 2019 (2100 words)
• ‘The Boy from the War’, Perrin Lu, 2019 (9800 words)
• ‘Liquid Water Lake Revealed on Mars’, Paige Elizabeth Smith, 2019 (19 lines)
• ‘Sunset on Kepler-22b’, Christina Sng, 2019 (57 lines)

2018

• ‘Six Kilometers Around’, Meghan Cruickshank, 2018 (6300 words)
• ‘A 구미호 Invites a Soucouyant to a Picnic’, Rufina Jinju Kang, 2018 (96 lines)
• ‘Last Address’, Brian Olszewski, 2018 (4200 words)
• ‘Uniform of War’, Harry Pauff, 2018 (2300 words)
• ‘The Woman in the Pool’, Isabelle Sanders, 2018 (5000 words)
• ‘Ashen Wings and Lightless Skies’, Amelia Sirina, 2018 (6800 words)
• ‘Results of Your Quiz: Which Survivor of the Trojan War Are You?’, Hayley Stone, 2018 (46 lines)
• ‘Floaters’, Joe Baumann, 2018 (1500 words)
• ‘Five Tales of the Rose Palace’, Ephiny Gale, 2018 (6700 words)
• ‘A Whisper from the Waves’, Carrie Gessner, 2018 (2500 words)
• ‘Daphne’s Grove’, Hayley Stone, 2018 (59 lines)
• ‘Echidna’, Stephen Whitehead, 2018 (48 lines)
• ‘Little Grey Weirdos’, Anna Ziegelhof, 2018 (3200 words)
• ‘Mermaid's Comb’, Colleen Anderson, 2018 (36 lines)
• ‘The Good Wife’, Rebecca Buchanan, 2018 (800 words)
• ‘When Dessa Danced’, Donyae Coles, 2018 (4600 words)
• ‘Bite’, A. Poythress, 2018 (5500 words)
• ‘They Built the New Jerusalem on the Ruins of the Old’, William Squirrell, 2018 (5000 words)
• ‘Where Thorns Can Grow’, Meryl Stenhouse, 2018 (4100 words)
• ‘An Argument in a World Full of Wonders’, Omi Wilde, 2018 (2900 words)
• ‘The Thing You Feed’, Joyce Chng, 2018 (2400 words)
• ‘We Have Your Book!’, Patrick Doerksen, 2018 (1500 words)
• ‘Jonah’, Soren James, 2018 (33 lines)
• ‘A Faster Tomorrow’, Damien Krsteski, 2018 (9000 words)
• ‘From Out of the Ashes’, Michelle Labbé, 2018 (4000 words)
• ‘My Pet Tiger’, Jessica Dylan Miele, 2018 (3700 words)
• ‘Song of Wandering Agnes’, Christyl Rivers, 2018 (23 lines)

2017

• ‘Nebula Girl’, Maria DePaul, 2017 (16 lines)
• ‘The Cost of Fire’, Kiera Duggan, 2017 (3800 words)
• ‘Good Fortune’, Karen Heslop, 2017 (1900 words)
• ‘The Ghost Repeater’, Joshua Philip Johnson, 2017 (5000 words)
• ‘River Crossing’, Petra Kuppers, 2017 (2100 words)
• ‘Trash Goes in the Ground’, Kelly Rose Pflug-Back, 2017 (970 words)
• ‘Entwined’, J.N. Powell, 2017 (36 lines)
• ‘Witch Moon’, Colleen Anderson, 2017 (29 lines)
• ‘There Are No Echoes’, Davian Aw, 2017 (6400 words)
• ‘Lady of the Court of Black Wings’, Richard R. Blake, 2017 (920 words)
• ‘Taiya’, Vanessa Fogg, 2017 (4000 words)
• ‘Building the Arcology’, Laura Gullveig, 2017 (1900 words)
• ‘Tidal Waves’, Melanie Rees, 2017 (1800 words)
• ‘How Will They Judge Us’, Lisa Timpf, 2017 (9 lines)
• ‘Gurge’, Jason Baltazar, 2017 (3900 words)
• ‘Burning the Sinners with Lamplight’, Michelle Denham, 2017 (6300 words)
• ‘Shadows in the Water’, Selena Martens, 2017 (7900 words)
• ‘Spindle Talk’, Sean R. Robinson, 2017 (1000 words)
• ‘New Moon’, T.D. Walker, 2017 (30 lines)
• ‘The Hulks’, Subodhana Wijeyeratne, 2017 (9300 words)
• ‘Proven Strategies in Human Public Relations’, Davian Aw, 2017 (55 lines)
• ‘The Thinnest Veil’, Peri L. Fletcher, 2017 (6300 words)
• ‘Sometimes I Am Drowning’, Louise Hughes, 2017 (4200 words)
• ‘Seven Choices’, Rachel Rodman, 2017 (600 words)
• ‘Changer's Wood’, Stephen Taylor, 2017 (5900 words)
• ‘On Your Wings’, Omi Wilde, 2017 (6400 words)

2016

• ‘Athena on Motherhood’, Kari Castor, 2016 (33 lines)
• ‘Songbird’, L. Chan, 2016 (3700 words)
• ‘The Cryptographer’s Body’, Evelyn Deshane, 2016 (850 words)
• ‘Immaterial’, Dan Grace, 2016 (3500 words)
• ‘Hard Rains’, S.J. Sabri, 2016 (4700 words)
• ‘We Are All Wasteland on the Inside’, Benjanun Sriduangkaew, 2016 (4800 words)
• ‘Over the New Horizon’, T.D. Walker, 2016 (8400 words)
• ‘The Grand Museum’, Ola Al-Fateh, 2016 (2700 words)
• ‘How Far Does Night Have To Fall?’, F.J. Bergmann, 2016 (34 lines)
• ‘Good Genes’, Rebecca Gomez Farrell, 2016 (10200 words)
• ‘Siv Delfin’, Damien Krsteski, 2016 (8500 words)
• ‘The Road under the Bay’, Petra Kuppers, 2016 (2700 words)
• ‘Before We Left the Forest’, Kelly Rose Pflug-Back, 2016 (3900 words)
• ‘Cinder-Elver’, Mary Alexandra Agner, 2016 (650 words)
• ‘Patchwork Girl’, Colleen Anderson, 2016 (33 lines)
• ‘The Wave’, Vanessa Fogg, 2016 (6300 words)
• ‘A Distant Glimpse’, Simon Kewin, 2016 (2900 words)
• ‘Glow in the Dark’, Rachel Linn, 2016 (5600 words)
• ‘Porphyria: Dazzle Con Debut’, Priya Sridhar, 2016 (4100 words)
• ‘The Orchids of Lethe’, M. Bennardo, 2016 (8700 words)
• ‘Holy Many-Minds Home’, Michael Díaz Feito, 2016 (7700 words)
• ‘Embedded’, A.J. Fitzwater, 2016 (4800 words)
• ‘Vengeance Sewn with Fey Cord’, Christine Lucas, 2016 (5800 words)
• ‘Keeping the Stars’, Anna Sykora, 2016 (24 lines)

2015

• ‘Snakes, Thorns, August’, Kayla Bashe, 2015 (8900 words)
• ‘Free State’, Nora E. Derrington, 2015 (7200 words)
• ‘Sonnets from the “New Heart’s Ease”’, Z. Finch, 2015 (4100 words)
• ‘Lavender Tea’, Míquito López, 2015 (4600 words)
• ‘The Rice Mother in Red’, Pear Nuallak, 2015 (4800 words)
• ‘A Matter of Perspective’, T.C. Powell, 2015 (500 words)
• ‘It Kills Your Heart’, Anthony M. Abboreno, 2015 (4500 words)
• ‘Godwin's Law’, Curtis C. Chen, 2015 (9700 words)
• ‘Causeway’, A.J. Fitzwater, 2015 (3400 words)
• ‘The Day the Books Left’, Simon Kewin, 2015 (1200 words)
• ‘Crescendo’, Omi Wilde, 2015 (3100 words)
• ‘Menander’, Angela Ambroz, 2015 (4000 words)
• ‘All Along the Mall’, Chloe N. Clark, 2015 (6000 words)
• ‘The Bright Hunters’, B.L. Draper, 2015 (250 words)
• ‘Tiangong Park’, Erika D. Price, 2015 (4400 words)
• ‘The Paragon of Knowledge’, Nick Wood, 2015 (5000 words)
• ‘Tessa’, Edward Ashton, 2015 (1600 words)
• ‘Disconnected’, Vanessa Fogg, 2015 (3800 words)
• ‘Trigger Point’, C.A. Hawksmoor, 2015 (7300 words)
• ‘Rustsong’, Sean R. Robinson, 2015 (2000 words)
• ‘An Invisible Tide’, Jo M. Thomas, 2015 (4900 words)
• ‘After the New Dawn’, Joseph Tomaras, 2015 (1500 words)

2014

• ‘Tears of the Gods’, Sarah L. Byrne, 2014 (5000 words)
• ‘The Poisoned City’, Katrina S. Forest, 2014 (4000 words)
• ‘Seven Bridges’, Francesca Forrest, 2014 (3900 words)
• ‘Tanty Marlene’, E. Saxey, 2014 (2400 words)
• ‘Digital Ligatures’, Lauren C. Teffeau, 2014 (4600 words)
• ‘Passcodes’, Melinda Brasher, 2014 (2800 words)
• ‘Phantom Hearts’, David Gallay, 2014 (5500 words)
• ‘The Man Who Watched the Stars’, Carol Holland March, 2014 (3800 words)
• ‘I m d 1 in 10’, Victor Fernando R. Ocampo, 2014 (7300 words)
• ‘No Chimeras’, Ranylt Richildis, 2014 (3600 words)
• ‘Sophie and Zoe at the End of the World’, Rebecca Buchanan, 2014 (1900 words)
• ‘The New Revolution’, Dylan Fox, 2014 (9400 words)
• ‘The Birdwatcher’, Jocelyn Koehler, 2014 (4200 words)
• ‘Always Left Behind’, Jack Hollis Marr, 2014 (1500 words)
• ‘Made Light’, Melissa Moorer, 2014 (5700 words)

2013

• ‘Terminal City’, Zoë Blade, 2013 (11000 words)
• ‘Soul Catcher’, Christel Bodenbender, 2013 (2000 words)
• ‘The Tuner’, Kip Manley, 2013 (5600 words)
• ‘Sweet Like Fate’, Sara Puls, 2013 (1600 words)
• ‘Nettles’, Arley Sorg, 2013 (7900 words)
• ‘Hunting Unicorns’, Jo M. Thomas, 2013 (5000 words)
• ‘Final Passage’, Addison Clift, 2013 (6000 words)
• ‘Monsters’, Amelie Daigle, 2013 (2600 words)
• ‘A Fear of Falling Under’, A.J. Fitzwater, 2013 (4600 words)
• ‘The Light Princess’, Ephiny Gale, 2013 (1000 words)
• ‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor, 2013 (2900 words)
• ‘The Water Thief’, Jack Waddell, 2013 (8700 words)
• ‘Liquid Loyalty’, Redfern Barrett, 2013 (4200 words)
• ‘Whose Side Are You on Anyway?’, Sarah L. Byrne, 2013 (4100 words)
• ‘Dare’, Sophie Clarke, 2013 (3800 words)
• ‘Bluebird Magick’, Alexis A. Hunter, 2013 (2200 words)

2012

• ‘Elmer Bank’, Emily Capettini, 2012 (7600 words)
• ‘Millie’, Anna Caro, 2012 (2600 words)
• ‘The Remaker’, Fabio Fernandes, 2012 (10000 words)
• ‘Winds: NW 20 km/hr’, Stacy Sinclair, 2012 (7300 words)
• ‘Good Form’, Jo M. Thomas, 2012 (4000 words)
• ‘Her Bones, Those of the Dead’, Tracie Welser, 2012 (3800 words)
• ‘Secrets of the Sea’, Jennifer Marie Brissett, 2012 (2300 words)
• ‘The Harpy’, Laura Heron, 2012 (2900 words)
• ‘Safecracker, Safe’, J.C. Hsyu, 2012 (6700 words)
• ‘Arrow’, Barry King, 2012 (8400 words)
• ‘Je me souviens’, Su J. Sokol, 2012 (6300 words)
• ‘Courtship in the Country of Machine-Gods’, Benjanun Sriduangkaew, 2012 (11200 words)
• ‘Lacuna’, Anne E. Johnson, 2012 (4700 words)
• ‘Elm’, Jamie Killen, 2012 (7600 words)
• ‘Survive!’, Cory McMillen, 2012 (5100 words)
• ‘American Golgotha’, Joe Pitkin, 2012 (6500 words)
• ‘Thick on the Wet Cement’, Rebecca J. Schwab, 2012 (2600 words)
• ‘Bilaadi’, S. Ali, 2012 (2600 words)
• ‘The Boy who Shattered Time’, Mark D. Dunn, 2012 (8500 words)
• ‘The City of Sand and Knives’, A.J. Fitzwater, 2012 (3900 words)
• ‘Requiem for Shiva’, D. Thomas Minton, 2012 (9000 words)
• ‘A History of the 20th Century, with illustrations: Atonement’, Ian Sales, 2012 (900 words)

2010

• ‘How You Make the Straight’, RJ Astruc, 2010 (5900 words)
• ‘The Issuance of One Hundred and Thirty-Six’, Mark Harding, 2010 (4000 words)
• ‘This is What I Look Like Now’, Sara Hosey, 2010 (8000 words)
• ‘Drafting Zoë’, Kelly Jennings, 2010 (4000 words)
• ‘Silence’, Alex Fleetwood, 2010 (4800 words)
• ‘Titanium and Silk’, Nick Poniatowski, 2010 (4600 words)
• ‘Merlin's Dolphin’, Erika Tracy, 2010 (4500 words)
• ‘Drown or Die’, Therese Arkenberg, 2010 (4600 words)
• ‘Reflection’, Jessica E. Birch, 2010 (2300 words)
• ‘Fragmentality’, Sandra M. Odell, 2010 (4000 words)
• ‘Silent Song’, Wendy Palmer, 2010 (5000 words)
• ‘Daughters of Hralln’, C.L. Rossman, 2010 (8300 words)

2009

• ‘Nasmina's Black Box’, Jennifer Marie Brissett, 2009 (4300 words)
• ‘Maryann Saves the World’, Michael J. DeLuca, 2009 (2000 words)
• ‘All the Way’, Graham Storrs, 2009 (2400 words)
• ‘The Overdue Protocols’, Alexander Burns, 2009 (1500 words)
• ‘Neap Tide’, Don Norum, 2009 (4400 words)
• ‘Shadows in the Mirror’, Todd Thorne, 2009 (6700 words)
• ‘Wingspan’, Aliya Whiteley, 2009 (2000 words)
• ‘Wings So Foreign’, Frank Ray Ard, 2009 (3000 words)
• ‘The Contractor’, Terry Grimwood, 2009 (3000 words)
• ‘Galatea's Stepchildren’, Sam S. Kepfield, 2009 (11000 words)
• ‘Only the Dogs Bark’, Dawn Lloyd, 2009 (4900 words)
• ‘10%’, Edward W. Robertson, 2009 (4800 words)
• ‘The Recycled Man, part 2’, Rob Sharp, 2009 (7000 words)
• ‘Respite Time’, Eric Del Carlo, 2009 (4400 words)
• ‘The Transmigration’, Nader Elhefnawy, 2009 (1700 words)
• ‘Ephemeral Love’, Melanie Rees, 2009 (1700 words)
• ‘The Recycled Man, part 1’, Rob Sharp, 2009 (9500 words)

2008

• ‘Until the Pit is Dug for the Wicked’, John Kratman, 2008 (10000 words)
• ‘A Rock by Any Other Name’, Rick Novy, 2008 (1800 words)
• ‘Less Than the Sum of the Movable Parts’, Richard Thieme, 2008 (7000 words)
• ‘One Drop’, David Dumitru, 2008 (6500 words)
• ‘Getting Down and Dirty’, Michael Johnson, 2008 (4700 words)
• ‘Avatar on the Belts 3: Aither’, William J. Piovano, 2008 (3500 words)
• ‘Suburban Alchemist’, Rob Sharp, 2008 (4000 words)
• ‘Kemistry’, Terry Grimwood, 2008 (1600 words)
• ‘Always Look on the Bright Side’, Alison Littlewood, 2008 (1000 words)
• ‘The Devil's Tooth’, E. Steven Newby, 2008 (2500 words)
• ‘Avatar on the Belts 2: Eros’, William J. Piovano, 2008 (5500 words)
• ‘Lucky .003’, Kassandra Kelly, 2008 (4500 words)
• ‘Avatar on the Belts 1: Tartaros’, William J. Piovano, 2008 (5700 words)
• ‘Share Your Space Today’, David Towsey, 2008 (3200 words)

2007

• ‘In the Shadow of Kakadu’, RJ Astruc, 2007 (4000 words)
• ‘Night Dreaming’, Steven Pirie, 2007 (2000 words)
• ‘What Hath God Wrought?’, Neil Carstairs, 2007 (5700 words)
• ‘Art Attack!’, Mark Harding, 2007 (2000 words)
• ‘Apala’, Terrance Jefferson, 2007 (4000 words)
• ‘Pianissimo’, Alan Frackleton, 2007 (11500 words)
• ‘Coffin Road’, Terry Grimwood, 2007 (3500 words)
• ‘The Blood of Castalsara’, William J. Piovano, 2007 (12000 words)

2006

• ‘Omega, maybe’, Michael Loughrey, 2006 (10000 words)
• ‘The Dark One's Cry’, Barbora P., 2006 (1700 words)
• ‘Looking Glass Vacation’, Sarah Ann Watts, 2006 (5000 words)
• ‘Half Light House’, J.W. Bennett, 2006 (1500 words)
• ‘Deadline’, Tom Lichtenberg, 2006 (1000 words)
• ‘Happy Days’, Jerome Kemp, 2006 (2900 words)
• ‘Making History’, Lynda Williams, 2006 (3900 words)

2005

• ‘Lost Chapters: A fairytale’, J.W. Bennett, 2005 (7400 words)
• ‘The Exaggerated Man’, Terry Grimwood, 2005 (3800 words)
• ‘Once Again’, Allen McGill, 2005 (900 words)
• ‘Bottom Drawer’, Brett Alexander Savory, 2005 (500 words)
• ‘Backward Planning’, John Young, 2005 (270 words)
• ‘Letting Go’, Neil Ayres, 2005 (3100 words)
• ‘The Death Park’, Duncan Barford, 2005 (2800 words)
• ‘What the Dead Are For’, Terry Grimwood, 2005 (3500 words)
• ‘The Wolf Behind the Sun’, Johann Carlisle, 2005 (2900 words)

Poems

• ‘How Will They Judge Us’, Lisa Timpf, 2017 (9 lines)
• ‘Falling Out’, Hayley Stone, 2019 (10 lines)
• ‘Going Under’, Ujjvala Bagal Rahn, 2023 (13 lines)
• ‘he kindly danced for me’, J.D. Harlock, 2021 (14 lines)
• ‘Reasonable Accommodations’, Nicole J. LeBoeuf, 2022 (14 lines)
• ‘How to Plant an Olive Tree on the Moon When All Is Lost’, Elena S. Kotsile, 2023 (14 lines)
• ‘Bone Planet’, Petra Kuppers, 2024 (14 lines)
• ‘Nebula Girl’, Maria DePaul, 2017 (16 lines)
• ‘Demon Summoning for the Modern Femme’, Avra Margariti, 2020 (16 lines)
• ‘Not for Sale, Used Asteroid, One Owner’, Mary Soon Lee, 2021 (16 lines)
• ‘What Heroines Read’, Mary Soon Lee, 2024 (16 lines)
• ‘Liquid Water Lake Revealed on Mars’, Paige Elizabeth Smith, 2019 (19 lines)
• ‘Mageochory’, S. Brackett Robertson, 2023 (19 lines)
• ‘Red Tide at the Finca’, Michael Díaz Feito, 2019 (20 lines)
• ‘Alien Armada’, Mary Soon Lee, 2021 (21 lines)
• ‘This Soundless Murk’, Hester J. Rook, 2020 (22 lines)
• ‘Solitary’, David Birch Ellis, 2023 (22 lines)
• ‘Raised’, Deborah Harford, 2025 (22 lines)
• ‘The Cassandra Effect’, M. Frost, 2025 (22 lines)
• ‘Song of Wandering Agnes’, Christyl Rivers, 2018 (23 lines)
• ‘Keeping the Stars’, Anna Sykora, 2016 (24 lines)
• ‘Through the Dark, Persephone Speaks’, Jennifer Bushroe, 2019 (24 lines)
• ‘How to Tell Your Husband You’re a Werewolf’, Katherine Shats, 2021 (24 lines)
• ‘Smells of Brine, Witching’, Devin Miller, 2023 (24 lines)
• ‘Drown Me’, Hester J. Rook, 2020 (25 lines)
• ‘A Moon Witch Seeks a Shell’, Devan Barlow, 2024 (25 lines)
• ‘Sunrise over Neo-Tokyo’, Lae Astra, 2024 (26 lines)
• ‘Degenerate’, Avra Margariti, 2022 (27 lines)
• ‘Daughter’, Eva Papasoulioti, 2019 (28 lines)
• ‘Lucky Fact’, Stefani Cox, 2020 (28 lines)
• ‘All I Ever Wanted to Be’, Goran Lowie, 2023 (28 lines)
• ‘Witch Moon’, Colleen Anderson, 2017 (29 lines)
• ‘Not Far Enough’, Paige Elizabeth Smith, 2019 (29 lines)
• ‘How to Dismantle a Defective Sex Droid’, Ashley Bao, 2021 (29 lines)
• ‘New Moon’, T.D. Walker, 2017 (30 lines)
• ‘Shrouded’, Jennifer Bushroe, 2019 (30 lines)
• ‘Armor’, Devin Miller, 2021 (30 lines)
• ‘Patchwork Girl’, Colleen Anderson, 2016 (33 lines)
• ‘Athena on Motherhood’, Kari Castor, 2016 (33 lines)
• ‘Jonah’, Soren James, 2018 (33 lines)
• ‘In Dependence’, Oluwatomiwa Ajeigbe, 2021 (33 lines)
• ‘How Far Does Night Have To Fall?’, F.J. Bergmann, 2016 (34 lines)
• ‘Lights’, Kim Whysall-Hammond, 2019 (34 lines)
• ‘Oak Tree’, Fiona M. Jones, 2020 (34 lines)
• ‘Neith and Her Women’, Gerri Leen, 2020 (34 lines)
• ‘Return to the Cities’, Marie Vibbert, 2022 (34 lines)
• ‘The Ships That Sang’, Jess Cho, 2024 (34 lines)
• ‘Interstellar Wallflower’, Samuel Lowd Goldstein, 2023 (35 lines)
• ‘Entwined’, J.N. Powell, 2017 (36 lines)
• ‘Mermaid's Comb’, Colleen Anderson, 2018 (36 lines)
• ‘Riddles of Lunacy’, Rufina Jinju Kang, 2019 (36 lines)
• ‘The Risk of Embarking’, Lynne Sargent, 2021 (36 lines)
• ‘Mycelial’, Lisa Timpf, 2023 (36 lines)
• ‘The Wolf’s Tale’, Rebecca Buchanan, 2019 (37 lines)
• ‘Eden’, Stephen Whitehead, 2020 (38 lines)
• ‘Of Weeds and Witches’, Shelly Jones, 2021 (38 lines)
• ‘charybdis’, Marisca Pichette, 2022 (38 lines)
• ‘Homunculi of Creation’, Avra Margariti, 2024 (38 lines)
• ‘Spare the Fire, Spoil the Brute’, Gerri Leen, 2020 (40 lines)
• ‘Whistling Trees and Ironwood’, Hester J. Rook, 2020 (40 lines)
• ‘Manipulating the Light’, Mahaila Smith, 2024 (42 lines)
• ‘Moon’, Jeana Jorgensen, 2019 (43 lines)
• ‘The Flier and the Sheltered Maid’, Ana Gardner, 2021 (43 lines)
• ‘We Don't Always Have to Toss Her in the Deep End’, Jordan Hirsch, 2022 (43 lines)
• ‘Rumors of Women’, Laura Cranehill, 2021 (45 lines)
• ‘Apotheosis’, Nicole J. LeBoeuf, 2021 (45 lines)
• ‘How Magic Will Help You Take the Bastards Down’, Beth Cato, 2023 (45 lines)
• ‘Results of Your Quiz: Which Survivor of the Trojan War Are You?’, Hayley Stone, 2018 (46 lines)
• ‘Guidelines for Living Your Fairy Tale (in no Particular Order)’, Amanda Cook, 2024 (46 lines)
• ‘Echidna’, Stephen Whitehead, 2018 (48 lines)
• ‘Cleopatra Diaries’, Jennifer Crow, 2019 (52 lines)
• ‘Until a Hundred Generations of People Have Departed’, E. Saxey, 2021 (52 lines)
• ‘Between Scylla and Charybdis’, Carina Bissett, 2023 (53 lines)
• ‘Proven Strategies in Human Public Relations’, Davian Aw, 2017 (55 lines)
• ‘The Fungal Force: A History’, Colleen Anderson, 2023 (55 lines)
• ‘Sunset on Kepler-22b’, Christina Sng, 2019 (57 lines)
• ‘Daphne’s Grove’, Hayley Stone, 2018 (59 lines)
• ‘Lost’, Adele Gardner, 2020 (60 lines)
• ‘Rain on St Andrew’s Night’, Ana Gardner, 2021 (60 lines)
• ‘Dissolution’, Danielle Levsky, 2025 (66 lines)
• ‘Germination’, A.Z. Louise, 2019 (67 lines)
• ‘The Later Life of Herr Samsa’s Picture’, Elizabeth R. McClellan, 2023 (68 lines)
• ‘Unformed’, Veda Villiers, 2025 (81 lines)
• ‘Walking on Knives’, Jeana Jorgensen, 2019 (85 lines)
• ‘You Are Whole’, Anshritha, 2021 (86 lines)
• ‘A 구미호 Invites a Soucouyant to a Picnic’, Rufina Jinju Kang, 2018 (96 lines)
• ‘The Void Is in a Playful Mood Tonight’, Naomi Simone Borwein, 2025 (115 lines)
• ‘Time Traveller's Memory’, Davian Aw, 2020 (177 lines)
• ‘Two Hybrids’, Rachel Rodman, 2024 (179 lines)
• ‘Not a Princess, But (Yes) There Was a Pea’, Rebecca Buchanan, 2019 (182 lines)

Flash fiction

• ‘The Bright Hunters’, B.L. Draper, 2015 (250 words)
• ‘Backward Planning’, John Young, 2005 (270 words)
• ‘Shore Pines and Spider Silk’, Misha Penton, 2019 (290 words)
• ‘Solarpunk Letters: Seeds of Change’, Joyce Chng, 2023 (290 words)
• ‘Pirouettes in Weightlessness’, A. Zaykova, 2023 (400 words)
• ‘Bottom Drawer’, Brett Alexander Savory, 2005 (500 words)
• ‘A Matter of Perspective’, T.C. Powell, 2015 (500 words)
• ‘Ganymede Riots’, Victoria Feistner, 2019 (500 words)
• ‘Seven Choices’, Rachel Rodman, 2017 (600 words)
• ‘Cinder-Elver’, Mary Alexandra Agner, 2016 (650 words)
• ‘Gendered Anatomy’, R.E. Andeen, 2021 (700 words)
• ‘Huddle’, Monica Joyce Evans, 2023 (720 words)
• ‘The End of Rain’, Zoe Kaplan, 2024 (720 words)
• ‘I Believe’, Dawn Vogel, 2019 (770 words)
• ‘The Good Wife’, Rebecca Buchanan, 2018 (800 words)
• ‘Hysteria’, Katrina Smith, 2019 (830 words)
• ‘Sun-Dappled Sheets of Methane Rain’, Marc A. Criley, 2024 (830 words)
• ‘The Cryptographer’s Body’, Evelyn Deshane, 2016 (850 words)
• ‘Dragon Years’, Juliet Kemp, 2020 (880 words)
• ‘The Bone Prophet’, Hester J. Rook, 2021 (880 words)
• ‘Salamander Love’, Petra Kuppers, 2019 (890 words)
• ‘AITA for throwing away my wife’s haunted dolls?’, Annika Barranti Klein, 2022 (890 words)
• ‘Once Again’, Allen McGill, 2005 (900 words)
• ‘A History of the 20th Century, with illustrations: Atonement’, Ian Sales, 2012 (900 words)
• ‘The Carminokite’, Kimberly Kaufman, 2019 (900 words)
• ‘The Lime Monster’, Shelly Jones, 2020 (900 words)
• ‘Lady of the Court of Black Wings’, Richard R. Blake, 2017 (920 words)
• ‘Trash Goes in the Ground’, Kelly Rose Pflug-Back, 2017 (970 words)
• ‘Before We Drown’, Vanessa Fogg, 2022 (980 words)
• ‘Deadline’, Tom Lichtenberg, 2006 (1000 words)
• ‘Always Look on the Bright Side’, Alison Littlewood, 2008 (1000 words)
• ‘The Light Princess’, Ephiny Gale, 2013 (1000 words)
• ‘Spindle Talk’, Sean R. Robinson, 2017 (1000 words)
• ‘A Sea Change’, Shelly Jones, 2022 (1000 words)
• ‘Collective Bargaining’, Jonathan Olfert, 2023 (1000 words)

Short stories

• ‘The Day the Books Left’, Simon Kewin, 2015 (1200 words)
• ‘The Facts Are These’, M. Bennardo, 2020 (1200 words)
• ‘Wives at the End of the World’, Avra Margariti, 2021 (1300 words)
• ‘Mrs. Daedalus’, Marianne Xenos, 2022 (1400 words)
• ‘Half Light House’, J.W. Bennett, 2006 (1500 words)
• ‘The Overdue Protocols’, Alexander Burns, 2009 (1500 words)
• ‘Always Left Behind’, Jack Hollis Marr, 2014 (1500 words)
• ‘After the New Dawn’, Joseph Tomaras, 2015 (1500 words)
• ‘We Have Your Book!’, Patrick Doerksen, 2018 (1500 words)
• ‘Floaters’, Joe Baumann, 2018 (1500 words)
• ‘The Foraging’, Shelly Jones, 2020 (1500 words)
• ‘Treacle Blood’, Joyce Chng, 2022 (1500 words)
• ‘Microseasons of the Dead’, Vanessa Fogg, 2023 (1500 words)
• ‘Kemistry’, Terry Grimwood, 2008 (1600 words)
• ‘Sweet Like Fate’, Sara Puls, 2013 (1600 words)
• ‘Tessa’, Edward Ashton, 2015 (1600 words)
• ‘Pleiades for a New Generation’, Kathryn Allan, 2020 (1600 words)
• ‘The Dark One's Cry’, Barbora P., 2006 (1700 words)
• ‘Ephemeral Love’, Melanie Rees, 2009 (1700 words)
• ‘The Transmigration’, Nader Elhefnawy, 2009 (1700 words)
• ‘Scaled Soul’, Rhianwen Phillips, 2020 (1700 words)
• ‘The Thousand Tongues of Sara’, Jonathan Olfert, 2023 (1700 words)
• ‘One Day’, Frances Koziar, 2023 (1700 words)
• ‘Safe in a Malachite Storm’, Devin Miller, 2025 (1700 words)
• ‘A Rock by Any Other Name’, Rick Novy, 2008 (1800 words)
• ‘Tidal Waves’, Melanie Rees, 2017 (1800 words)
• ‘Live off the Land’, Toby MacNutt, 2023 (1800 words)
• ‘Sophie and Zoe at the End of the World’, Rebecca Buchanan, 2014 (1900 words)
• ‘Building the Arcology’, Laura Gullveig, 2017 (1900 words)
• ‘Good Fortune’, Karen Heslop, 2017 (1900 words)
• ‘The Avlina Flower’s Magic’, Jamie Lackey, 2021 (1900 words)
• ‘Art Attack!’, Mark Harding, 2007 (2000 words)
• ‘Night Dreaming’, Steven Pirie, 2007 (2000 words)
• ‘Wingspan’, Aliya Whiteley, 2009 (2000 words)
• ‘Maryann Saves the World’, Michael J. DeLuca, 2009 (2000 words)
• ‘Soul Catcher’, Christel Bodenbender, 2013 (2000 words)
• ‘Rustsong’, Sean R. Robinson, 2015 (2000 words)
• ‘I’m Fine’, P.L. Salerno, 2022 (2000 words)
• ‘Nightingale’s Lament’, Laura Gregory, 2022 (2000 words)
• ‘The Rose Sisterhood’, Susan Taitel, 2024 (2000 words)
• ‘Space Gardens’, L.J. Lacey, 2024 (2000 words)
• ‘Featured Exhibit: Drop in a Bucket’, Ziggy Schutz, 2025 (2000 words)
• ‘River Crossing’, Petra Kuppers, 2017 (2100 words)
• ‘I Thought of You’, Juliet Kemp, 2019 (2100 words)
• ‘Deep Sea Baby’, Faith Allington, 2024 (2100 words)
• ‘Bluebird Magick’, Alexis A. Hunter, 2013 (2200 words)
• ‘A Witch, a Wakening’, Laura Blackwell, 2024 (2200 words)
• ‘Whiskey Mud’, Jonathan Olfert, 2024 (2200 words)
• ‘Reflection’, Jessica E. Birch, 2010 (2300 words)
• ‘Secrets of the Sea’, Jennifer Marie Brissett, 2012 (2300 words)
• ‘Uniform of War’, Harry Pauff, 2018 (2300 words)
• ‘Faulty Genes’, Hannah Soyer, 2021 (2300 words)
• ‘All the Way’, Graham Storrs, 2009 (2400 words)
• ‘Tanty Marlene’, E. Saxey, 2014 (2400 words)
• ‘The Thing You Feed’, Joyce Chng, 2018 (2400 words)
• ‘The Devil's Tooth’, E. Steven Newby, 2008 (2500 words)
• ‘A Whisper from the Waves’, Carrie Gessner, 2018 (2500 words)
• ‘Bilaadi’, S. Ali, 2012 (2600 words)
• ‘Thick on the Wet Cement’, Rebecca J. Schwab, 2012 (2600 words)
• ‘Millie’, Anna Caro, 2012 (2600 words)
• ‘Monsters’, Amelie Daigle, 2013 (2600 words)
• ‘The City, My Love’, Alexandra Seidel, 2021 (2600 words)
• ‘In the Field’, Shelly Jones, 2024 (2600 words)
• ‘The Grand Museum’, Ola Al-Fateh, 2016 (2700 words)
• ‘The Road under the Bay’, Petra Kuppers, 2016 (2700 words)
• ‘The Death Park’, Duncan Barford, 2005 (2800 words)
• ‘Passcodes’, Melinda Brasher, 2014 (2800 words)
• ‘La ruta de la sal’, Malena Salazar Maciá, 2020 (2800 words)
• ‘The Salt in Her Kiss’, Malena Salazar Maciá, 2020 (2800 words)
• ‘Every Quivering Fold of Flesh’, Jennifer R. Donohue, 2022 (2800 words)
• ‘Boxes Full of Memories’, Sean R. Robinson, 2023 (2800 words)
• ‘Escape Choice’, Emma Burnett, 2024 (2800 words)
• ‘Terranueva’, Katie Kopajtic, 2024 (2800 words)
• ‘Born of the Mountain's Chill’, Louise Hughes, 2025 (2800 words)
• ‘The Wolf Behind the Sun’, Johann Carlisle, 2005 (2900 words)
• ‘Happy Days’, Jerome Kemp, 2006 (2900 words)
• ‘The Harpy’, Laura Heron, 2012 (2900 words)
• ‘Shadow Boy and the Little Match Girl’, C.A. Hawksmoor, 2013 (2900 words)
• ‘A Distant Glimpse’, Simon Kewin, 2016 (2900 words)
• ‘An Argument in a World Full of Wonders’, Omi Wilde, 2018 (2900 words)
• ‘Earthgazing’, Lisa Cai, 2019 (2900 words)
• ‘Wings So Foreign’, Frank Ray Ard, 2009 (3000 words)
• ‘The Contractor’, Terry Grimwood, 2009 (3000 words)
• ‘Spindle House’, Jennifer Hudak, 2022 (3000 words)
• ‘His New Body’, Simon Kewin, 2023 (3000 words)
• ‘Seven Stories for Now and Later’, Nancy S. Koven, 2025 (3000 words)
• ‘Letting Go’, Neil Ayres, 2005 (3100 words)
• ‘Crescendo’, Omi Wilde, 2015 (3100 words)
• ‘Make of Me a Comet’, Kit Harding, 2022 (3100 words)
• ‘Song of Your Life’, Nicole Lungerhausen, 2022 (3100 words)
• ‘Purity’, Jennifer R. Donohue, 2023 (3100 words)
• ‘Share Your Space Today’, David Towsey, 2008 (3200 words)
• ‘Little Grey Weirdos’, Anna Ziegelhof, 2018 (3200 words)
• ‘Silver Wings’, Joyce Chng, 2019 (3200 words)
• ‘The Mountain’s Wife’, Jennifer R. Donohue, 2021 (3200 words)
• ‘Salt and Smoke’, Storm Blakley, 2022 (3200 words)
• ‘All That Water’, Eris Young, 2025 (3200 words)
• ‘The Third Angel Poured’, Julie Reeser, 2020 (3300 words)
• ‘Side Effects May Vary’, Avra Margariti, 2023 (3300 words)
• ‘That Small, Hard Thing on the Back of Your Neck’, Vanessa Fogg, 2024 (3300 words)
• ‘Deirdre’s Skin’, Amalie N. Ingham, 2024 (3300 words)
• ‘Causeway’, A.J. Fitzwater, 2015 (3400 words)
• ‘What the Dead Are For’, Terry Grimwood, 2005 (3500 words)
• ‘Coffin Road’, Terry Grimwood, 2007 (3500 words)
• ‘Avatar on the Belts 3: Aither’, William J. Piovano, 2008 (3500 words)
• ‘Immaterial’, Dan Grace, 2016 (3500 words)
• ‘Autonomous Dispatch’, Anna Ziegelhof, 2021 (3500 words)
• ‘The Abridged Excerpts from the Diary of a Corpse’, Naethan Pais, 2021 (3500 words)
• ‘No Chimeras’, Ranylt Richildis, 2014 (3600 words)
• ‘Songbird’, L. Chan, 2016 (3700 words)
• ‘My Pet Tiger’, Jessica Dylan Miele, 2018 (3700 words)
• ‘Sentinel’, Lauren Ferebee, 2025 (3700 words)
• ‘The Exaggerated Man’, Terry Grimwood, 2005 (3800 words)
• ‘Her Bones, Those of the Dead’, Tracie Welser, 2012 (3800 words)
• ‘Dare’, Sophie Clarke, 2013 (3800 words)
• ‘The Man Who Watched the Stars’, Carol Holland March, 2014 (3800 words)
• ‘Disconnected’, Vanessa Fogg, 2015 (3800 words)
• ‘The Cost of Fire’, Kiera Duggan, 2017 (3800 words)
• ‘Strange Engines’, Jordan Taylor, 2020 (3800 words)
• ‘Making History’, Lynda Williams, 2006 (3900 words)
• ‘The City of Sand and Knives’, A.J. Fitzwater, 2012 (3900 words)
• ‘Seven Bridges’, Francesca Forrest, 2014 (3900 words)
• ‘Before We Left the Forest’, Kelly Rose Pflug-Back, 2016 (3900 words)
• ‘Gurge’, Jason Baltazar, 2017 (3900 words)
• ‘Out of Bounds’, Anna Ziegelhof, 2023 (3900 words)
• ‘Apala’, Terrance Jefferson, 2007 (4000 words)
• ‘In the Shadow of Kakadu’, RJ Astruc, 2007 (4000 words)
• ‘Suburban Alchemist’, Rob Sharp, 2008 (4000 words)
• ‘Fragmentality’, Sandra M. Odell, 2010 (4000 words)
• ‘The Issuance of One Hundred and Thirty-Six’, Mark Harding, 2010 (4000 words)
• ‘Drafting Zoë’, Kelly Jennings, 2010 (4000 words)
• ‘Good Form’, Jo M. Thomas, 2012 (4000 words)
• ‘The Poisoned City’, Katrina S. Forest, 2014 (4000 words)
• ‘Menander’, Angela Ambroz, 2015 (4000 words)
• ‘Taiya’, Vanessa Fogg, 2017 (4000 words)
• ‘From Out of the Ashes’, Michelle Labbé, 2018 (4000 words)
• ‘The First Breath after Drowning’, Tannara Young, 2019 (4000 words)
• ‘Whose Side Are You on Anyway?’, Sarah L. Byrne, 2013 (4100 words)
• ‘Sonnets from the “New Heart’s Ease”’, Z. Finch, 2015 (4100 words)
• ‘Porphyria: Dazzle Con Debut’, Priya Sridhar, 2016 (4100 words)
• ‘Where Thorns Can Grow’, Meryl Stenhouse, 2018 (4100 words)
• ‘Liquid Loyalty’, Redfern Barrett, 2013 (4200 words)
• ‘The Birdwatcher’, Jocelyn Koehler, 2014 (4200 words)
• ‘Sometimes I Am Drowning’, Louise Hughes, 2017 (4200 words)
• ‘Last Address’, Brian Olszewski, 2018 (4200 words)
• ‘The Message’, Vanessa Fogg, 2019 (4200 words)
• ‘The Derelict’, Nicasio Andres Reed, 2021 (4200 words)
• ‘Ten Degrees of Freedom’, Sean Chua, 2022 (4200 words)
• ‘Nasmina's Black Box’, Jennifer Marie Brissett, 2009 (4300 words)
• ‘Billie the Dragon Slayer’, Alexandra Grunberg, 2019 (4300 words)
• ‘Know They Will Die under the Salt of It’, Jennifer R. Donohue, 2020 (4300 words)
• ‘Unspoilt’, Louise Hughes, 2022 (4300 words)
• ‘Respite Time’, Eric Del Carlo, 2009 (4400 words)
• ‘Neap Tide’, Don Norum, 2009 (4400 words)
• ‘Tiangong Park’, Erika D. Price, 2015 (4400 words)
• ‘Lucky .003’, Kassandra Kelly, 2008 (4500 words)
• ‘Merlin's Dolphin’, Erika Tracy, 2010 (4500 words)
• ‘It Kills Your Heart’, Anthony M. Abboreno, 2015 (4500 words)
• ‘A Subtle Fire Beneath the Skin’, Hayley Stone, 2021 (4500 words)
• ‘Crumb Cutie Exodus’, Bernie Jean Schiebeling, 2023 (4500 words)
• ‘Drown or Die’, Therese Arkenberg, 2010 (4600 words)
• ‘Titanium and Silk’, Nick Poniatowski, 2010 (4600 words)
• ‘A Fear of Falling Under’, A.J. Fitzwater, 2013 (4600 words)
• ‘Digital Ligatures’, Lauren C. Teffeau, 2014 (4600 words)
• ‘Lavender Tea’, Míquito López, 2015 (4600 words)
• ‘When Dessa Danced’, Donyae Coles, 2018 (4600 words)
• ‘Inanition’, Kate Kastelein, 2019 (4600 words)
• ‘We Were Ghostless Against Her’, Ioanna Papadopoulou, 2022 (4600 words)
• ‘Getting Down and Dirty’, Michael Johnson, 2008 (4700 words)
• ‘Lacuna’, Anne E. Johnson, 2012 (4700 words)
• ‘Hard Rains’, S.J. Sabri, 2016 (4700 words)
• ‘Treading Invisible Threads’, Juliet Kemp, 2025 (4700 words)
• ‘10%’, Edward W. Robertson, 2009 (4800 words)
• ‘Silence’, Alex Fleetwood, 2010 (4800 words)
• ‘The Rice Mother in Red’, Pear Nuallak, 2015 (4800 words)
• ‘Embedded’, A.J. Fitzwater, 2016 (4800 words)
• ‘We Are All Wasteland on the Inside’, Benjanun Sriduangkaew, 2016 (4800 words)
• ‘Only the Dogs Bark’, Dawn Lloyd, 2009 (4900 words)
• ‘An Invisible Tide’, Jo M. Thomas, 2015 (4900 words)
• ‘Looking Glass Vacation’, Sarah Ann Watts, 2006 (5000 words)
• ‘Silent Song’, Wendy Palmer, 2010 (5000 words)
• ‘Hunting Unicorns’, Jo M. Thomas, 2013 (5000 words)
• ‘Tears of the Gods’, Sarah L. Byrne, 2014 (5000 words)
• ‘The Paragon of Knowledge’, Nick Wood, 2015 (5000 words)
• ‘The Ghost Repeater’, Joshua Philip Johnson, 2017 (5000 words)
• ‘They Built the New Jerusalem on the Ruins of the Old’, William Squirrell, 2018 (5000 words)
• ‘The Woman in the Pool’, Isabelle Sanders, 2018 (5000 words)
• ‘A Luxury Like Hope’, Aimee Ogden, 2021 (5000 words)
• ‘The Fox and the Snake’, Timothy Yeo, 2022 (5000 words)
• ‘Just as You Are’, Juliet Kemp, 2023 (5000 words)
• ‘Survive!’, Cory McMillen, 2012 (5100 words)
• ‘Cascade’, A.J. Fitzwater, 2020 (5200 words)
• ‘Bright Bleeding Girls’, J.L. George, 2025 (5400 words)
• ‘Avatar on the Belts 2: Eros’, William J. Piovano, 2008 (5500 words)
• ‘Phantom Hearts’, David Gallay, 2014 (5500 words)
• ‘Bite’, A. Poythress, 2018 (5500 words)
• ‘Minotaur’, Jaime Gill, 2025 (5500 words)
• ‘The Tuner’, Kip Manley, 2013 (5600 words)
• ‘Glow in the Dark’, Rachel Linn, 2016 (5600 words)
• ‘The Wasteland Review’, Aurelia Gonzalez, 2020 (5600 words)
• ‘Mijara’s Freedom’, Eleanor Glewwe, 2020 (5600 words)
• ‘What Hath God Wrought?’, Neil Carstairs, 2007 (5700 words)
• ‘Avatar on the Belts 1: Tartaros’, William J. Piovano, 2008 (5700 words)
• ‘Made Light’, Melissa Moorer, 2014 (5700 words)
• ‘Vengeance Sewn with Fey Cord’, Christine Lucas, 2016 (5800 words)
• ‘A Prayer to St Jude’, M. Bennardo, 2022 (5800 words)
• ‘The Heart of the Party’, Sarah Day, 2022 (5800 words)
• ‘How You Make the Straight’, RJ Astruc, 2010 (5900 words)
• ‘Changer's Wood’, Stephen Taylor, 2017 (5900 words)
• ‘Woman, Soldier, Girl’, Priya Chand, 2023 (5900 words)
• ‘Unblooded Gospel’, Justin Taroli, 2025 (5900 words)
• ‘Final Passage’, Addison Clift, 2013 (6000 words)
• ‘All Along the Mall’, Chloe N. Clark, 2015 (6000 words)
• ‘A Stereoscopic Landscape View of Torino with Damsels and Distress’, Celia Neri, 2020 (6000 words)
• ‘The Shadow Catchers’, Vanessa Fogg, 2020 (6000 words)
• ‘New Day Dawning’, Francesca Forrest, 2022 (6000 words)
• ‘Bridge’, S. Brackett Robertson, 2022 (6000 words)
• ‘Between the Shadow and the Soul’, Davian Aw, 2023 (6000 words)
• ‘Transmogrification’, R.M. Pérez-Padilla, 2024 (6000 words)
• ‘The Shape of Her Shadow’, Alexandra Brandt, 2024 (6000 words)
• ‘Dare Seize the Fire’, Jennifer R. Donohue, 2025 (6000 words)
• ‘Turnabout’, Ana Wesley, 2025 (6100 words)
• ‘Stitched’, Sarah Salcedo, 2021 (6200 words)
• ‘Je me souviens’, Su J. Sokol, 2012 (6300 words)
• ‘The Wave’, Vanessa Fogg, 2016 (6300 words)
• ‘The Thinnest Veil’, Peri L. Fletcher, 2017 (6300 words)
• ‘Burning the Sinners with Lamplight’, Michelle Denham, 2017 (6300 words)
• ‘Six Kilometers Around’, Meghan Cruickshank, 2018 (6300 words)
• ‘On Your Wings’, Omi Wilde, 2017 (6400 words)
• ‘There Are No Echoes’, Davian Aw, 2017 (6400 words)
• ‘Seams of Iron’, Adriana C. Grigore, 2022 (6400 words)
• ‘The Sons of Victor Levitak’, Rowley Amato, 2025 (6400 words)
• ‘One Drop’, David Dumitru, 2008 (6500 words)
• ‘American Golgotha’, Joe Pitkin, 2012 (6500 words)
• ‘Shadows in the Mirror’, Todd Thorne, 2009 (6700 words)
• ‘Safecracker, Safe’, J.C. Hsyu, 2012 (6700 words)
• ‘Five Tales of the Rose Palace’, Ephiny Gale, 2018 (6700 words)
• ‘Ashen Wings and Lightless Skies’, Amelia Sirina, 2018 (6800 words)
• ‘We Will Become as Monsters’, Benjanun Sriduangkaew, 2020 (6900 words)
• ‘Desolation Corner’, William Squirrell, 2021 (6900 words)
• ‘Less Than the Sum of the Movable Parts’, Richard Thieme, 2008 (7000 words)
• ‘The Recycled Man, part 2’, Rob Sharp, 2009 (7000 words)
• ‘Free State’, Nora E. Derrington, 2015 (7200 words)
• ‘Winds: NW 20 km/hr’, Stacy Sinclair, 2012 (7300 words)
• ‘I m d 1 in 10’, Victor Fernando R. Ocampo, 2014 (7300 words)
• ‘Trigger Point’, C.A. Hawksmoor, 2015 (7300 words)
• ‘Lost Chapters: A fairytale’, J.W. Bennett, 2005 (7400 words)

Novelettes

• ‘The Furious Chisel’, D.H. Kelly, 2019 (7500 words)
• ‘Elm’, Jamie Killen, 2012 (7600 words)
• ‘Elmer Bank’, Emily Capettini, 2012 (7600 words)
• ‘The Good Hawks’, Danielle Jorgenson-Murray, 2020 (7600 words)
• ‘Holy Many-Minds Home’, Michael Díaz Feito, 2016 (7700 words)
• ‘The Listener’, Sim Kern, 2021 (7700 words)
• ‘Archive of the Inexplicable and Dangerous’, Alexandra Grunberg, 2021 (7800 words)
• ‘Nettles’, Arley Sorg, 2013 (7900 words)
• ‘Shadows in the Water’, Selena Martens, 2017 (7900 words)
• ‘This is What I Look Like Now’, Sara Hosey, 2010 (8000 words)
• ‘k.a. (birthright)’, Lam Ning, 2021 (8200 words)
• ‘The Pool Noodle Alien Posse’, M.L. Clark, 2023 (8200 words)
• ‘Daughters of Hralln’, C.L. Rossman, 2010 (8300 words)
• ‘Arrow’, Barry King, 2012 (8400 words)
• ‘Over the New Horizon’, T.D. Walker, 2016 (8400 words)
• ‘The Boy who Shattered Time’, Mark D. Dunn, 2012 (8500 words)
• ‘Siv Delfin’, Damien Krsteski, 2016 (8500 words)
• ‘And You Will Know Us by Our Monsters’, M.L. Clark, 2019 (8600 words)
• ‘Matryoshka City’, Albert Chu, 2024 (8600 words)
• ‘The Water Thief’, Jack Waddell, 2013 (8700 words)
• ‘The Orchids of Lethe’, M. Bennardo, 2016 (8700 words)
• ‘A Door of My Own’, Tim Pratt, 2022 (8800 words)
• ‘Snakes, Thorns, August’, Kayla Bashe, 2015 (8900 words)
• ‘The Transformative Three and the Clean Cooking Revolution (grant no. 437-775)’, Auke Pols, 2024 (8900 words)
• ‘Requiem for Shiva’, D. Thomas Minton, 2012 (9000 words)
• ‘A Faster Tomorrow’, Damien Krsteski, 2018 (9000 words)
• ‘The Devil Hunters of Fawn Street’, Clark Lewis, 2021 (9100 words)
• ‘The Hulks’, Subodhana Wijeyeratne, 2017 (9300 words)
• ‘The New Revolution’, Dylan Fox, 2014 (9400 words)
• ‘The Recycled Man, part 1’, Rob Sharp, 2009 (9500 words)
• ‘The Anarchivist’, Owen Leddy, 2025 (9500 words)
• ‘Godwin's Law’, Curtis C. Chen, 2015 (9700 words)
• ‘The Ensanguined Shore’, Jennifer R. Donohue, 2024 (9700 words)
• ‘The Boy from the War’, Perrin Lu, 2019 (9800 words)
• ‘Omega, maybe’, Michael Loughrey, 2006 (10000 words)
• ‘Until the Pit is Dug for the Wicked’, John Kratman, 2008 (10000 words)
• ‘The Remaker’, Fabio Fernandes, 2012 (10000 words)
• ‘Limue’s Alphabet’, Eleanor Glewwe, 2025 (10000 words)
• ‘Good Genes’, Rebecca Gomez Farrell, 2016 (10200 words)
• ‘Wishes Slick Like Eels’, Irene Liang, 2025 (10300 words)
• ‘Where Machines Run with Gold’, Benjanun Sriduangkaew, 2019 (10600 words)
• ‘Galatea's Stepchildren’, Sam S. Kepfield, 2009 (11000 words)
• ‘Terminal City’, Zoë Blade, 2013 (11000 words)
• ‘Courtship in the Country of Machine-Gods’, Benjanun Sriduangkaew, 2012 (11200 words)
• ‘Pianissimo’, Alan Frackleton, 2007 (11500 words)
• ‘Fairest of All’, Ada Hoffmann, 2019 (11800 words)
• ‘The Blood of Castalsara’, William J. Piovano, 2007 (12000 words)
• ‘Goodbye, Snow Child’, Jo M. Thomas, 2019 (14400 words)
• ‘My Plastic Heart, My Metal Hand’, Susan Jane Bigelow, 2019 (15300 words)
• ‘The Better Ends’, V. Zixin, 2025 (15600 words)
• ‘avenging the sorrow’, Lam Ning, 2022 (15700 words)
• ‘Cupernicity’, B. Morris Allen, 2025 (16000 words)